Masters of the "Humdrum" Mystery: Cecil John Charles Street, Freeman Wills Crofts, Alfred Walter Stewart and the British Detective Novel, 1920-1961 Kindle Edition
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Curt combines this analysis with a biographical look at the authors, and so we learn about the lives of Rhode, Crofts, and Connington like never before. Often times, the life of the author will influence his work, and now that I know more about the lives of the authors, I feel like I will be able to appreciate their work even more. After all, I'm a big fan of John Rhode and J. J. Connington (and I don't have anything against Crofts, for that matter).
Curt has tackled fascinating questions like that of Crofts' religious influences or Connington's worldview. This is a particularly fun section, because we see the author himself rising out of the sands of time, wondering to himself what on earth Curt is doing because he certainly never intended to put his worldview into his "'tec yarns". No, really--it emerges during correspondence. Curt also looks at the author's apocalyptic and disturbing novel Nordenholt's Million, which eerily foreshadows the cruelties of the Nazi regime.
I bought both the print edition and the Kindle edition, and I have nothing but praise for both. If you like your Kindle and want to save $10 on the cover price, it is a good option. The text is well-edited and proofread.Read more ›
Mr. Evans first gives a background to the era these writers belonged to and why and where Symons was so negative about them. He then successfully, at least for me, unmasks the superficiality of the critic's contempt for humdrum writing, all the time giving us lots of information and commentary of English detective fiction between the 2 world wars. This he does in an easy to understand, likable, and at the same time scholarly style that betrays his thorough knowledge of the subject he writes on.
He then proceeds, in the same vein, to write in detail on 3 of the main humdrum writers: John Rhode (who is also Miles Burton), Freeman Wills Crofts, and JJ Connington. For each of them he provides biographical information, writing history, and description and criticism of a considerable amount of their mysteries, including not only their best known but many of the others. These 3 chapters are the heart of the book.
At the end, he provides with the thoroughness we have now come to expect extensive bibliographical information for each of the 3 writers.
Troughout the book, there is an abundance of graphic material consisting mainly of photos, cover reproductions, and maps/diagrams from the books themselves.
This is a must read book for anyone who likes the classic detective novel/story, especially of the Golden Age between World War I and World War II. Also, from now on, this should be on the bookshelf of anyone writing about the history of the mystery/detective field. Mr. Evans has additional unpublished material on several other of the humdrum writers and I personally hope they will see print in the not too distant future.
Extremely well-written in a straightforward style, this is no dry academic tome. The author's affection for the writers and their work shines through. You feel as though you are talking with someone who has read widely, and is happy to distil the essentials of his views (as well as the themes, plots and characters of the books) in a friendly, interesting, and jargon-free manner, while still providing a wealth of detail.
For me, this is an invaluable reference book. I very much appreciate the "notable works" appendices for each writer which list the books that are worth seeking out.
This book is highly recommended for those readers who are familiar with the works of Agatha Christie and her well-known contemporaries, and who want to read more books by different authors from this period.
I purchased the Kindle edition, but was not 100% happy with the formatting, so have purchased the paperback as well.
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