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Microstyle: The Art of Writing Little Hardcover – July 25, 2011

3.7 out of 5 stars 17 customer reviews

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Editorial Reviews

Review

Think big. Write small. Read Microstyle.--George Lakoff, author of "The Political Mind"

Useful and entertaining.--Mignon Fogarty, author of "Grammar Girl s Quick and Dirty Tips for Better Writing"

Are you microstylish? In the 140-characteruniverse we now inhabit, you better be. --Seth Godin, author of "Poke the Box"

With advice for writing compelling blogs, pitches, ads, slogans, and social-media postings, Johnson s sophisticated, richly referenced, and example filled microstyle guide is distinctive, instructive, enjoyable, and inspiring. --Donna Seaman"

Microstyle: The Art of Writing Little, is a work of pop linguistics it synthesizes a wide range of current thinking from recent books about grammar, branding, cognitive science and Web theory. But it does so with intelligence and friendly wit. Mr. Johnson s point is that words are for wooing, in ways both personal and professional, and his own prose is sociable enough to underscore that point and spritz it with a bit of sophisticated perfume. His book is here, like a dating guide, to whisper: You too can woo. --Dwight Garner"

Are you microstylish? In the 140-character universe we now inhabit, you better be. --Seth Godin, author of Poke the Box"

Think big. Write small. Read Microstyle. --George Lakoff, author of The Political Mi"

Useful and entertaining. --Mignon Fogarty, author of Grammar Girls"

What do Oscar Wilde, Steve Jobs, and Jello Biafra have in common? Each has mastered microstyle. With this riotous and readable book, Christopher Johnson helps you join the club. In no time you ll be coining witty epigrams, imagining unforgettable brands, or crafting a distinctive identity. --Constance Hale, author of Sin and Syntax"

About the Author

Christopher Johnson is a blogger and branding consultant, with a PhD in linguistics from the University of California, Berkeley. He lives in Seattle, Washington.
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Product Details

  • Hardcover: 256 pages
  • Publisher: W. W. Norton & Company (July 25, 2011)
  • Language: English
  • ISBN-10: 0393077403
  • ISBN-13: 978-0393077407
  • Product Dimensions: 5.9 x 1 x 8.6 inches
  • Shipping Weight: 15.2 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #1,294,288 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

Format: Hardcover Verified Purchase
I bought Microstyle after reading the NY Times review, and found it to be an interesting but slightly repetitive survey of short marketing messages and funny one-liners.

Most of the examples in the book are advertising slogans, mixed in with far too many fake headlines from The Onion and selections from Twitter Wit and the FakeAPStyleGuide. I kept waiting for a discussion of more substantive micro-communication. There was no mention of Iran, China, or other places where people have been experimenting with short bursts of text to organize, communicate with the world and avoid censorship. Surely the author has seen instructive examples of that type of communication, and I think the book would benefit by moving beyond branding, marketing and humor.

Highlights were the three short chapters on rhythm, poetic patterns and sonority, but in general this book made me want to re-read Strunk & White. For a more elegantly curated collection of microstyle, try Artful Sentences: Syntax as Style.

(As an aside, I bought the Kindle version because I could not stand to look at the book jacket. Microstyle applies to graphic design as well, and the jacket design is a clunky and nonsensical mixture of metaphors: ruled notebook paper, two kinds of typewriter text, digital type and a stylized magnifying glass, which might also represent a search icon. The author is able to elegantly dissect mixed metaphor in text, but his insights should have been aggressively applied to the cover.)
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Format: Hardcover Verified Purchase
I twitter; I love language; and I also practice securitization, which is a micro-structural approach to corporate finance. Hence, the appeal of Christopher Johnson's book. What do I think? In brief, I like that his approach challenges my politically correct, traditionalist views on grammar and structure, which he labels Big Style. I like how he created action-oriented categories for classifying micro-messages. But what I didn't find was the link between categories and their effect. I guess maybe I should have been forewarned by the word "art" in the title. Perhaps what I was hoping for is science.
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Format: Hardcover Verified Purchase
Microstyle (or micromessages) is all about grabbing the attention for a moment and communicating something quickly. It's how we (mostly) read and write today.

The author, Christopher Johnson, PhD., an expert in verbal branding, says that, I paraphrase: "Daily verbal life has come to be dominated my micromessages, not because we're suffering from a mass onset of attention deficit disorder, but because it's simple economics".

It's one of the smartest books I've read in a long time. And, the author's in-depth knowledge and passion on the subject shows on every page.

A word of caution; it's not an airport book offering "seven steps for sure success in microstyle". It's an in-depth book on the subject, by a linguist. It's an in-depth book on the theory and practice of microstyle.

Result: if you're willing to spend some time reading on microstyle, the book is for you. I'm sure you'll find it highly rewarding.

Franco Arda, CEO smartercomics.com
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Format: Paperback
The author takes a look at language usage from different perspectives (including linguistics, rhetoric, advertising, and online communications), makes a variety of thoughtful observations, and offers suggestions for how to use fewer words to communicate more effectively and memorably. In the process, the author discusses language usage in conversations, advertising, headlines, slogans, company names, brand names, trademarks, nicknames, metaphors, poetry, rhymes, song lyrics, idioms, neologisms, puns and wordplay, and various forms of online communication.

Much of the book is interesting, thought-provoking, and worth considering. Unfortunately, the author tries to cover too much ground in his ambitious effort to discuss the subject matter thoroughly, and occasionally obscures his message in an avalanche of detail. Given the theme of the book, the author should have been more brief and concise with his commentary and explanations. A revised edition of the book might be helpful, if the author trimmed some of longer commentary and explanations, and provided a concise "executive summary" of salient points at the end of each chapter.

Despite its flaws, this is a good book that is worth reading. Its thoughtful observations and explanations could be a source of helpful ideas for people interested in trying to write more effectively.
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Format: Paperback Verified Purchase
The first thirty pages are fluff, but after that we are treated to a wealth of examples of how the under-the-surface poetic possibilities in ordinary language affect slogans, taglines, tweets and other ultra-short content. Although I found the commentary interesting and useful, I wish there were more guidance on how the reader could try to create the best examples he discussed. Recommended if you are a language lover.
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Format: Hardcover Verified Purchase
This was a great overview of key aspects of language a brand specialist would consider in developing a brand name, tag line, slogan or really anything that has to capture attention quickly and memorably. It's a quick read that moves from one topic to another with intelligence, humor and many specific examples to illustrate each concept. Fitting with the book's title, it is not a long exploration into the deeper cognitive structures of contemporary language and only touches on some interesting questions about how language continues to evolve in the context of new technologies. Knowing Johnson is a linguist, I wish the book did delve into these topics but then that would be a different type of book.

This book has a place on my reference shelf.
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