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Modern Classics Hangover Square Paperback – International Edition, July 3, 2001
| Patrick Hamilton (Author) Find all the books, read about the author, and more. See search results for this author |
- Print length288 pages
- LanguageEnglish
- PublisherPenguin Classic
- Publication dateJuly 3, 2001
- Dimensions5.08 x 0.67 x 7.8 inches
- ISBN-100141185899
- ISBN-13978-0141185897
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Product details
- Publisher : Penguin Classic; New Ed edition (July 3, 2001)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0141185899
- ISBN-13 : 978-0141185897
- Item Weight : 7.5 ounces
- Dimensions : 5.08 x 0.67 x 7.8 inches
- Best Sellers Rank: #207,078 in Books (See Top 100 in Books)
- #5,767 in Classic Literature & Fiction
- Customer Reviews:
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I was completely unfamiliar with Hamilton's work, aware of the movie "Gaslight" but didn't connect him as the author of the book. George is hooked on Netta and eventually realizes what/who she is; George is a sad character but so trusting ( for a while) you can't help but like him even at the ending.
The setting of a seedy Earls Court in 1939 is a fitting backdrop to this bleak and harrowing story.
Strong characterisation of both the primary and secondary characters make this well worth sourcing.
The second novel I've read by the author and it reads on par with the wonderful Slaves of Solitude.
Patrick Hamilton’s novel based in Earls Court and Brighton in 1939 is possibly the best anti-romantic novel ever written in English. First published in 1941 by Constable, it was reissued by Penguin in 1956 and became a Penguin Modern Classics book in 2001, sixty years after first publication. JB Priestley in his 1972 introduction finds Hamilton ‘above all the novelist of the homeless,’ which exactly describes the mood of the book. ‘He takes us into a kind of No-Man’s-Land of shabby hotels, dingy boarding-houses and all those saloon bars where the homeless can meet,’ says Priestley, and he does this through exploring the interior world of his unlikely hero George Harvey Bone.
Bone is the classic ‘muff’ as Thackeray would call him. He is large, awkward and slavishly devoted to a woman who despises him. His romantic advances to Netta are apologetic and self-disparaging. He knows he stands no chance of engaging the attentions of this beautiful creature, yet cannot save himself from persisting in his timid approaches. Netta’s interest in George is undisguisedly one of convenience. Bone (her appellation throughout) is able to fund her life of pleasure, but he can in no way advance her social or theatrical career; the very reverse in fact. Netta emerges as a heartless scheming tart, seen through by all her male escorts, including, strangely enough, the aspiring Bone himself.
So far, so banal, but George Bone knows this and Hamilton skillfully addresses this weakness by providing a shell into which his hero ‘snaps’ or ‘cracks’ at frequent intervals. When inside the shell George sees Netta as despicable, so much so that from the outset he plans her death and his escape from justice and retirement to the country - to the aptly named Maidenhead, where safe from police and the dreary round of pubs he can live in peace. A man of two worlds, he plans to triumph over Netta so that if he can’t ‘have’ her he will kill her - and indeed Peter, the ex-killer and jailbird to whom she allows favours. George Harvey Bone is a great planner, a self-tortured romancer, but not until the end of the book does he stop crying and become, as he puts it, ‘a real man.’
Top reviews from other countries
Hangover Square's protagonist is George Harvey Bone, a shambling, awkward, gentle giant of a man living in shabby Earl's Court on a small private income. Bone spends his days drifting from pub to pub with a group of drinkers that revolves around sometime actress Netta Longdon, with whom he is desperately and hopelessly in love. Fully aware of this, Netta is relentlessly cruel to George, openly taking every advantage of his placid nature and his generosity with his moderate funds while treating him without civility, let alone kindness. He is, to Netta and her bullying associates, 'the dumb butt of their unfriendly wit'. What Netta doesn't know, however, is that George suffers from some sort of schizoaffective disorder and experiences 'dead moods', strange periods of confusion during which his only clear thought and purpose is killing her.
If you think this sounds bleak, you'd be right - it absolutely is. Set in 1939 with war on the horizon, Hangover Square is a dark, bitter and deeply sad book, but it's also a brilliantly written and atmospheric one which I immediately loved. The characters drift through a grey, smoke-fogged world of Earl's Court pubs, boarding houses and bedsits that perfectly evoke pre-war London. George Harvey Bone himself is vividly memorable, frustratingly weak and self-destructive in his descent into alcoholism and slavish devotion to Netta, sinister during his dissociative episodes and yet somehow, I found myself rooting for him throughout. His delight when he reconnects with Johnnie, an affable, well-adjusted former friend from George's pre-Earl's Court days, is incredibly endearing. Whenever George briefly rediscovers a simple pleasure he used to enjoy, such as playing a round of golf or reading a novel, we catch a glimpse of a George pre-Earl's Court, a George pre-alcohol, a George pre-Netta, we realise what he could be if he could only find the strength to escape. Indeed, most people who meet lumbering, shy George away from Earl's Court do seem to like him - far more, in fact, than they like beautiful, confident Netta, of whom Johnnie gets the measure within moments.
