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Martin Chuzzlewit (Wordsworth Classics) (Wordsworth Collection) Paperback – March 30, 1998
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- Print length832 pages
- LanguageEnglish
- PublisherWordsworth Editions Ltd
- Publication dateMarch 30, 1998
- Dimensions5.25 x 1.75 x 8 inches
- ISBN-101853262056
- ISBN-13978-1853262050
- Lexile measure1070
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Editorial Reviews
From the Back Cover
About the Author
When Dickens was ten the family moved to Camden Town, and this proved the beginning of a long, difficult period. When he had just turned twelve Dickens was sent to work for a manufacturer of boot blacking, where for the better part of a year he labored for ten hours a day, an unhappy experience that instilled him with a sense of having been abandoned by his family. Around the same time Dickens's father was jailed for debt in the Marshalsea Prison, where he remained for fourteen weeks. After some additional schooling, Dickens worked as a clerk in a law office and taught himself shorthand; this qualified him to begin working in 1831 as a reporter in the House of Commons, where he was known for the speed with which he took down speeches.By 1833 Dickens was publishing humorous sketches of London life in the Monthly Magazine, which were collected in book form as Sketches by (1836). These were followed by the publication in instalments of the comic adventures that becameThe Posthumous Papers of the Pickwick Club (1837), whose unprecedented popularity made the twenty-five-year-old author a national figure. In 1836 he married Catherine Hogarth, who would bear him ten children over a period of fifteen years. Dickens characteristically wrote his novels for serial publication, and was himself the editor of many of the periodicals in which they appeared. Among his close associates were his future biographer John Forster and the younger Wilkie Collins, with whom he collaborated on fictional and dramatic works. In rapid succession he published Oliver Twist (1838), Nicholas Nickleby (1839), The Old Curiosity Shop (1841), and Barnaby Rudge (1841), sometimes working on several novels simultaneously. The appearance of A Christmas Carol in 1843 sealed his position as the most widely popular writer of his time; it became an annual tradition for him to write a story for the season. He continued to produce novels at only a slightly diminished rate, publishing Dombey and Son in 1848 and David Copperfield in 1850, his personal favorite among his books. From this point on his novels tended to be more elaborately constructed and harsher and less buoyant in tone than his earlier works. These late novels include Bleak House (1853), Hard Times (1854), Little Dorrit (1857), A Tale of Two Cities(1859), and Great Expectations (1861). Our Mutual Friend, published in 1865, was his last completed novel, and perhaps the most somber and savage of them all. Dickens had separated from his wife in 1858. He had become involved a year earlier with a young actress named Ellen Ternan and the ensuing scandal had alienated him from many of his former associates and admirers. He was weakened by years of overwork and by a near-fatal railroad disaster during the writing of Our Mutual Friend. Nevertheless he embarked on a series of public readings, including a return visit to America in 1867, which further eroded his health. A final work, The Mystery of Edwin Drood, a crime novel much influenced by Wilkie Collins, was left unfinished upon his death on June 9,1870, at the age of 58.
Product details
- Publisher : Wordsworth Editions Ltd (March 30, 1998)
- Language : English
- Paperback : 832 pages
- ISBN-10 : 1853262056
- ISBN-13 : 978-1853262050
- Lexile measure : 1070
- Item Weight : 1.12 pounds
- Dimensions : 5.25 x 1.75 x 8 inches
- Customer Reviews:
About the author

Charles Dickens was born in 1812 near Portsmouth where his father was a clerk in the navy pay office. The family moved to London in 1823, but their fortunes were severely impaired. Dickens was sent to work in a blacking-warehouse when his father was imprisoned for debt. Both experiences deeply affected the future novelist. In 1833 he began contributing stories to newspapers and magazines, and in 1836 started the serial publication of Pickwick Papers. Thereafter, Dickens published his major novels over the course of the next twenty years, from Nicholas Nickleby to Little Dorrit. He also edited the journals Household Words and All the Year Round. Dickens died in June 1870.
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Although it is easy to understand the American reaction (the episode is brutal satire) it is more difficult to understand the overall poor reception of the book. It has memorable characters plus generous helpings of comedy. Sarah Gamp in particular, is one of literature's great characters. Her mangling of the English language may be difficult for younger and non-British readers to understand but it is hilariously funny. There is a great deal of comedy also in the antics of the Pecksniff family.
The novel has the usual faults that you find in Dickens - the impossibly sweet and good heroine, the incredible coincidences in the plot, the unconvincing fraud - but these are far outweighed by the good things. Dickens is said to have regarded this as his best work.
As with many of Dickens' novels, there is no single, major, central protagonist. Just as with Barnaby Rudge, the eponymous hero plays a surprisingly minor role.
This should not be your first or only Dickens (unless you are particularly interested in what he had to say about America) but it is a very fine work and well worth reading, if only to make the acquaintance of Sarah Gamp.
You can safely skip the author's introduction, or if you do read it, don't be put off by it. The humor misfires badly. You're better going straight to the story.
[PeterReeve]
Top reviews from other countries
Whatever its faults in the beginning they are more than made up for by the mid-section and all that takes place when young Martin returns from America. The American section is pure satire - heavy-handed it is true and light on the sense that Dickens has taken these characters from life, but true to his sense that comic exaggeration is one method of making events live. The novel comes to a high-point in the chapters dealing with resolution of the various plot elements, with everything working out most satisfactorily and the loathsome Pecksniff's vanquishment.
There may be more to forgive here than with most of Dickens' novels, but it is still one of the most engrossing and glorious reading experiences to be had in the English Literary canon.
Pecksniff a great character, Jonas C'wit a great villian
I love Mark Tapley too
Barring the 'dated' introduction a critique of the aristocracy and the strange over the top satire on the USA - a great book
the BBC (with Paul Schofield) also series does a good job and wisely ignores most of the stuff on the USA



