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Martial Arts America: A Western Approach to Eastern Arts Paperback – December 22, 1997
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- Print length216 pages
- LanguageEnglish
- PublisherFrog Books
- Publication dateDecember 22, 1997
- Dimensions7 x 0.7 x 8.9 inches
- ISBN-101883319676
- ISBN-13978-1883319670
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Product details
- Publisher : Frog Books (December 22, 1997)
- Language : English
- Paperback : 216 pages
- ISBN-10 : 1883319676
- ISBN-13 : 978-1883319670
- Item Weight : 14.9 ounces
- Dimensions : 7 x 0.7 x 8.9 inches
- Best Sellers Rank: #3,602,465 in Books (See Top 100 in Books)
- #7,339 in Martial Arts (Books)
- #37,661 in Exercise & Fitness (Books)
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For example, he states that, "today's full-contact fighters throw devastating, lightning fast punches from a distance of less than two feet. Against this kind of speed, classical blocks and punches simply do not stand a chance. What amazes me is how a flaw of this magnitude - and one that is taught to thousands of unknowing students every day - still exists in what are, otherwise, extremely potent arts..." This is just flat wrong.
Contrary to Mr. Orlando's understanding, in classical blocks the hand that is out (e.g. just punched or blocked) performs the actual block, check, or deflection, while the hand that is in chamber executes a technique designed to control the opponent's limb. Even though it is often hidden, almost all blocks in traditional karate styles utilize this check/control methodology. In all cases, there is never ever any "wind-up" preceding anything. In most traditional schools all but the most junior students understand that simple fact.
To delve deeper, the word "uke" translates more accurately to "receive" than it does to "block." When viewed in this context, it may be easier to understand that practitioners typically check, deflect, or control an attack rather than meeting it force-on-force. Using the traditional check/control methodology, a practitioner's outstretched hand need only deflect an attack by a few inches to spoil its effect when contact is made close to an opponent's body. In this fashion karateka can easily avoid being hit by even the most "devastating" of punches no matter how fast, or how powerfully, or even how unexpectedly they are thrown.
Common misconceptions such as this one are the reason that I believe it is imperative to supplement the traditional modeling approach to instruction with interactive discussions and other teaching styles. Regardless, I hate to see this sort of stuff perpetuated...
Now that I've ripped him down, I will point out that there are some redeeming concepts in this book. For example, the author also promotes practicing martial arts in the same sort of attire one might be wearing in real life. If you have spent your whole life barefoot in a dojo, training with loose fitting clothes, you may well be in for a shock the first time you have to fight in tight-fitting jeans wearing boots. This is a very valid point. I wholeheartedly agree that practitioners should devote some of their training to more realistic conditions though that often must occur at their home rather than in a tradition karate school.
All in all, however, there is not enough meat in this book for me to feel like I got my money's worth from purchasing it. It was disappointing. Get Sifu Orlando's book "Indonesian Fighting Fundamentals: The Brutal Arts Of The Archipelago" instead. It's a great read and well worth buying.
Lawrence Kane
Author of Surviving Armed Assaults, The Way of Kata, and Martial Arts Instruction
This book should be on every student's list.
However, if you've been at it awhile, these are all issues that have been considered by the martial arts community since the 1970s, in magazines, books and dojos. Beginning with Bruce Lee and Ed Parker, and extending through to the current MMA revolution, American martial arts have come a long way since I was 12 and the only dojo in town was a Tae Kwon Do studio with a Korean master whose demeanor was 'my way or the highway'. Personally I think each person finds his or hers own path after years of training. I still love my traditional Japanese ju jitsu training, and am content with addressing my (American) teacher as 'sensei' on the mat, bowing in and out of class, using Japanese terminology and meditating for 10 minutes after each session. However, I also enjoy occasional Krav Maga classes, training balls out in sweats and sneakers and calling the instructor 'Jim'. The martial arts is a big ocean, and there's room for everybody, which I think is Orlando's point. He does a good job of pointing out the differences, similarities, pros and cons, and potential ripoffs and pitfalls. I would recommend this book to anyone thinking of starting out in the martial arts.
While this book does not tear down and dismiss altogether the traditional methods of training, Orlando offers insights into many of the concepts and practices traditionalists (including myself) have been wrestling with for a long time. Morover, Orland serves up these topics with good humor, and does not pretend to be feeding his readers any absolute answer. As a long time student and teacher of the martial arts, I found these views helpful and long overdue (in print, at least). It is nice to know there are others out there who often wonder about and question our "sacred cows", and it is good to see someone who can do this without the snobishness of some so-called "modern" martial arts practitioners.
Orlando's background includes Chinese Kenpo-Karate, Kung fu under Al Dacascos, and Chinese Kuntao and Indonesian Pentjak Silat under master teacher William de Thours. Here is a quote which I really liked: "Rank[...] is excess baggage. It becomes a hinderance to learning because everyone expects that you already know everything".
I particularly appreciated Bob's willingness to state the "obvious" (in hindsight) in print without regard to who will take exception. Like the boy in "The Emperor's New Clothes," he has the rare wisdom of being willing to look foolish by asking the obvious, forbidden, necessary questions. The discussion of punching and blocking in Karate and similar arts is only the most obvious example.
Instead of telling you what is in the book, let me tell what it has done for me as someone of no great skill who has trained in several arts and been satisfied with none of them. (A lot of us, unfortunately, fall in this category.) More than anything else I have ever seen or read, this book helped me to:
(1) Analyze and understand what I do and do not want from a martial art, and who might offer it. Anyone who has studied several arts here and there, as I have, knows the frustration of not being able to be an "intelligent consumer." This alone is worth far more than the cost of the book (probably less than half the cost of a month of lessons anywhere). I agree with another reviewer; if you are thinking of taking lessons but don't know exactly what you want already, BUY THIS BOOK NOW. It takes time and experience to discover the right art and teacher. It is a great help to borrow some of Bob's time and experience before you start spending your own.
(2) Maintain motivation to train. You can't wait to train until you find the ideal art. I find it encouraging to know that even if my best local opportunity to train is not what I would prefer, there are other things out there if I have patience. Perspective is a valuable thing, particularly if it helps you take advantage of the opportunities you have rather than waiting for ones that you don't.
(3) Appreciate arts that are not necessarily for me. Once you know what you want personally, you can stop trying to make other arts something they are not but instead enjoy what they are. As well as being a generally humane attitude, this also helps with point (2). And, after all, I may discover I like them more than I thought.
I have minor criticisms, but what they are does not matter. What does matter is that you read it for yourself and find your own. That's ultimately the point of the book; rational inquiry and debate in the best Western tradition. Bob asks "why?" and "can you prove it?" constantly and encourages us to do the same. It is a shame that we need the encouragement so much.
I appreciated Bob's interactive approach. He supplies the pertinent information along with the important questions and allows the reader to come to their own conclusion.
Instead of merely stating what he feels is wrong with certain aspects of martial arts training Bob offers what he believes are viable alternatives. Chapter six alone which deals with punching and blocking methods is worth the price of the book.
This is a must read for anyone considering taking up a martial art as well as for someone who may wish to reevaluate their current training. Bravo Bob!
He has also mixed photographs and artwork into the book which gives it an extra flavor. The artwork is multifaceted; serioous, humorous, and at times, reverenced. Most topics are discussed: Sport karate, kata, combat fighting, and how to find a good school. Instructors will benefit from this book as well as he speaks about many innovative topics as developed in the western world.

