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![Mathilda by [Mary Shelley]](https://m.media-amazon.com/images/I/51h2y0ya1mL._SY346_.jpg)
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Mathilda Kindle Edition
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Confined to her deathbed, Mathilda narrates the story of her life. It is a tale of sweeping emotion, shameful secrets, and wretched love.
Her mother having died in childbirth, Mathilda is raised by her aunt until the age of sixteen, at which point she happily returns home to live with her father. But he turns deeply melancholic when a young suitor begins to visit Mathilda at their London home, and the idyllic life parent and child once shared turns sour.
Pushed to confess his all-consuming love for his own daughter, Mathilda’s father bids her farewell before shame drives him to drown himself. Finally, after years of solitude and grief, Mathilda’s hope for happiness is renewed in the form of a gifted young poet named Woodville. But while his genius is transcendent, and he loves Mathilda dearly, the specter of her father still lingers.
Though Mary Shelley wrote Mathilda in 1819, directly after the publication of Frankenstein, her father and publisher, William Godwin, refused to print it. Nearly a century and a half later, in 1959, the manuscript was finally published and has become one of Shelley’s best-known works.
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- LanguageEnglish
- PublisherOpen Road Media
- Publication dateFebruary 21, 2017
- File size4928 KB
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Editorial Reviews
From Publishers Weekly
Copyright 1995 Reed Business Information, Inc.
From Library Journal
Copyright 1995 Reed Business Information, Inc.
From the Back Cover
A young woman recounts her tragic life story to her friend, a young man familiar with loss. Following her mother’s death during childbirth, Mathilda was abandoned by her father and raised by her wealthy aunt. When her father came back into her life, however, events unfolded which irrevocably disrupted any normalcy she had reclaimed. Mathilda is a novella by Mary Shelley.
About the Author
Michelle Faubert is Associate Professor of English at the University of Manitoba. She is the editor of the Broadview Edition of Mary Wollstonecraft’s Mary, a Fiction and Maria.
Review
“The Broadview Press edition of Mathilda fills a gap in Romantic studies. The long-suppressed work (Godwin refused to return the manuscript) wasn’t published until 1959, and its immediate critical reception was almost entirely biographical. Michelle Faubert’s astute introduction to this new edition offers a scrupulous account of the work’s critical reception and opens new possibilities for understanding what she calls a ‘purgatorial text.’ The judicious appendices, a hallmark of Broadview Editions, situate Shelley’s novella in the contexts of its immediate intertexts, of its central place in contemporaneous suicide debates, and, crucially, of representations of incest and the Gothic. A paperback edition makes a hitherto neglected text widely available. The sophisticated editorial care evident throughout ensures that this will also serve as the standard scholarly edition.” ―Alan Vardy, Hunter College, City University of New York
“Michelle Faubert’s beautifully edited version of Mathilda is the first widely available edition to come from a transcription of Shelley’s original 1819 fair copy. Faubert’s lucid and elegant introduction situates Mathilda in the context of Shelley’s earlier Frankenstein (1818) and later novella The Mourner (1830) and discusses its troubled publication history and recent critical reception. Faubert provides a wide range of well-chosen supplementary material to complement both novice and returning readers’ appreciation for and study of Mathilda. This edition should become the standard classroom text of Shelley’s important, engaging, and notorious second novel.” ―Katherine Montwieler, University of North Carolina Wilmington
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Product details
- ASIN : B01MTCZZKZ
- Publisher : Open Road Media (February 21, 2017)
- Publication date : February 21, 2017
- Language : English
- File size : 4928 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 212 pages
- Best Sellers Rank: #771,140 in Kindle Store (See Top 100 in Kindle Store)
- #914 in Classic Romance Fiction
- #3,948 in Family Life Fiction (Kindle Store)
- #18,816 in Family Life Fiction (Books)
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One analysis of the book notes that when Mathilda pushed her father to reveal the reason for his change in attitude towards her, she was hoping that it would restore the pure and innocent father-daughter love that they previously experienced. However, instead, the revelation of incestuous desire pushed them apart because she could not accept a sexual relationship with her father. Mathilda reacted as society dictates, rejecting incest. However, because of what happened to her father when he was rejected, Mathilda suffered from her own despair. The book is a deathbed letter that Mathilda writes to her friend Woodville explaining her depression and her welcoming of death.
In another book, Alice, A Memoir by Alice Gilmore, father-daughter love becomes incestuous. In fact, it is the daughter who initiates the sexual relationship. Also, father-daughter incest is a theme in Egyptian, Greek, and other mythologies. In America, incestuous marriages are banned in every state. However, in New Jersey and Rhode Island, adult incest is legal. Such relationships could easily exist with no one other than the incestuous couple knowing.
