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In the Mood for Love (The Criterion Collection)
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Ironically, "In the Mood for Love" feels nothing like a Wong Kar-Wai film. It's a very slow moving film which uses lots of fades and dissolves. The Criterion edition of this film is probably the best dvd package I've seen to date. There are just so many extras on it, it's hard to believe. Deleted scenes, interviews, and promotional material, are just a few of the extras. The way Kar-Wai shoots his films (without a script) also adds to the suprise of picture. You see in the extras how much different the original concept was for "In the Mood for Love." There is also an alternate ending that seems very plain, but at the same time very heartbreaking.
As part of Kar-wai's game plan, neither the wife, nor the husband, is seen. They exist and are talked about, but never introduced.
Both Leung and Cheung's characters are painfully polite, which means you don't know what they're thinking. Even when it becomes obvious that their other halves are having an affair, it takes ages for either of them to respond. The idea of an emotional outburst would be unthinkable.
The film is so subtle and slow and internalized that it crystallizes into a thing of beauty. Longing has been choked by a thousand years of acceptable behavior. The cut of Cheung's dresses and the sheen of Leung's hair take on an unexpected importance in what appears to be Kar-wai's experiment into the purity of unconsummated passion.
By now this one is the most beautiful movie I had ever seen.
Every shot is like a poem. Each picture is a work of art.
I couldn't help myself from repeating the scenes again and again just to make sure i hadn't miss a thing.
Tony Leung and Maggie Cheung as usual deliver an impeccable performance in this 2001 Wong Kar-Wai release. Leung portraited a man who is unsatisfied about his marriage and denied his spouse's infidelity. Cheung seizes the empathy of her character who is accustomed to hush about reason for his husband's frequent absence. Maggie Cheung is elegant and charming in this movie. Not to mention the dazzling wardrobe she wears consistently over the entire movie. Her leg movements are captured in slow motion. Her arms dangling with the thermos meant for the late-night porridge order-to-go from the street vendor.
The movie is shot through a minimalist scope, that is, message is conveyed through very succinct scripts and imagery full of lush colors and meticulously chosen soundtracks. The film is shot in a very stealthy manner; it is as if a pin camera being fastened on the wall of the apartment. Conversations between Leung and Cheung are shot in an eavesdropping manner. The director seeks to de-emphasize other characters in order to focus on Leung and Cheung.Read more ›
Most Recent Customer Reviews
This film made me a deep lover of storytelling through movement, song & design. And the wardrobe is to die for! Read morePublished 3 months ago by Yasmin M Kobeissi
One of the greatest tragic love stories told and a visual masterpiece from kar-Wai Wong. Finally added this film to my collection.Published 3 months ago by Robert Gilliland
This is one of my favorite movies of all time. The buying noodle shot/cinematography is so so so so sexy - I have not seen something so mundane made epic and cinematic. Read morePublished 3 months ago by Exordia N.
One of my favorite movies, and it comes with behind the scenes and Q&As with the cast. Really cool stuff.Published 8 months ago by jacob
In the long distance transportation, the box is broken, except for the rest.Published 10 months ago by wei bao