Save Big On Open-Box & Pre-owned: Buy "Memoirs of a Geisha” from Amazon Warehouse Deals and save 77% off the $35.00 list price. Product is eligible for Amazon's 30-day returns policy and Prime or FREE Shipping. See all Open-Box & Pre-owned offers from Amazon Warehouse Deals.
Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.
To get the free app, enter your mobile phone number.
Memoirs of a Geisha Hardcover – Deckle Edge, September 23, 1997
|New from||Used from|
All Books, All the Time
Read author interviews, book reviews, editors picks, and more at the Amazon Book Review. Read it now
Frequently Bought Together
Customers Who Bought This Item Also Bought
Special Offers and Product Promotions
According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.
The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumor spread by a rival "as cruel as a spider."
Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world, and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors.
From Library Journal
"I wasn't born and raised to be a Kyoto geisha....I'm a fisherman's daughter from a little town called Yoroido on the Sea of Japan." How nine-year-old Chiyo, sold with her sister into slavery by their father after their mother's death, becomes Sayuri, the beautiful geisha accomplished in the art of entertaining men, is the focus of this fascinating first novel. Narrating her life story from her elegant suite in the Waldorf Astoria, Sayuri tells of her traumatic arrival at the Nitta okiya (a geisha house), where she endures harsh treatment from Granny and Mother, the greedy owners, and from Hatsumomo, the sadistically cruel head geisha. But Sayuri's chance meeting with the Chairman, who shows her kindness, makes her determined to become a geisha. Under the tutelage of the renowned Mameha, she becomes a leading geisha of the 1930s and 1940s. After the book's compelling first half, the second half is a bit flat and overlong. Still, Golden, with degrees in Japanese art and history, has brilliantly revealed the culture and traditions of an exotic world, closed to most Westerners. Highly recommended.
-?Wilda Williams, "Library Journal"
Copyright 1997 Reed Business Information, Inc.
You may have noticed that some of our books are identified as "deckle edge" in the title. Deckle edge books are bound with pages that are made to resemble handmade paper by applying a frayed texture to the edges. Deckle edge is an ornamental feature designed to set certain titles apart from books with machine-cut pages. See a larger image.
Top Customer Reviews
I kept waiting for Golden to slip, for some implausibility in character or plot development, some anachronism or "artistic license" that would have made me feel cheated-but it never happened. Without further research, it's difficult for me to comment on the book's historical and cultural accuracy, but it always felt true, and Golden's simple but powerful language is absolutely compelling. The book surpassed my already high expectations, and increased my appreciation of--and curiousity about--historical Japanese social structure in general, and geisha culture in particular. Above all, this is a completely satisfying book about perseverance within boundaries. Both the story and the writing are filled with grace, power, and beauty.
I think it also bears mentioning that the average Japanese person today knows almost as little about the life of a typical geisha as the average Westener. Geisha entertainment has always been the province of extremely wealthy, powerful men--going to a teahouse to be entertained by geisha served the same function for a Japanese VIP that a British one would find at his tony men's club. Throughout the centuries that Japan's entertainment quarters--"the flower and willow world" as they call it--has existed, the number of patrons who could afford top-notch geisha entertainment for themselves and their friends has been an exclusive club indeed. In today's highly Westernized and technology-worshipping Japan, the idea of a geisha party is nearly as anachronistic and unattainable as it is here. Geisha belong to the same catagory as cowboys, knights on horseback and damsels-in-distress: cultural icons who have no place in the modern world. Mr. Golden does a superb job of capturing some of the magic of Sayuri's metier for those of us who will never have the opportunity to witness it firsthand.Read more ›
It's the fictional story, cleverly told from an autobiographical point of view, of one of Japan's most famous and enthralling Geisha, a woman of a profession commonly mistaken for prostitution (Golden draws some clever and insightful distinctions between the two, both in general and specifically). Sayuri tells her story from her humble beginnings as Chiyo, the daughter of an impoverished fisherman, through desperation, war and trial, to the final happy ending.
For a man to write so convincingly as a woman is a very rare thing - Nick Hornby's 'How to be Good' is an example of how it can go wrong - but for an American man to write so beautifully and convinvingly as a Japanese woman from a highly secretive society is an unequivocal triumph. We believe, from the first few chapters, that Sayuri is this observant, silent little thing, a lower-class child facing the arduous and enforced task of becoming a Geisha. We are there with her when she is sold into servitude, when she attempts a failed escape, when she eventually becomes a successful geisha - all thanks to Golden's rare gift for combining a strong plot with incredible descriptive prose. You can smell the incense and see the kimono as Sayuri is preparing to go to work.Read more ›
The weaknesses are unfortunately in the story and in some of the characters. Simply put, the story line comes across as jerky and episodic, random and finally contrived, and too pat. The story's ending, with the heroine achieving her goal at long last, almost entirely by wild luck and coincidence rather than the twenty years of pining and planning that have been described, is not satisfying, and is clumsy. She has done nothing to earn this, and little to earn so much else.
The characters are similarly spotty. Her erstwhile friend and later competitor Pumpkin is well drawn for a minor character, and the changes in her personality over time are interesting and well done. Hatsumomo, the villain of the novel, is sharply drawn and genuinely scary, a well executed character. And Nobu is perhaps the most fully realized character in the book; by the end of the story, his gruff but honest quality, and how he is treated, actually makes the narrator less sympathetic. But the narrator comes across as thoughtful, kind, and good; however, indecisive, and prone to allow fate to decide her course in life.Read more ›
Most Recent Customer Reviews
Really good book. Good blend of fact and fiction. A little slow in some parts but stick with it and you'll like it!Published 3 days ago
Brilliantly written - such insight into the culture. Enjoyed it thoroughlyPublished 4 days ago by bridget edwards
Very well done. I felt like I was there in Japan with her. Loved this book. Couldn't put it down. Recommended by a friend. Read morePublished 10 days ago by Dana Bishop
Wonderful writing. Magical story. I pictured myself as a geisha.Published 11 days ago by Barb C. Kenney
Very authentic and gives a great view of that time period and culture.Published 13 days ago by JIMBO
Beautiful book, exceedingly well written, almost poetic in places, about a young girl, becoming a geisha, into and through WW II. Read morePublished 14 days ago by Doranne Long, PT, MS