- Series: Norton Critical Editions
- Paperback: 752 pages
- Publisher: W. W. Norton & Company; 2 edition (July 27, 1999)
- Language: English
- ISBN-10: 0393972836
- ISBN-13: 978-0393972832
- Product Dimensions: 5.6 x 0.9 x 9.2 inches
- Shipping Weight: 11.2 ounces (View shipping rates and policies)
- Average Customer Review: 4.2 out of 5 stars See all reviews (2,890 customer reviews)
- Amazon Best Sellers Rank: #68,104 in Books (See Top 100 in Books)
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Moby-Dick (Second Edition) (Norton Critical Editions) Paperback – July 27, 1999
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From School Library Journal
Grade 5 Up-Opening with the classic line, "Call me Ishmael," the narrator's New England accent adds a touch of authenticity to this sometimes melodramatic presentation. The St. Charles Players do a credible job on the major roles, but some of the group responses, such as "Aye, aye Captain," sound more comic than serious. This adaptation retains a good measure of Melville's dialogue and key passages which afford listeners a vivid connection with the lengthy novel. Background music and appropriate sound effects enhance the telling of the story about Captain Ahab's obsessive pursuit of the malevolent white whale. The cassettes are clearly marked, and running times are noted on each side of the tapes. Announcements at the beginning of each side and a subtle chime signal at the end make it easy to follow the story, but a stereo player must be used to hear some dialogue. The lightweight cardboard package is inadequate for circulation. Done in a radio theatre format, the recording does a nice job of introducing the deeper themes of the book and covering the major events. For school libraries that support an American literature curriculum, this recording offers a different interpretation of an enduring classic.
Barbara Wysocki, Cora J. Belden Library. Rocky Hill, CT
Copyright 1999 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.
From Library Journal
November 14 marks the 150th anniversary of Melville's salty saga of vengeance and obsession. Now a contender for the great American novel, this book was harpooned at the time of its 1851 publication by critics who found it overly long and boorish (observations no doubt still shared by countless high school students). They felt that like Ahab, the story didn't have much of a leg to stand on. The once lucrative whaling industry also was in its death throes and of little interest to readers. The book was forgotten for decades before being rediscovered in the 1920s by scholars who understood and appreciated the multilevel symbolism and allegory dismissed by their 19th-century predecessors. Melville published little after the failure of Moby-Dick and made his living as a customs inspector in New York City, where he was born in 1819 and died in complete obscurity in 1891. He is buried in the Bronx. This edition of his masterwork includes the full text along with illustrations of whales, whaling barks, and whaling instruments; maps; and a new introduction by Nathaniel Philbrick. A lot for the price.
Copyright 2001 Reed Business Information, Inc. --This text refers to an alternate Paperback edition.
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Top Customer Reviews
Capacious. That is the word that repeats again and again in my head. Moby-Dick is a vibrantly colored hot air balloon that keeps growing in size as I read it. First, Melville's subject is the sperm whale, the largest creature on earth. But we don't just learn about the sperm whale but about all whales. Then we learn about whaling and its nobility. Here is where it gets very interesting. We participate in whaling, its skill, equipment, courage, risks and economy AND about how it results in the gruesome destruction of the whale. We feel the horror inflicted on the whales and we feel the nobility of the activity that slaughters them. Melville doesn't allow us to avert our eyes either to the daring of whaling or to the viciousness of the slaughter. That is where the book inflates even more because he holds both perspectives equally which is a much larger place than if he had taken sides.
The book also foreshadows modernism by using a variety of narrative techniques; theater, pure narration, encyclopedic explanations and subjective interior monologues. Melville is constantly breaking up the narrative with omniscient recitations of fascinating information about his subject matter. And like Ulysses or the Waste Land, he piles on the reference to Shakespeare, the Greeks, Christianity and the Hebrew traditions.
There are many references with regard to Ahab and the Whale regarding evil and Satan. Yet Ahab has great respect and reverence for Moby Dick. Ahab himself knows he is obsessed and but can have great compassion like his feelings for the lowly addled Pip. So yes there is evil afoot in the book but it isn't the kind that that creates simple polar opposites. As Ahab describes Moby-Dick (has) `an inscrutable malice sinewing through it' that describe the book as well. There is evil and there is also goodness that coexists in the book making the reader feel that he has to take sides. If the reader resists this temptation he or she will experience the awe of a deep and ever expanding mystery.
Lalit Kumar Singh's illustrations are superb and even though he's limited to about five panels per page, his artwork deftly portray characters, moods, and scenes. He is an excellent artist. I spent time examining some of the panels because they are so evocative.
The publisher recommends the book for ages 8-12, but I'm not sure the nuances of the story and the artwork can be appreciated by an 8-year old. This is not a comic book. I would recommend it for ages 11 and up. Hopefully, this book will get a youngster to read Melville's novel.
A note on the physical book: it's printed on good quality coated paper and the colors are bright and clean. The cover is thick and protective. Overall, a very fine book.