Mary Shelley’s father, William Godwin, was also her publisher, but he refused to publish Mathilda. He kept the manuscript. He did not return it to his daughter. It wasn’t published until 1959! Some people think that Mathilda is autobiographical. Mary Shelley’s mother died giving birth to Mary. That fact and the refusal of her father to publish could lead to the autobiography theory, but I haven’t read anything else that would indicate that Mary Shelley’s father had feelings for her as Mathilda’s father had for Mathilda. Many reviewers assume that the more likely reason for William Godwin’s actions was that he was concerned that people would simply assume that Mathilda was autobiographical and that would cause problems for him.
This is a short book, considered a novella. Some reviewers say that it should have been written as a short story. However, I was glad for the novella’s length. It allows for the themes of the book to be considered in detail. The writing style is not modern. It takes some focus to read the book, but it is worth the effort. It is an interesting book. I enjoyed reading it.
In 1959 Elizabeth Nitchie took the time to study, research, and put together the many factors that make up the story of Mathilda. This Kindle ebook is one of the best annotated free titles I've come across. Ms. Nitchie explains the history of this novelette, why the misspellings are left in, it's journey of being chopped into pieces and sent off in many directions, and gives the reader information on the author's struggles regarding its publication.
It is believed to have been written in 1819, but was never published during Mary Shelley's lifetime. The story was written after the death of her two young children - first Clara, who was around one year old, then her son William.
Scholars feel this short story is autobiographical in nature and was written to help Ms. Shelley deal with the deaths and also the pain and estrangement it caused in her marriage. Mathilda is Mary, Mathilda's father is Godwin, and the character Woodville is Mary Shelley's husband.
Did Mary Shelley experience incest in her life? Nitchie gives her theory as to why this theme is an element in Mathilda.
If you decide to pick up this ebook, please take the time to read the opening and introduction by Elizabeth Nitchie. It is thorough (the first 8% of the ebook) and well done. I enjoyed the short ebook so much more because of this background information.
Readers also need to know - this story is a draft. It was never officially published. It's full of typos and rambling sentences. Shelley is extremely wordy and dramatic.
All in all 'Mathilda' is an interesting glimpse into a work-in-progress by a well known author.
Deep, dark depression, excessive misery
If it weren't for bad luck, I'd have no luck at all
Gloom, despair, and agony on me.
GLOOM, DESPAIR AND AGONY ON ME
From the TV Show "Hee-Haw" (1969 -1992)
Buck Owens & Roy Clark
Also Gothic Romantic Melodrama in all bold and heavy Gothic font. Tears, lonely, sad and heartbroken, eye sodden and check streaking. Also death and sickness. Not a lot of wasting away but the title story is short, so no time to actually cough up a lung.
Mary Shelly’s (The Frankenstein lady) Mathilda is the deathbed confession of a lady born to wealth and privilege, also a dead mother and grief stricken missing father, and is raised by magical dwarfs. No sorry an un-loving Aunt, who dies. And then she gets reunited with her loving father and then things really go bad for her. Hardly any better for him. Worse actually.
So then our heroine picks herself up, washes herself off and starts all over again. Umm nope. She mopes and cries some more. Mathilda is certainly single minded, not given to causes or others but firmly fixated on her pitiful self. That she is entirely innocent of anything is less important than being a self-obsessed drama queen. To her credit she does miss her daddy. Her late daddy.
There seems to be some notion that Mathilda is at least semi-autobiographical, although whether related to the passing of her children or her particular daddy issues (Her mother also died) is under discussion. Most importantly it was never published in Mary’s life time, or century. May we indulge in the conjecture that Ms. Shelly was being smarter than much later heirs to her papers?
A second much shorter and perhaps incomplete story, The Fields of Fancy is included. It retains the heavy hand of Gothic Romance, but hedges toward the up lifting.
Top reviews from other countries


It tells a heated story of incestuous desire, guilt, exile and death, themes which constitute the standard materials of the Romantics. That P.B. Shelley was also writing a play about incest (The Cenci) adds another intertext.
What makes Shelley's story stand out is her beautiful conjuration of desolation in landscape and soul, and her attention to female interiority. As is the case with the 'creature' in Frankenstein, the sins of the father are, quite literally, appropriated by the 'child'. A short read, but a striking one.

As a baby Mathilda's mother dies, and eventually due to her father's mourning he leaves the child in the hands of his sister and departs, travelling the world. Meanwhile Mathilda is brought up in relative isolation, in Scotland, by her aunt. When she reaches 16 however, her father returns. When her aunt dies she is left with her father, who as the months pass and they go out into the world finds that he is jealous of other men taking an interest in his daughter. Eventually, after declaring his love for Mathilda, her father does the only sensible thing and departs, but Mathilda decides to chase him.
With disastrous results, Mathilda finds herself alone and thus inhabits a small home, once again in isolation, where she befriends Woodville. This is the tale of her life that she writes as she is eventually waiting to die.
Powerful and passionate this is laced with sadness throughout, once again due to the incidents in Mary's life at the time of writing this. This edition has a fully active table of contents, an introduction, notes, the original draft, The Fields of Fancy, that was originally changed and altered for the finished tale, and a comprehensive biography of Mary Shelley, which includes photos and illustrations. For the very cheap price of this you can't really go wrong.

