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Metro 2033 Paperback – December 1, 2009
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About the Author
Dmitry Glukhovsky is a Journalism and Foreign Relations graduate of the Hebrew University in Jerusalem. He won the Encouragement Award of the European Science Fiction Society in 2007. In addition to his native Russian, he speaks English, French, German, Hebrew and Spanish.
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My husband started reading it but obviously wasn't crazy about it. He told me that the language was "not natural". And he is absolutely right.
I don't know who translated this book, but it wasn't a native English speaker. All structures are Russian language structures, put in English words, the text is awkward, tense, difficult to digest. Bad, bad, bad translation. Whoever did it simply slaughtered a great story. I can't understand how something like this could be published at all.
I will give you an example: tell me if this sentence is "readable": "Those that eat it thinking that it is just a hallucinogen and they can watch cartoons on it, are totally mistaken, says this magician" - it's just one of many, many awkward phrases. No appropriate slang used, even when it's a conversation between, lets say, two teenagers, or two military men, and so on. The whole book is the same: heavy structures, pathos and descriptions that reek of Russian language (no insult here - just that every language has it's own shape and structure). The translator totally missed the point - he or she maid atranslation perfectly close to the Russian original, ruining the very soul of this beautiful book. Such a waste...
Will NOT recommend it to anyone. Would have returned this book if I could.
the book shipped in about 3 days and arrived without any trouble (I usually have a hell of a time getting packages from Amazon) the book is in perfect shape
The universe METRO builds begins in our world. The cold war is over. The USSR is a thing of the past although it’s shadow lingers over modern day Russia. The main character, Artyom, is a young adult. He was born before the event but only has very few and fragmented memories of it. On the day of the event, he and his mother were visiting a park close to a metro station. That is why they survived. The metro stations could be sealed to stop contaminants from coming in (the metro was designed and built during the USSR period). Artyom and his mother make it into the metro and past the doors before they are sealed.
The metro develops into a new society. As time goes on, the different lines or branches develop different political ideologies. Some stations are more desirable than others, some have more resources, some have ways to grow food underground, some have access to uncontaminated water. Before long treaties are made, broken and fighting begins. The metro is no longer one system but a collection of city states that are connected by dark tunnels.
What is in the tunnels is the mystery that lies at the heart of the METRO 2033 book. Traveling even a few hundred meters into the tunnels can be dangerous. Some of the dangers are defined; hordes of rats, mutated life forms that got into the tunnels from above, marauding humans who prey on their own kind. Some of the dangers are undefined. People, groups of people and caravans, evenly armed ones disappear without a trace, without a sound and no sign of struggles. The tunnel dwellers have dubbed the cause of these disappearances as the “Dark Ones”.
The website [...] has a virtual tour of all the stations mentioned in the book. It is a wonderful way to connect the descriptions of severely damaged places with what they looked like in reality. Since the story begins in our reality, the photos are showing the reality of the Metro universe before the nuclear event.
METRO 2033 is the quest Artyom undertakes to save the entire Metro system. He is tasked with this by a mysterious man who is only referred to as “Hunter”. There is a time element to the quest. As in life in 2016, life in post-apocalypse 2033 does not go as planned. Artyom tours, sometimes unwillingly, many of the various city-states that make up the Metro. It is a fascinating trip. The characters are real. The various ideologies of the city-states are believable. The unknowns in the dark tunnels ratchet up the suspense to terrifying levels. By the end of the book, I was deeply impressed by the world the author created and how much I came to care about the characters in it.
METRO 2033: The Gospel According to Artyom is a bridge to METRO 2034. It is only twenty-seven pages but well worth the $2.99 price. Artyom illustrates the consequences of the events the ended METRO 2033. But this short piece also gives significant background into his life before and during the apocalyptic event. It really is worth the price.
METRO 2034 begins not long after the end of METRO 2033. The main characters are the “Hunter” from the first book, a man called Homer who believes it is his vocation to write a history and chronicle of the Metro, and a teenage girl named Sasha who has been recently orphaned. Sasha’s father used to be one of the dictator’s of a Metro city-state until he and the girl were banished to an area that had little to no hope of survival. They did survive. Her father managed to live long enough for her to mature and learn to defend herself before his death. Hunter, Homer and Sasha come together in a collision of missions, Sasha’s to survive, Hunter and Homer to find out what happened to a station that no longer broadcasts or sends runners with news. Artyom does not have a large part in this story. He does not make an appearance until Chapter 10. Yet everything that is happening is a consequence of his actions in METRO 2033. The threat this time is not the Dark Ones. It is something much worse and something almost impossible to stop. As with the first book, the characters are fantastic and I grew to care about them. The action is non-stop.
The audiobooks of METRO 2033 and METRO 2034 are narrated by Rupert Degas. He is fantastic. His accent for the Russian speakers if marvelous. When simply narrating, not the dialogue, he has a very clear voice with an English accent. His female voices are very well done. I have since added several of his titles to my wish list.
The last book in the series METRO 2035 has not been released in English yet. I wonder if a social media campaign of begging to the author could help facilitate that happening.
The story itself is interesting, if rather depressing and male-dominated.