- Series: Digital Process and Print
- Paperback: 400 pages
- Publisher: Cengage Learning PTR; 2 edition (October 26, 2004)
- Language: English
- ISBN-10: 1592004318
- ISBN-13: 978-1592004317
- Product Dimensions: 7.2 x 1 x 9 inches
- Shipping Weight: 2.4 pounds (View shipping rates and policies)
- Average Customer Review: 55 customer reviews
- Amazon Best Sellers Rank: #834,285 in Books (See Top 100 in Books)
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Mastering Digital Printing, Second Edition (Digital Process and Print) 2nd Edition
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Highly recommended, this new edition is a useful and up-to-date overview of the field. -- Wilhelm Imaging Research, December 2004
Mastering Digital Printing answers every question. Perfect for anyone who wants to see their work in frames -- The Imaging Resource, November 2004
From the Inside Flap
"I applaud Harald Johnson's efforts to provide a comprehensive guidebook to digital imaging and to chronicle the past, the present, and the future of this exciting medium." -- Graham Nash, Nash Editions
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Along the way it explains the different digital printing methods (with great diagrams to illustrate how things like inkjets actually work), the pieces of hardware you'll need, how to capture and handle your source material (including scanning, digital cameras, digital drawing programs, and image editing), color space and the pros and cons of calibration, permanence, how to do your own printing from machines to inks and papers, and how to deal with an outside printing service if you decide not to print your work yourself. Especially if you're in the latter category, this book is an invaluable guide to an understanding of what's going on technically that will help you to make aesthetic decisions that translate onto paper more successfully and to better communicate with your print atelier. Lastly, the very useful appendices are a gold-mine in-and-of themselves - print service providers all over the USA, suppliers, online groups and sites, books, galleries, print exchanges and more.
From the introduction on, the sense of excitement about the blossoming digital revolution is contagious. Fine art printmaking has not had a major new medium since silkscreen, and Harald Johnson does an excellent job of fitting digital prints into the history of printmaking in general. The book finishes up with a gallery showcase that gives an inspiring overview of the kinds of imagery that are being made digitally these days - ranging stylistically from realism to abstraction to manipulated photographs and from methods that rival traditional media to creations that could only be computer art.
Some reviewers have commented on the Epson emphasis of this book; well, they are right. Epson rules the art printing market, and justifiably so. Attention to print quality, advanced technology and archival permanence have earned Epson the attention. However, no other manufacturers are omitted. The vast bulk of material applies to all printers; if anything the two or three Epson charts only demostrate the diversity of possible technologies.
As it turns out I abandoned HP several years ago for Epson after some poor support form HP and some correspondingly great reviews of Epson printers. I have a C82, pigment based, printer that I purchased for the kid's homework, and produces wonderful photographic prints. This book has really helped me get the most out of this printer.
And... I now know which printer will be my next photoprinter. As the price of this book is less than 5% of the cost of this printer, and contributed enormously to making an informed decision, it was well worth it!
The author's web site also has a PDF of Chapter 9, if you want a taste of the book: [...]
For the price I got to say the book is very well illustrated and contains nearly 400 pages of photos and print. However, Most of the pages are not dedicated to specific instruction on how to print, but on equipment graphs and printer specifications. It seems as if the author is beating around the bush. Out of the eleven chapters in this book, I think only 2 of them are dedicated to instruction, while the rest is dedicated to reference.
For example take a look at a few of the Chapter headings "Navigating the Digital landscape", "Understanding Digital Printing", "Understanding and Managing Color", "Determining Print Permanence", "Selecting an Inkjet Printer", "Choosing your Consumables", "Using a Print Service, get the picture. This makes for interesting reading on a bad weather day, or when you are on a long trip to Honk Kong, but it sure wont make you a master printer.
As a matter of fact most of the instructional material deals with one or two examples that did not really enlighten me whatsoever, since I had found the same information on the web prior to purchasing this book.
The way I see it this book will make a great conversation item in my growing library of photographic books, but I don't see it as a working manual sitting on my desk or by my printer. Therefore, I am very dissapointed with and cannot recomend it for advanced amateurs like myself.