The Mary Tyler Moore Show: Season 3
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TURN THAT DIAL TO WJM-TV FOR A THIRD SEASON OF LAUGHTER! In its third season, this groundbreaking comedy explored topics previously taboo on network television. Deftly woven in with the hilarity of the busy newsroom and repeated outrageous attempts by Marys friends to set her up with Mr. Right came episodes dealing with divorce, meddling parents, self-esteem, and the inevitable mid-life crisis when one fears that life has somehow passed them by. But this classic comedy pulled off these subjects with humor, style and wit, reminding viewers why they identified withand lovedthe WJM-TV gang so much.
In this third season, Mary Richards (Mary Tyler Moore), she of the "bright smile and infectious vivacity," got to display some of that celebrated "spunk" of hers. In the seasonopener, "The Good-Time News," she demands to be paid the same amount of money as her predecessor. In "The Georgette Story," she defies her boss, Lou Grant (Ed Asner), and vainglorious anchorperson Ted Baxter (Ted Knight) by counseling Ted's new girlfriend, whom he takes for granted. And in "Romeo and Mary," she finally stands up to an overzealous suitor (guest star Stuart Margolin), which hilariously backfires on her.
The Mary Tyler Moore Show endures because its timeless comedy is drawn from the wellspring of its fully drawn characters, who were allowed to grow beyond one-note caricatures. Mary's best friend, Rhoda (Valerie Harper), who was in danger of becoming this series' Sally Rogers, really blossomed this season. In "Rhoda the Beautiful," the slimmed-down Rhoda is empowered to enter a beauty contest, and in "My Brother's Keeper," she catches the eye of Phyllis' (Cloris Leachman in an Emmy-nominated performance) brother, which devastates Phyllis, setting the stage for yet another disastrous Mary Richards party (and a dénouement that must have been daring in 1973). Wise-cracking Murray (Gavin McLeod) reveals new depths in "Murray Faces Life," in which he sinks into depression after hearing that a former college classmate has won the Pulitzer Prize. Even Ted manages to surprise. In "Operation: Lou," a hospitalized Lou Grant finds a new appreciation for Ted, who graciously and uncharacteristically, presents him with an expensive bottle of scotch. Moore, Harper, and Knight were each honored with Emmys this season. Joining this august core ensemble is Georgia Engel as Georgette, who makes a delightful first impression in "Rhoda Morgenstern: Minneapolis to New York." Even hard-boiled Lou softens in her presence. "You're a real cutie, you know that?" he tells her in "The Georgette Story." Despite Lou's insistence to the contrary in "The Good-Time News," The Mary Tyler Moore's job was to make people laugh. But it could also be surprisingly moving, as in the laugh-free dramatic climax of "Remembrance of Things Past," in which Mary is reunited with an ex-boyfriend (Joseph Campanella), who has broken her heart in the past. This three-disc set contains no extras, but any of these episodes can take a nothing day and suddenly... well, you know the rest. --Donald Liebenson
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The Season Three that comes in the complete series set has inserts for all three discs which keeps them safe. But, the replacement stand-alone Season Three has all three discs piled on top of each other with no inserts for them. Go figure. Two plastic prongs were broken and the discs spilled out in shipping. Unfortunately, seems one can only get good quality by ordering the entire series, although even then, we did have that problem with Season Three in the complete series set and two of the same discs. Hope that's clear.
Compared to the prior seasons, and even the seasons thereafter, there seems to be a drop in the writing quality in many of the episodes. Also, there's some noticeable voice-over work on a few of the episodes (i.e. a few lines re-done in the studio). Overall, sound and image quality on the DVD transfer is good, and unlike the prior seasons' DVDs, you don't have to fish through multiple levels of menus to play an episode and then move onto the next.
Perhaps the stand-out star from the cast -- even with a drop in scriptwriting quality -- is Valerie Harper (Rhoda). The episode where she describes her vision for the Christmas window decorations for the department store has got to be one of the best examples of physical comedy. It's a good season to have in the movie library -- not my favorite season -- but a solid addition. Looking forward to seeing Season 4, whenever the price drops to a fair price again :)
Even in this milieu, some performers stood out as exceptional. When thoroughly competent TV directors and skilled television technicians were able to work with these outstanding performers, shows of exceptional quality and were produced.
Mary Tyler Moore had an ability and an aura about her that was rare. The 'situation comedy', a long cherished and much loved TV art-form, seemed to have been made for her and her many skills. Moore's first great TV success was in the Dick Van Dyke Show. Then, when she starred in her own shows, Moore was magnificent.
The Mary Tyler Moore Show was produced and directd by consumate experts. Add to this a particularly high standing of casting, which ensured only the best supporting actors,and the Mary Tyler Moore Show was destined to be in the 'Top Flight' of its gendre.
Importantly however, unlike the crass and peurile content of so much 'entertainment' today, the Mary Tyler Moore Show ( and other great shows of the era) contained no gratuitous violence, no explicit sex or nudity, and no foul or blasphemous language. The show was humourous without being coarse and was, truly, a delight to watch.