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What Matters Most Barbra Streisand Sings The Lyrics Of Alan & Marilyn Bergman
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Editorial Reviews
The incomparable Barbra Streisand's long-cherished desire to release an album of music with lyrics exclusively written by her collaborators and friends, Alan and Marilyn Bergman, is achieved on What Matters Most- Barbra Streisand Sings the Lyrics of Alan and Marilyn Bergman.
The new album, which Streisand personally produced, is comprised of ten Bergman songs which Streisand has never previously recorded. Included in the set are the Academy Award winning songs "The Windmill of your Mind" (from the 1968 film The Thomas Crown Affair); "So Many Stars" (originally a hit song for Sergio Mendes & Brazil '66); "Nice 'n' Easy" (popularized by Frank Sinatra); and "That Face" (first recorded by Fred Astaire) . The CD is packaged in a jewel box with a 24-page color booklet.
Reflecting on her long-held desire to devote an entire album to the amazingly varied and consistently inspired music of the Bergmans, Streisand noted, "Alan and Marilyn Bergman have a remarkable gift for expressing affairs of the heart."
The affection and respect between lyricists and artist is quite wonderful. "When we write a song, we hear Barbra," said lyricists Alan and Marilyn Bergman. "She makes the connection from the heart to the mind, and it emerges through her voice."
Product details
- Is Discontinued By Manufacturer : No
- Product Dimensions : 4.5 x 4.5 x 0.4 inches; 3.84 Ounces
- Manufacturer : Sony Legacy
- Item model number : 17926822
- Original Release Date : 2011
- Run time : 42 minutes
- Date First Available : June 27, 2011
- Label : Sony Legacy
- ASIN : B0058A11AK
- Number of discs : 1
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Best Sellers Rank:
#16,383 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #574 in Broadway & Vocalists (CDs & Vinyl)
- #991 in Vocal Pop (CDs & Vinyl)
- #9,089 in Rock (CDs & Vinyl)
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One of her earliest recordings of their songs is one of her finest ever, "What Are You Doing the Rest of Your Life?" from 1969. The lyrics are typical of their exploration of love and commitment. A far cry from Barbra's earliest ironic songs "Cry Me a River", "Down with Love", and "Love is a Bore" but closer in spirit to her earlier hits "People" and "He Touched Me". So, she was on track when she chose to record their works. It made sense also because the Bergmans wrote so frequently for movies and Barbra always used her acting talents to interpret lyrics. When Barbra sang "The Way We Were" in the background of her movie, it became more than just a beautiful song but her character's inner thoughts and in the end the movie's message. This of course added up to big sales and a number one hit on Billboard. The same combination of meaningful lyrics with superb acting came together for "Yentl" but this time for an entire song score. Both projects brought the Bergmans Academy Awards for writing. So not only did the Bergmans help Barbra's career it was vice versa. "You Don't Bring Me Flowers" was a commercial and artistic triumph when she recorded it with Neil Diamond. The words so resonated with the public that sales of flowers went up as a result. The duet version makes one easily forget their seperate solo recordings.
Listening to What Matters Most, I wonder how did these songs by the Bergmans never get recorded by Barbra before? They are as well suited to Barbra's style as the 51 Bergman songs she previously recorded. At the length of 41:39 its the shortest album of her hers since "Wet" back in 1979 when albums were not much longer than 40 minutes. Barbra says in the liner notes that her total songs recorded by them now totaled 63 after this album which hints that she intended 12 songs originally. But this ten song collection seems the perfect length both in total and individual tracks. With Barbra the sole producer her increased confidence is evident in the choices made. The arrangements are similar to The Movie Album, which was glorious but sometimes a bit overdone, and some songs hard to get into. Every song on What Matters Most draws you in and keeps you there from one moment to the next. It helps to have a common theme of love which is reminiscent of her album A Love Like Ours. But unlike the 1999 release Barbra mixes up the tempos such as "Nice n Easy" which starts out slow and builds to a jazzy finish with arrangement by Patrick Williams. "That Face" which Barbra featured briefly during her Circus Medley on Color Me Barbra gets the full treatment here with a bright, joyful sound that fits with the adoring lyrics. Then there's "So Many Stars" with an exciting Brazilian arrangement by William Ross actually featuring lyrics sung in Portuguese! Barbra was also blessed to have excellent trumpet soloist Chris Botti and sax soloist Dan Higgins. As producer Barbra knows how to assemble the ideal team.
Even with the uptempo arrangements, nothing is more exciting than the first minute of the album when she sings "The Windmills of Your Mind" acapella. It is a risky move for any singer at her age, that is any singer except Barbra. She may have a few slight hoarse moments that would have never been allowed during her earlier perfectionist years. Yet she hits all the high notes and is still the best at conveying a lyricist's intentions. Especially when she has lyrics by the Bergmans who, as Barbra says in the liner notes, have found so many ways to say "I Love You." with lyrics that have a "poetic grace that's completely unique."
****While the deluxe edition does contain tracks that have all appeared on previous Barbra releases (I own all such releases on cd except for one--Barbra Joan Streisand) it is great to have this collection as a companion to the new tracks. It further helps to point out how perfect the Bergmans have been for Barbra and vice versa.
Recommended new tracks: "The Windmills of Your Mind", "The Same Hello, The Same Goodbye", "That Face", "Nice n Easy"
Recommended classic tracks: "What Are You Doing the Rest of Your Life?", "Papa Can You Hear Me?", "You Don't Bring Me Flowers", "The Summer Knows"
Barbra Streisand has achieved such success (in all fields, not just recordings) that few can attain this kind of a career. Most falter after a few years. Not so with Miss Streisand. The lady is closing in on 70 years of age. And she still has it! It may not be the same voice of 20 or 30 years ago, but how could it be? Sinatra recorded into his senior years and the voice wasn't the same, but still great. Tony Bennett is still able to do justice to what he sings. Rosemary Clooney, Lena Horne and on and on--they kept singing and none of them sounded like they did in their youth.
On this beautiful album, the music of Michel LeGrand, Sergio Mendes, John Williams and other terrific composers join with the wonderous lyrics of the Bergmans. And Barbra pays tribute to them with ten newly recorded renditions (Disc One) and ten previously recorded cuts (Disc Two).
On the new stuff she does a really nice job of That Face and Nice And Easy. I'll Never Say Goodbye and Windmills of My Mind are highlights. There are a few songs (Solitary Moon and Alone in the World) that I don't care for, but it's not because of her singing. I just don't care for the songs.
The CD is nicely packaged, contains a booklet of nice photos and notes about the recording.
I think Miss Streisand has given another stellar performance. Beautiful, Barbra, beautiful!
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