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Moving Parts Hardcover – Deckle Edge, November 1, 2005
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About the Author
Magdalena Tulli's other novels include Dreams and Stones and Moving Parts (Archipelago Books). Dreams and Stones won Poland's Koscielski Foundation Prize in 1995, while Moving Parts was nominated for the 2006 International IMPAC Dublin Literary Award. Flaw has been short-listed for the 2007 Nike Prize, Poland's most prestigious literary award. Tulli also works as a translator and has translated the works of Proust and Calvino into Polish. She lives in Warsaw.
Top customer reviews
While reading the word choice and use of certain phrases I could not help but to feel that I was missing out, that it was incredibly vast and I was only drinking from the surface. If you are a person who loves to think, who loves incredible well-thought deep quotes and an intense knowledge of language captivates you, this is your book. Read it and you will love it. It will speak to you and drive you to a deeper understanding about the other books that you love to read. It will guide you through the feelings characters suffer in being written about, and those that narrators must endure in order to tell their story (even if they don't want to), it will help you know more about the concept of a novel, in which all is created...but by whom? Who is in charge of these books that we read, who leads the reader? How would it be if things were not the way they should be in a novel, if the characters did not follow what the narrator asked of them, if past and future were slowly blurred and confusion was the key theme of the story? Read Moving Parts by Magdalena Tulli and you will surely be submersed in this fictional chaos of writing and will be taken to a deeper understanding of our current idea: a fictional novel, in which nothing really exists, except in our minds, our desires and on the paper.
Quotes from Moving Parts:
"All he can do, and that only to a certain degree, is to govern grammatical forms, an essential element, especially as open space, of their own accord taking on the forms of the future tense, without any obligations" (p.26).
"The parts, always the same ones, wait like traps into which new characters will continue to fall, irrespective of their own wishes, promises, and misgivings" (p. 62).
"They even tried to joke about this process, but their jokes were not entirely successful; they were not funny enough for them to convince themselves that they were safely beyond the reach of grammar. And so in the end, exhausted by the anticipation of leaving and by visions of an uncertain future, they changed the subject, returning to a certain betrayal, because betrayal was at least something they were capable of understanding" (p. 95).
" Hardly anything is possible any longer. And no truth will appear until the secure forms of the past tense impose order" (p. 132).