Martin LX1 Little Martin Acoustic Guitar
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|Brand||C.F. Martin & Co.|
|Top Material Type||Spruce Wood|
|Back Material Type||Mahogany Wood|
|Neck Material Type||Stratabond|
|Fretboard Material Type||Indian Rosewood|
|String Material Type||Phosphor Bronze|
|Number of Strings||6|
About this item
- Mahogany pattern HPL (high pressure laminate) textured finish, solid sitka spruce top
- Rust Stratabond neck, shortened 3/4 scale
- Chrome small-knob tuners. Tusq saddle.
- Solid Morado or East Indian Rosewood fingerboard
- Includes padded gig bag
- Scale Length:23 inch, Fingerboard Width At Nut: 1 11/16 inch, Brace Size: 5/16 inch, Fingerboard Width at 12th Fret: 2 1/16 inch
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|Sold By||—||Lifestyle by Focus||Amazon.com||Hola! Music|
|Back Material Type||Mahogany Wood||Mahogany Wood||Linden Wood||Mahogany Wood|
|Fretboard Material Type||Indian Rosewood||Rosewood||Dyed Hardwood||Walnut|
|Item Dimensions||18 x 7 x 39 inches||35.5 x 16.25 x 4.75 inches||35.8 x 13.4 x 3.4 inches||19 x 5 x 2 inches|
|Neck Material Type||Stratabond||Nato Wood||Dyed Hardwood||Mahogany|
|Number of Strings||6||6||6||6|
|Top Material Type||Spruce Wood||Spruce Wood||Bass Wood||Spruce Wood|
Short of size and scale, the CF Martin Little Martin acoustic guitar is anything but lacking in features! The Mahogany Pattern HPL (high pressure laminate) textured finish also sports a solid Sitka spruce top with hand-rubbed finish for a stylish look, along with a Rust Stratabond neck and Solid Morado or East Indian Rosewood fingerboard.These materials help deliver that Martin sound in a compact and affordable instrument that s perfect for the traveling troubadour. It s also great as a beginning instrument for the small-handed player. Additional appointments include a Black Micarta bridge with compensated Tusq saddle and chrome small-knob tuners. Includes a padded gig bag.CONSTRUCTION: Mortise/Tenon Neck Joint BODY SIZE: Modified O - 14 Fret TOP: Solid Sitka Spruce wirh hand-rubbed finishROSETTE: Inlaid Boltaron w/ Red Fiber TOP BRACING PATTERN: Modified X Series X TOP BRACES: Crowned Cross Brace Graphite Bowtie Plate BACK MATERIAL: Mahogany Pattern HPL Textured Finish BACK PURFLING: none SIDE MATERIAL: Mahogany Pattern HPL Textured Finish ENDPIECE: none ENDPIECE INLAY: none BINDING: none TOP INLAY STYLE: none SIDE INLAY: none BACK INLAY: none NECK MATERIAL: Rust Stratabond NECK SHAPE: Modified Low Oval NUT MATERIAL: White Corian HEADSTOCK: Solid/Square Taper HEADPLATE: Mahogany Pattern HPL w/ Printed Logo HEELCAP: none SCALE LENGTH: 23 # OF FRETS CLEAR: 14 # OF FRETS TOTAL: 20 FINGERBOARD WIDTH AT NUT: 1-11/16 FINGERBOARD WIDTH AT 12TH FRET: 2-1/16 FINGERBOARD POSITION INLAYS: none FINGERBOARD BINDING: none FINISH BACK SIDES: none FINISH TOP: Hand Rubbed Finish FINISH NECK: none BRIDGE MATERIAL: Morado BRIDGE STYLE: Belly BRIDGE STRING SPACING: 2-1/8 SADDLE: 16 Radius/Compensated/White Tusq TUNING MACHINES: Chrome w/ Small Knobs RECOMMENDED STRINGS: Martin M550 Phosphor Bronze BRIDGE END PINS: White w/Black Dots PICKGUARD: none CASE: Padded Gig Bag INTERIOR LABEL: Gold Foil Label with Serial # and Patent # Martin guitars features a
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The sound of this little guitar is nice. It is much better than some less costly ones. I previously bought a CORDOBA small guitar with nylon strings and this one has far better sound; not only because of the strings, but because of the quality of the guitar.
In the winter in this part of the country (Alabama) it gets awfully dry inside. In those conditions, all of my guitars (except the LXK2 but including the LX1) have Oasis humidifiers in them, and the LXK2 is the only one I let out of the case for any extended period.
Note: To make string changes easier, I replaced the tuning machines with Grover Roto-grips. As these guitars require medium gauge strings, it turns out the Roto-grips can't handle the thicker low E string. I had some regular Rotomatics laying around, and I used one of them for that string so they'd all be cosmetically similar. I can stand tying off one string the old-fashioned way.