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Mighty Dead Why Homer Matters Paperback – January 1, 2015
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- LanguageEnglish
- PublisherWilliam Collins
- Publication dateJanuary 1, 2015
- Dimensions5.08 x 1.02 x 7.8 inches
- ISBN-109780007335534
- ISBN-13978-0007335534
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Product details
- ASIN : 0007335539
- Publisher : William Collins (January 1, 2015)
- Language : English
- ISBN-10 : 9780007335534
- ISBN-13 : 978-0007335534
- Item Weight : 2.31 pounds
- Dimensions : 5.08 x 1.02 x 7.8 inches
- Best Sellers Rank: #139,944 in Books (See Top 100 in Books)
- #121 in Ancient Greek History (Books)
- Customer Reviews:
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Ele não só busca suas origens, não só na língua escrita, mas na cultura oral que a precederam, e nos leva a entender as populações nômades que povoaram a Grécia durante a idade do bronze.
É um livro muito bem pesquisado, mas não é um livro acadêmico. Algumas de suas teses são diferentes do que é postulado no mainstream, principalmente sobre o momento no tempo da guerra de tróia, que ele acredita ser anterior a data com a qual os estudiosos trabalham.
O ponto forte do livro é quando ele traz o significado dos épicos para a sua vida. Momentos pungentes da vida (como um momento onde o autor se viu a beira da morte, não vou contar o motivo) encontram paralelos na narrativa homérica.
Resumindo, é uma análise moderna e muito pessoal dos textos gregos. É uma boa leitura, embora alguns capítulos sejam muito longos e se percam quanto ao tema originalmente proposto.
For anyone who is interested in say, the development of Greek Philosophy, one becomes aware of the Greecean diaspora as Rome established herself, but Homer and Plato ran ahead, in the same sort of way that Shakespeare and Mozart ran ahead of their times, because as their times diminished, their influence did not. Nicolson does not waste time with discussing Plato's view of Homer, for that is not his brief: his brief is to put Homer in context, and the considered erudition does that. Considered, because a) he is aware of what constitutes' popular' in that it must be comprehensible, and if possible, seen as relevant; and b) he is also aware of an innate wish to learn about our origins. He does this by adopting a number of different voices: the archeologist, talking about how pervasive Bronze Age culture was; the travel writer, going to places referred to, and describing them in a manner of the Welsh or Irish poets; the ethnologist, talking about the memory of the tribe and traditions of story telling - without reading a book; the poet, talking about the importance of metre in song; the anthologist, talking how people take their stories with them, and adapt them; the linguist, talking about the origins of language as reflected in the spoken language before it really took on a written form; and so on.
The level of scholarship is very high, but its fruits are not treated like items in isolation, for the very structure of the whole piece, enables one body of information to flow into the next without disruption, while at the same time enriching it. So for example, parallels can be drawn between the gangs in America and their motivations, and the warrior groups outside Troy and their motivations. I will never, be able to think about the Bronze Age in the same way again; indeed I will never be able to think about what Homer has given us, in the same way again. This is historical writing with a difference: it invites both reflection and re-evaluation.
The book is full of surprises, not only when our preconceptions are challenged, but also insightful parallels. I remember reading a book by a French archeologist who was convinced that the Odyssey was a Mariner's code, so that for example, the whirlpools of Scylla and Charybdis are not in the Mediterranean, but off the coast of Scotland., and their modern description and names, fits the description in the Odyssey. Links between burial mounds in Ireland and those in the eastern Mediterranean are because they were of the same cross -european epoch. Nicolson has been to the Bronze age Tine mines in Spain, and describes them as Hades; I have been to Newgrange in Ireland, and will never forget the experience - his book has enriched that experience.
If Plato was about discovering the Truth, Homer is about accepting reality as it is experienced. Odysseus epitomises the Greek virtue of metis; Achilles on the other hand, in my eyes at least, now represents something totally different, and in a way something much more profound. This is not to reduce the Prodigal Son motif which permeates the Odyssey, Achilles just provides another viewpoint. Nicolson quotes Simone Weil at the end of the book, as a wise woman; perhaps a representative of Athene, who knows?
Homer, perhaps like the shadow of Hamlet's father, has always been there as part of the Western canon. We know he is part of us and somehow understands us better than we might understand ourselves and yet... there's an academic and apparently cultural wall between us that means we never quite grasp why some archaic tales might still have relevance today. According to Mr. Nicholson they do and I really appreciated his book in explaining why that is.
This is a book for anyone who wants to understand why Homer is still in print. It's a book for anyone who wants to consider what it means to be human in the modern context when, for many, there is often a lingering doubt that what we are today isn't somehow false to what we should rather be.
Nicholson examines in this book the works of Homer. He evaluates the development of story telling, he offers wonderful insights into the language of the Greeks and how it reflected their environment, their beliefs and how the it all worked to create a war that remains beautiful in its horror.






