If you are expecting more great tunes and terrific dance music and innovative and brilliant orchestrations on offer in Homogenics, Vespertine and Post, Medúlla is not for you, though it is still Björk and the innovativeness and near-genius music making is as abundantly in evidence as before.
This cd left me thinking it was like a barber shop quartet from Pluto and the Maguire sisters from Venus.
This album crosses over into contemporary classical music as we know it in the university studios of the day. Lots of vocal sounds and noises, not so much heavy disco or rumba beat, hardly any really, and nothing to dance to, which disappointed me a little until I discovered the mother lode of emotion in it. This is a cd for listening and reading the words and understanding what Björk is driving at.
After several close listenings with the iPod I am convinced that Medúlla is Björk's most innovative and fascinating album to date.
There is great power here. Desired Constellation destroyed me emotionally and I kept repeating it over and over and over. It is a cosmic lament for love going awry, a subject Björk has an instinctual gift for conveying in the most moving manner. A manner that at first appears weird and detached but ends up connecting with raw emotion so deeply as to leave this listener physically helpless by the end of it. This is followed by a magical song called Oceania, containing Björk's abundant, sly humor and acute ear for musical invention.
The cds mentioned in the first line contain some great classic tunes that will be around for a long time to come. Medúlla is Björk's great Classical album and must be treated as such as a listening experience. Give it a chance. Medúlla is not casual listening.
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