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The Mixing Engineer's Handbook (Mix Pro Audio Series) 1st Edition

4.3 out of 5 stars 46 customer reviews
ISBN-13: 978-0872887237
ISBN-10: 0872887235
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About the Author

A long-time music industry veteran, Bobby Owsinski started his career as a guitar and keyboard player, songwriter and arranger, eventually becoming an in-demand producer/engineer working not only with a variety of recording artists, but on commercials, television and motion pictures as well. One of the first to delve into surround sound music mixing, Bobby has worked on over a hundred surround projects and DVD productions for a variety of superstar acts. Combining his music and recording experience with an easy-to-understand writing style, Bobby has become one of the best-selling authors in the music recording industry with 19 books that are now staples in audio recording, music, and music business programs in colleges around the world, including the best-selling Mixing Engineer's Handbook, Recording Engineer's Handbook, and Music 3.0:A Survival Guide For Making Music In The Internet Age. A frequent moderator, panelist, and program director for a variety of industry conferences, Bobby has served as the longtime producer of the annual Surround Music Awards, and is one of the creators and executive producers for the "Guitar Universe" and "Desert Island Music" television programs. Visit Bobby's production blog at bobbyowsinski.blogspot.com/, his Music 3.0 blog at music3point0.blogspot.com, and his website at bobbyowsinski.com.

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Product Details

  • Series: Mix Pro Audio Series
  • Paperback: 240 pages
  • Publisher: Mix Books; 1 edition (November 1, 1999)
  • Language: English
  • ISBN-10: 0872887235
  • ISBN-13: 978-0872887237
  • Product Dimensions: 11.2 x 8.5 x 0.7 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (46 customer reviews)
  • Amazon Best Sellers Rank: #968,923 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

This book takes you through the six (6) steps on how to succeed with a great mix. * Balance - the volume level relationship between musical elements * Frequency Range - having all frequencies properly represented * Panaorama - placing a musical element in the sound field * Dimension - adding ambience to a musical elememt * Interest - making the mix special
Within each step the author also has put in comments from famous producers like Bruce Swedien, David Sussman, George Massenburg, Joe Chiccarelli and more covering the actual topic. A good thing because you get the feeling that the methods in the book also has a practical use and that they work. And they do! Each step has it's own chapter and is filled with tips and tricks both from the author and the producers.
A chapter explaining the basics of mixing in surround is included in the book too. Though the author is not going into any depths it's good to get started on the topic. Some links to websites about surround mixing are there so maybe there will be more in future releases of this book.
At the end of the book there is a chapter with exclusive interviews with 20! top producers. The interview questions are connected to the 6 steps you learned earlier in the book so it is a very good finish. The questions can be like "Where do you build your mix from?", Do you use a lot of compression?", What's is your approach to panning?", "Do you have any listening tricks?" and lots of others.
Well, what can I say. I have improved my mixing skill a lot by reading this book. It is so great because you know other people are doing successful hitmusic using the methods described in this book. You don't get anything for free without practice but you know you are on the right track!
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By A Customer on February 15, 2001
It is not a real "handbook" in the traditional sense of the word (i.e. a handbook used by mixing engineers), but rather conceptual ideas that point out the key elements of mixing for the beginner.
The reality of this book is that the content is based on a series of pretty informative interviews that are transcribed verbatum in 2nd half of the book. The first half of the book is the author's summary of the usable data culled from the interviews, and presented in a organized fashion.
The 6 aspects covered (that comprise a good mix) should certainly help beginners start thinking about mixing in ways that don't ordinarily occur to beginners. In essence, what this book does best is to tap into the experience of very experienced engineers, and then present "what the experts do" in various scenarios.
There are NOT so much specifics as there are general guidlines. It is not so much "step-by-step instructions" or "hard reference" as it is a "starting point." There ARE useful things like where to start the mix from, and tables that show where to find the EQ frequencies that effect different instruments--for example, to bring out the slap sound on a bass guitar. Further guidlines suggest, which effects and settings (in broad terms) to use to emphasize/de emphasize other aspecs.
I'm a beginner, and it has been a good resource for me.
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By A Customer on August 27, 2001
"Mixing Engineer's Handbook" teaches what the engineer greats of various genres do to get great mixes. It has really helped me understand different approaches to mixing, as well as taught quite a few nice tips and tricks. I learned a lot from it, even though I have been recording and mixing professionally for over 10 years. In my bookshelf there are a LOT of books abour recording and mixing, and this one clearly stands out as the best. Another good book I'd like to recommend is "Professional Microphone Techniques", which also features a a nice chapter on EQing. The interviews have also been a great help when making purchase decisions for new studio gear.
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This book is really about the things that top mix engineers say they pay attention to most in mixing. It gives the reader insight into the ideas that have moulded their thinking, and listening skills. Equipment lists are supplied, but there is not a lot of discussion about how to set up the gear in detail. This is a good thing, because a book can not deliver the kind of understanding that listening to recordings can give. You can easily get the CDs that are discussed to hear what each mix engineer is talking about. There is more than enough information to duplicate some of the best mixes ever made if you want to.
If you are constantly searching the net, or magazines for mix trix, and you want the best collection of these tricks available, stuff people hang out in studios for months, or years to acquire, then this book is for you.
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Upon deeper inspection of the contents of this book, I had to change my review. I am finding this book absolutely phenomenal.
I thought at first that there were too many interviews (nearly half the book) and not enough real tips and guidelines. I was wrong. The first half of the book gives some good starting points and tips (EQ settings, Compression ratios/settings, mixing in effects etc...) What I have found to be almost more valuable are the interviews. They are full of tips and "here's how I achieve this sound" type of comments.
This is only my second day I've really been digging in to this book and applying it to my work. I've already seen drastic improvements. I wish I had found this book when it first came out! This is cetainly not the end all solution to every recording question you may have, but I have found this book to be worth every cent I spent on it.
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