Netta herself is an equally fascinating character, albeit one with few redeeming features: it's clear that she is an alcoholic, and I was able to feel some sadness for her in that respect, but she is also in every way the very antithesis of all things kind, fair and decent. In learning the novel's basic premise you could be forgiven for thinking that George is simply a bitter occupant of the 'friend zone', expecting a romantic relationship as a natural entitlement through no fault of Netta's own and resenting her as a result, but we soon learn that Netta is quite deliberately exploiting George in a way that is not only opportunistic and manipulative but deliberately sadistic. We see Netta at first only through the eyes of George, who hates and loves her in equal measure, and of course we wonder how reliable a picture he can paint - but when the omniscient narrator steps in to set us straight, we discover only that Netta is even worse than George has imagined.
Not only is Netta spoilt, lazy and spiteful, but also strongly attracted to fascism, bullying, violence and cruelty,and excited by her blackshirt friend Peter primarily because he has been to prison for violently assaulting a left-wing political opponent and for killing a pedestrian while drunk behind the wheel. Whereas George considers himself a liberal and is ashamed by the Munich Agreement, Netta is fascinated by Hitler and Mussolini and 'the uniforms, the guns, the breeches, the boots, the swastikas, the shirts. She was, probably, sexually stimulated by these things in the same way as she might have been sexually stimulated by a bull-fight.'
There is an ominous sense of inevitability to Hangover Square, a looming sense of something terrible about to happen. George's predicament of constantly desperately trying to appease Netta despite his perpetual horror at her appalling behaviour, whilst on another level being convinced that killing her can be the only solution to his problems, seems all too fitting a metaphor for Britain in 1939, with George's internal conflict mirroring the build-up to the devastation of the Second World War.
I feel positively ashamed that it took me so long to get round to reading Hangover Square, as it's a compelling, distinctive novel that gripped me from the very first sentence. I'll definitely be reading Patrick Hamilton's other work in the near future.
Patrick Hamilton’s novel based in Earls Court and Brighton in 1939 is possibly the best anti-romantic novel ever written in English. First published in 1941 by Constable, it was reissued by Penguin in 1956 and became a Penguin Modern Classics book in 2001, sixty years after first publication. JB Priestley in his 1972 introduction finds Hamilton ‘above all the novelist of the homeless,’ which exactly describes the mood of the book. ‘He takes us into a kind of No-Man’s-Land of shabby hotels, dingy boarding-houses and all those saloon bars where the homeless can meet,’ says Priestley, and he does this through exploring the interior world of his unlikely hero George Harvey Bone.
Bone is the classic ‘muff’ as Thackeray would call him. He is large, awkward and slavishly devoted to a woman who despises him. His romantic advances to Netta are apologetic and self-disparaging. He knows he stands no chance of engaging the attentions of this beautiful creature, yet cannot save himself from persisting in his timid approaches. Netta’s interest in George is undisguisedly one of convenience. Bone (her appellation throughout) is able to fund her life of pleasure, but he can in no way advance her social or theatrical career; the very reverse in fact. Netta emerges as a heartless scheming tart, seen through by all her male escorts, including, strangely enough, the aspiring Bone himself.
So far, so banal, but George Bone knows this and Hamilton skillfully addresses this weakness by providing a shell into which his hero ‘snaps’ or ‘cracks’ at frequent intervals. When inside the shell George sees Netta as despicable, so much so that from the outset he plans her death and his escape from justice and retirement to the country - to the aptly named Maidenhead, where safe from police and the dreary round of pubs he can live in peace. A man of two worlds, he plans to triumph over Netta so that if he can’t ‘have’ her he will kill her - and indeed Peter, the ex-killer and jailbird to whom she allows favours. George Harvey Bone is a great planner, a self-tortured romancer, but not until the end of the book does he stop crying and become, as he puts it, ‘a real man.’
This starts off on Christmas Day afternoon in 1938 and then continues into the following year, and so there is the backdrop of war brewing in the air, and as we reach the end of this so Britain has declared war on Germany. Set mainly in the Earl’s Court area, London and Brighton here we meet the other main characters of the novel and find out about their relationships.
For George, Netta is the ideal of his life, although he has never slept with her or even had a proper date, but as we see this is not an ideal woman by anyone’s standards. Manipulative, a sponger, sluttish to a certain degree and always looking for a main chance for herself so we can understand why George wants to kill her. With George’s friend Johnnie on the scene, so Netta thinks that by getting to know him better so she will be able to use him to further her acting career.
As you would expect this is dark, and the characters can be quite complex, but will Bone carry out his plans, or not? The idea is originally to kill just Netta but we see this is expanded upon, and then to depart and live at Maidenhead. To me Bone is not a bad person and we read how his mind suddenly goes click and causes changes within him, which he has problems trying to cope or understand when he clicks back. Although a heavy drinker he isn’t quite as boisterous as other characters in this tale who can become quite obnoxious.
This really brings to life the areas where it is set and the time it is written in, and this makes for an illuminating study of a man with some serious problems. This could make a good choice for a book group as there is a lot to discuss here, and it is also worth reading the introduction to this story, although possibly after you have read the book.



