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Match Point

3.8 out of 5 stars 341 customer reviews

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(Apr 25, 2006)
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Editorial Reviews

Match Point is "a winning combination of sex, mystery, brilliant writing and first-rate acting that all adds up to one of the most erotic and exhilarating movies in years." (Maxim). Chris (Jonathan Rhys Meyers) is being torn apart by his desire for two very different women. Marrying Chloe (Emily Mortimer) will bring him a life of wealth and success, but his true passion lies with his brother-in-law's fiancee, the stunningly sensuous but unpredictable Nola (Scarlett Johansson). Pulsing with tension, Match Point rides the dangerous line between ambition and obsession to an ending as surprising as it is chilling.

Special Features

None.

Product Details

  • Actors: Scarlett Johansson, Jonathan Rhys Meyers, Emily Mortimer, Matthew Goode, Alexander Armstrong
  • Directors: Woody Allen
  • Writers: Woody Allen
  • Producers: Charles H. Joffe, Gareth Wiley, Helen Robin, Jack Rollins, Letty Aronson
  • Format: Multiple Formats, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English (Dolby Digital 5.1), French (Dolby Digital 1.0)
  • Subtitles: English, Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated:
    R
    Restricted
  • Studio: Dreamworks Video
  • DVD Release Date: April 25, 2006
  • Run Time: 124 minutes
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (341 customer reviews)
  • ASIN: B000EQHXNW
  • Amazon Best Sellers Rank: #11,633 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Match Point" on IMDb

Customer Reviews

Top Customer Reviews

By R. Childers on May 18, 2015
Format: DVD Verified Purchase
Other reviewers will tell you all about the story. It was a fine story. It holds your attention all the way through. Good acting. Good plot. Great filming. Then why the three stars? Why not five? Or at least four? Well, if I could have tuned out the musical soundtrack and just had the dialog, I would have been more generous. But through every active scene they chose to play a very irritating opera tenor music track along with the action. I love music but this got on my nerves. I get what they were trying to accomplish, but still it was too nerve - racking.
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Woody Allen at his cliché-ridden worst. He seems addicted to vapid wealthy people nattering about in upscale settings. The conversation is flatter than tennis courts at a country club, and the characters are the stockest of stock caricatures. The winning cast members--including Emily Mortimer, Rupert Penry-Jones, Brian Cox, and Penelope Wilton--are wasted here.

The main character's solution for removing a major threat to his plushy lifestyle is so ridiculous it becomes inadvertently funny. No one with a modicum of intelligence would devise a solution so obvious and detectable. Yet it is on this that Allen hinges his whole examination of luck and consequences.

"Match Point" proves itself a pointless--and, worse, boring--game, and I couldn't wait till it was over.
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It would take Woody Allen to come up with this plot. I was disappointed by several aspects of the movie, most particularly the plot. This is a true tragedy, nothing feel good about it. Would Shakespeare have approved? I doubt it. The plot takes a surprisingly sick twist, which shows you what truly stupid extremes some people are willing to go to after they have previously made poor choices. I did not consider it entertainment, but rather an ungodly waste of time. However, it did have an excellent cast who well portrayed the roles that Woody invoked upon them.
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Match Point was a disappointment to me, the kind of Woody Allen movie that makes even long-time fans want to go skittering back to the "early, funny ones." What Allen has done is essentially gather up his well-known bag of "serious" thematic concerns and storytelling tropes and transpose them to London from New York. The philandering husband -- the nagging wife -- the casual encounter in a retail district -- the insecurities born of social climbing -- the moral cost of "having it all" -- have all been done better before, particularly in CRIMES AND MISDEMEANORS, which this movie much resembles. The cast, which includes Scarlett Johannson, is up to snuff, but not enough is asked of them. Due to the lukewarm treatment of material Allen himself has rendered trite, and the almost complete absence of humor, this one is for Allen completists only.

Crimes and Misdemeanors.
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Woody Allen has take a traditional theme, love and infidelity, and made a fascinating film about it. The acting is first rate, the musical background, operatic music perfectly chosen, and, of course, the script and direction as only Woody Allen can do it. Once again, he has reinforced his position as one of the handful of film-makers who could sustain a high level of quality through a good many pictures over a very long period of time. This is not a movie for Woody Allen fans, it is a movie for everyone who likes an old fashioned romantic film with a twist as distinctive as were Hitchcock's.
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This film was heralded as Woody Allen's comeback though it's hard to see why. I know many people loved it which was why I was excited to see it but it's such a disappointment. Match Point opens fairly strongly with Chris Wilton (Jonathan Rhys-Meyers) applying for a position as a tennis instructor at a ritzy country club. He's hired. One of his pupils is Tom Hewlett, the playboy son of a wealthy family. The two hit it off (they both share a love of opera). Tom invites Chris to join him for an opera performance with his family, and thus Chris is inducted into the high society Britain. He meets, Chloe, Chris's sister who falls instantly in love with him. It seems that Chris is about to find himself in an exceedingly comfortable lifestyle. The movie springs along until Tom's finace Nola (Scarlett Johansson) arrives. Chris and Nola two start an ill-advised romance and it's trouble from there on out.

The characters, although played by exceedingly attractive young actors, fail to grab your attention. The actors fail to convey the depth necessary for the roles. Scarlett johanssan, who's portrayal was heralded, particularly disappointed me by how awful she was. Although she looks the part, she's too self-conscious. I could see her trying to be sexy and jaded throughout the entire movie. Rhys-Meyers fares slightly better. There are moments where he oozes charm and one can see why the Hewletts are instantly drawn to him. Yet in somber moments he too seems be forcing it.

Then there's the plot...in this type of movie, the plot matters. And in the last third of this movie the plot is so full of holes...well you'll have to see for yourself but I cannot understand how people could rave about this movie given what happens.
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