This book presents the extraordinary life and writings of Maya Angelou. It examines the changing viewpoints in her six autobiographies within the context of women's and African American autobiographies, with specific reference to the slave narrative and to contemporary fiction and film.

Maya Angelou: The Iconic Self examines this iconic artist's work as an autobiographer, offering an up-to-date assessment of Angelou's contributions to American literature and to American and international culture. This is the only book to interpret Angelou's autobiographies as unique experiments in the history of black narrative. It attests to Angelou's creativity in transforming the typical single-volume autobiography into a six-volume personal and cultural adventure that tells the truth but reads like fiction.

The narratives cover the years from the Great Depression (1941) to the days following the assassinations of Malcolm X (1965) and Martin Luther King (1968), emphasizing Angelou's roles as mother, daughter, granddaughter, wife, and friend. This revised edition also presents information about Maya Angelou's funeral and her continuing legacy since her death in 2014. The depth and scope of the book's observations regarding Angelou's autobiographies will be of great interest to readers seeking an analysis of the interconnections among Angelou's writings as well as serve students taking courses in women's studies or black culture studies.

• Examines each of Maya Angelou's six autobiographies, enabling readers to understand what growing up black and female in the United States was like
• Traces the development of black autobiography from its roots in the slave narrative to its presence in contemporary fiction and film
• Highlights the exclusive 1997 interview between Maya Angelou and the author
• Examines Maya Angelou's achievements as a poet
• Discusses all of Angelou's autobiographies regarding their settings, themes, plot development, and other narrative techniques
• Offers an alternate reading for each autobiography

Through both his fiction and non-fiction writing, James Welch gives voice to the history, heritage, and cultural identity of the American Indian. This companion provides a fascinating exploration of the man, his writing, and the impact and influence of his literary output. With information based on a series of personal interviews conducted for this book, the biographical chapter offers an insightful account of Welch's life as a Blackfoot Indian, and as a poet and novelist.

Readers will gain further appreciation for Welch's literary contributions through an exploration of the themes and genres investigated in his writing. Welch and his work―including his work with film―are situated within the Indian literary and cultural heritage. Five subsequent chapters, organized chronologically, focus on full-length fictional works. Clear, accessible critical analyses are given for the novels Winter in the Blood (1974), The Death of Jim Loney (1979), Fools Crow (1986), The Indian Lawyer (1991), and The Heartsong of Charging Elk (2000).