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Middlemarch (Penguin Classics) Paperback – March 25, 2003
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From Library Journal
Though not out of print, this popular title is being added to the venerable "Modern Library" line to coincide with a PBS Masterpiece Theatre miniseries. Along with the full text, this edition includes an introduction by A.S. Byatt. All that for $15 makes this a bargain.
Copyright 1994 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
"One of the few English novels written for grown-up people" -- Virginia Woolf
"The most profound, wise and absorbing of English novels...and, above all, truthful and forgiving about human behavior." -- Hermione Lee
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Top Customer Reviews
I loved Middlemarch, but I didn’t devour it. I chewed it slowly - the writing too beautiful to swallow whole. It grabbed me right from the start and I knew I was in for a sublime reading experience.
In many of the reviews I have read people have mentioned that Eliot’s narrative voice was not to their liking, finding it too didactic or distracting. I found her narrative to be one of the things I liked best. It was through this technique that most of the wisdom and life lessons were imparted. The narrative became another character for me, seamlessly blended with the rest of the characters.
“We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, "Oh, nothing!" Pride helps us; and pride is not a bad thing when it only urges us to hide our own hurts--not to hurt others."
Her ability to sum up a character in one beautifully written paragraph is remarkable.
In describing Mr. Casaubon, one of the main characters, Eliot writes. “It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering self-- never to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.”
In talking about another character, Dr. Lydgate, she says. “Only those who know the supremacy of the intellectual life-- the life which has a seed of ennobling thought and purpose within it-- can understand the grief of one who falls from that serene activity into the absorbing soul- wasting struggle with worldly annoyances.”
Her dry wit and humor are scattered throughout the book like sparkling gems.
“Miserliness is a capital quality to run in families; it's the safe side for madness to dip on”.
"He has got no good red blood in his body," said Sir James. "No. Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses," said Mrs. Cadwallader.
"Oh, tallish, dark, clever--talks well--rather a prig, I think." "I never can make out what you mean by a prig," said Rosamond. "A fellow who wants to show that he has opinions." "Why, my dear, doctors must have opinions," said Mrs. Vincy. "What are they there for else?" "Yes, mother, the opinions they are paid for. But a prig is a fellow who is always making you a present of his opinions."
“But Duty has a trick of behaving unexpectedly--something like a heavy friend whom we have amiably asked to visit us, and who breaks his leg within our gates.”
Eliot is sympathetic to her characters, showing the good and bad in all, even the characters who would be despised if written by most authors. There is no black and white here, and yet the story is still compelling without the devise of writing purely lovable or despicable characters. We are shown what motivates the most hateful figures as well as those we are drawn to, and as a result there is no one in this book with whom you cannot empathize in some way. Her writing is infused with penetrating insights into human nature without ever losing compassion and understanding for their frailties. This empathy for her characters, perhaps more than anything else, differentiates her writing from Dickens and Austen.
I now look forward to reading all her other novels, starting with her first one, Adam Bede. It should be interesting to see her progression from first novel to last. I had very few preconceived notions about Middlemarch before I read it and maybe that helped me to enjoy it all the more, but enjoy it I certainly did!
Treat yourself to a better edition of the work than this one.
Many others have pointed out the particular beauties and wisdom of the novel better than I can, so let me point out a particular feature that Amazon offers that I have used. If you buy the Kindle version of this Oxford edition of Middlemarch you can, for an extra few dollars, also get the Audible version read by Juliet Stevenson. (The Audible version on its own is $55.) Also, the two versions sync together, so you can read a few chapters, and then switch over on your IPad or iPhone to Stevenson's reading, and then switch back whenever you wish. Stevenson's reading is legendary for a reason: she brings the book alive in a very powerful way, and is marvelous at communicating its meanings. I learned a lot from listening to her--especially in revealing the humor in the book, which I missed in my own reading. But I also wanted to read on my own as well. Amazon had made this now possible at a very reasonable price, and I heartily recommend it.