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Mask Market: A Burke Novel Hardcover – Large Print, January 1, 2007
- Print length407 pages
- LanguageEnglish
- PublisherThorndike Pr
- Publication dateJanuary 1, 2007
- Dimensions5.5 x 1 x 8.5 inches
- ISBN-100786292148
- ISBN-13978-0786292141
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Product details
- Publisher : Thorndike Pr (January 1, 2007)
- Language : English
- Hardcover : 407 pages
- ISBN-10 : 0786292148
- ISBN-13 : 978-0786292141
- Item Weight : 1.14 pounds
- Dimensions : 5.5 x 1 x 8.5 inches
- Customer Reviews:
About the author

Andrew Vachss has been a federal investigator in sexually transmitted diseases, a social-services caseworker, a labor organizer, and has directed a maximum-security prison for "aggressive-violent" youth. Now a lawyer in private practice, he represents children and youth exclusively, and is a founding member of the Legislative Drafting Institute for Child Protection. He is the author of numerous novels, including the Burke series, three collections of short stories, and a wide variety of other material including song lyrics, graphic novels, essays, and a "children's book for adults." He is most currently engaged in the work of the Legislative Drafting Institute for Child Protection (ldicp.org). His books have been translated into twenty languages, and his work has appeared in Parade, Antaeus, Esquire, Playboy, The New York Times, and many other forums. His books have been awarded the Grand Prix de Littérature Policiére, the Falcon Award, Deutschen Krimi Preis, Die Jury des Bochumer Krimi Archivs and the Raymond Chandler Award (per Giurìa a Noir in Festival, Courmayeur, Italy). Andrew Vachss' latest books are Mortal Lock (Vintage, May 2013), SignWave (Pantheon, June 2015), and Carbon (Haverhill House, 2019). The dedicated Web site for Vachss and his work is vachss.com.
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The familiar cast of characters appear throughout the book, but this novel is more Burke's dialog with himself than much interaction with and the growth of others.
The ending is neatly wrapped up, but felt a little rushed. Everything at the end comes together quickly and neatly. I would have preferred a bit more conflict in getting to the end.
Overall, though, and enjoyable read. I'm sure I'll get more out of it when I read it again.
The plot is *very* twisty and completely unpredictable, which contrasted very well with the warm familiar feeling I have when reading about Burke and his family-of-choice. Of course, the most interesting thing about Vachss' characters is that time doesn't stand still between books. By now, Max the Silent's daughter, Flower, (a baby during Blue Belle) has started college at Barnard!
But although they all age, none stops growing. Burke's thoughts and reactions throughout this book point to an entirely surprising kind of self-awareness I never thought would happen.
Mask Market will make a good starting point for new readers into the Burke series, as well -- the story stands by itself, and anyone who starts here will be all the more interested in where Burke started.
All the family is back for this new adventure: Max the Silent, Mama, Michelle, the Mole, the Professor, Clarence and Terry. When Burke meets a man about a potential job to find a missing person, the guy is swiftly murdered while going to his car to get Burke's money. Burke doesn't know whether or not he's in danger, too, so he sets out to find out who the killers are. It also turns out that the person the guy wanted Burke to find is a woman that our tarnished hero once saved when she was a teenager. Apparently, the murdered man had been funneling money from hedge accounts into her personal account because he was in love with her. Then, she up and took off, leaving him holding the empty bag. Burke wants to find her to see if he can keep her from being killed by the same people who murdered her boyfriend. It's a complex puzzle, but Burke and his family are smart enough to eventually put the pieces together.
Until about the last third of the novel, what Burke basically does is sit in Mama's Chinese restaurant and go over the problems with his cohorts, drive around the city looking for people with information that might solve the problems, talk to each of his family members individually about the problems, think about Wesley, think about his own childhood, go to his new girlfriend's apartment and listen to her story, and slowly work himself up to solving the blasted puzzle. There's only two short action sequences in the entire book and they are the murder at the beginning and then Burke having to defend himself against a couple of Jewish Russian mobsters. I didn't completely understand the ending and had to scratch my head in confusion as I attempted to digest the information that was given to the reader. Oh, and Burke has a girlfriend named Loyal, and he wants to try and help her with problems. The best scene in the book is when Burke talks to Charlie, the middleman who'd set up the initial meeting between our hero and the murdered man. That scene really comes alive as Charlie talks about his tour in Vietnam as a Tunnel Rat and how every place since then has been nothing but another tunnel to get through alive. That was great writing. Plus, there's a new character that sound pretty interesting--Toni, a sassy redhead with gorgeous legs, who just happens to be a man! One thing that Mr. Vachss does which is down right irritating, however, has to do with the dialogue. He has a habit of breaking off sentences as if someone is being interrupted while speaking. A few times would be okay, but he does this two-or-three times on every single page that has dialogue. It starts to be extremely irritating. At least it does to me. Burke starts sounding like the TV host, Charlie Rose, and I want to tell him to just shut up and let the other people finish what they're saying. Last, since the author apparently isn't going to bring back Wesley back (it probably has to do with the violence), I wish he'd stop bringing him up throughout the story. It's like he's teasing his old-time readers with a promise he has no intention of keeping.
I keep saying with each new novel I read by Andrew Vachss that it's going to be the last one, yet I keep buying them like an addict with a crack cocaine habit. I'll say it again, the first five novels in the "Burke" series is some of the best writing I've ever encountered. No one could come close to Mr. Vachss during those years in the late eighties and early nineties. Since then, my feeling is that he's primarily writing the books for the paycheck. I don't know. Maybe he donates the royalties to a fund for abused children. If he's going to continue writing the series, however, he should let Burke be himself. The character, after all, is a killer with his own unique code of honor. How many years has it been since Burke killed anybody? Quite a few! I bet there's a lot of people in New York City he could do that no one would even miss!
The thing with Vachss is that he tells a story apart from the "mystery". The story is usually about child abuse and he does this extremely well, allows the reader to feel the issues and to help understand where Vachss is coming from - he is without a doubt an extremely important writer.
As for the mystery, well Vachss is not really here to tell a mystery story, it is more of an instructional tale that he weaves. The mystery is secondary and for me, I don't mind if it is a bit messy and unclear, Vachss has already grabbed me with his writings in the first two-thirds of the book.
Recommended.







