Enter your mobile number or email address below and we'll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer - no Kindle device required.

  • Apple
  • Android
  • Windows Phone
  • Android

To get the free app, enter your mobile phone number.

The 38 Most Common Fiction Writing Mistakes

4.2 out of 5 stars 66 customer reviews
ISBN-13: 978-0898798210
ISBN-10: 0898798213
Why is ISBN important?
ISBN
This bar-code number lets you verify that you're getting exactly the right version or edition of a book. The 13-digit and 10-digit formats both work.
Scan an ISBN with your phone
Use the Amazon App to scan ISBNs and compare prices.
Have one to sell? Sell on Amazon

Sorry, there was a problem.

There was an error retrieving your Wish Lists. Please try again.

Sorry, there was a problem.

List unavailable.
Buy used On clicking this link, a new layer will be open
$4.16 On clicking this link, a new layer will be open
Buy new On clicking this link, a new layer will be open
$12.99 On clicking this link, a new layer will be open
More Buying Choices
19 New from $4.24 96 Used from $0.01 7 Collectible from $7.99
Free Two-Day Shipping for College Students with Prime Student Free%20Two-Day%20Shipping%20for%20College%20Students%20with%20Amazon%20Student


Self-paced Study Course for SAT
Prep whenever you want, for as long as you need. Learn more
$12.99 FREE Shipping on orders with at least $25 of books. In Stock. Ships from and sold by Amazon.com. Gift-wrap available.
click to open popover

Frequently Bought Together

  • The 38 Most Common Fiction Writing Mistakes
  • +
  • Scene & Structure (Elements of Fiction Writing)
  • +
  • Plot & Structure: Techniques and Exercises for Crafting a Plot That Grips Readers from Start to Finish
Total price: $38.90
Buy the selected items together

Special Offers and Product Promotions

  • Get $10 off book purchases over $25. Use promo code HOLIDAYBOOK at checkout. Restrictions apply. Learn more | Shop now

Editorial Reviews

Amazon.com Review

From School Library Journal

NO_CONTENT_IN_FEATURE
New York Times best sellers
Browse the New York Times best sellers in popular categories like Fiction, Nonfiction, Picture Books and more. See more

Product Details

  • Paperback: 128 pages
  • Publisher: Writer's Digest Books (September 15, 1997)
  • Language: English
  • ISBN-10: 0898798213
  • ISBN-13: 978-0898798210
  • Product Dimensions: 6 x 0.4 x 9 inches
  • Shipping Weight: 8.8 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (66 customer reviews)
  • Amazon Best Sellers Rank: #884,039 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By A Customer on April 20, 2001
Format: Paperback
First of all, I purchased this book over a year ago and I continue to use it. I pick it up to refresh my memory and it helps me see my work with fresh eyes. True, it is a don't do this don't do that book. I saw a few reviews complain about this... I wonder if they noticed the title of the book. Anyhow, a lot can be learned from what not to do.
Second, this a book about writing works that publisher's find appealing (and the public too of course). If that is not what you hope for, then take it with a grain of salt and read Writing Down The Bones; that is a book focused on the creative side of the craft.
Third, the most popular review of this book is negative "Not that interesting with some poor advice" July 2000. I'd like to point out Bickham is an accomplished, popular and published writer while the reviewer was at the time "...near completion of my first novel." Frankly, I think it is silly to critique a book like this on how well it deals with the creative side of writing; the creative part of writing is your job and no one can stop you but you.
To sum it up, this is a writer's advice on writing books. There are plenty of authors I wish would do this; I am grateful Mr. Bickham did. I don't think he is claiming his word is law; any sensible person knows there is no such thing in art. But, if you hope to have an audience, you'd better know how to please it and I think this book does a fine job pointing out some things that can make that audience throw rotten fruit at you.
;)
Comment 60 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback
As a writer and a teacher of writing, I didn't like this book nearly as much as Self Editing for Fiction Writers or How to Write a Damn Good Novel. It is much less elegantly written, far more simplistic, and actually gives some bad advice in my opinion. For example, the author says, "Don't worry about being obvious" and says it's okay to introduce characters with direct author statements such as the following: "James Marx was a mean man all his life, and on one had ever liked him. He never gave an inch in business, and he never gave a cent to charity. Of all who knew him, his wife liked him best; she merely detested him." This is certainly the opposite of "showing vs. telling" and sounds corny and uninteresting to me. Good writing makes characters come to life and lets readers form their own opinions by letting them see, hear, and smell them. Effective literature's also much more subtle than blatant, with nuances, ambiguities, and contradictions shown through rich visual detail .. . that's how you create layered, believable, interesting characters instead of stick figures. And I'm not talking about just "literary" fiction here--the best of mainstream and genre fiction also has nuanced characterizatons that don't hit the reader over the head with an over-obvious approach.
The author also says, "beware of late-blooming ideas that seem to come from nowhere during your writing of the project" and mocks the idea that characters can "come to life" and seem to take over a story. I think this advice is counter to the creative process, where some of one's best ideas can come from who knows where and you develop something that wasn't part of your preconception.
Read more ›
5 Comments 121 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback
In this very short volume, Bickham manages to get to the essence of writing good popular fiction. His language is very easy to understand, very easy to apply, and yet reveals his decades of experience. He has distilled it all down into this one book, and it's a must for all those who want to write more effective popular fiction. For those looking for even more, try his 'How to Write and Sell Your Novel', which contains longer, more in-depth treatment of the material.
Warning: For those wanting to write 'literary fiction' or such stuff, this is not the book for you.
Comment 13 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback
I don't often drop 10 to 12 bucks on how-to books, but this one got my attention with concise, helpful specifics. I'll definitely keep it to read and re-read. Great for helping you figure out what you're good at and what you need to work on, reminding you of the important stuff, and inspiring you to get back to the keyboard!
Comment 13 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse
Format: Paperback Verified Purchase
I've edited quotations for brevity.

TWO IDEAS I LIKE:

1. Character Actions.
(page 104) Characters should "do things for what they see as good reasons and that will achieve their ends. Don't have characters do things just because you, the author, want them to." Personally, I do not like the following which I have seen too often.
1. a character lies which does not fit his motivations.
2. heroine stupidity. I'm happy to read about a flawed or stupid heroine, but don't make a rational heroine do something illogical.

2. Too Much Pondering.
(page 66). "Scenes (peaks) represent the high points of excitement and conflict. Sequels (valleys) are quieter times when conflict is not on stage - when the character has time to feel emotion, reflect on recent developments, and plan ahead. Your character reacts to the disaster that just took place...then plans what he is going to do next. Scenes move swiftly; sequels move slowly. If your story feels slow, you may need to expand your scenes and cut or shorten sequels."

(page 22) "Don't write about wimps. It isn't interesting, watching somebody sit in his easy chair and ponder things. Your character has to be a person capable of action. He doesn't have to be a super hero. He may be active - refuse to give up or stop trying - yet still be scared or unsure of himself."

(pages 14-15): "Don't do long descriptions. Fiction is movement. Any description stops movement. Characters' thoughts and feelings are descriptions. Descriptions of the character's state of mind and emotion should be brief. The accomplished writer will tell (describe) a little, and demonstrate (show in action) a lot."

SEVEN IDEAS I QUESTION OR DISAGREE WITH:

1. Disasters.
Read more ›
2 Comments 8 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback.
Sorry, we failed to record your vote. Please try again
Report abuse

Most Recent Customer Reviews