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Mudwoman: A Novel Hardcover – March 20, 2012
| Joyce Carol Oates (Author) Find all the books, read about the author, and more. See search results for this author |
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“Oates is just a fearless writer…with her brave heart and her impossibly lush and dead-on imaginative powers.”
—Los Angeles Times
“[An] extraordinarily intense, racking, and resonant novel.”
—Booklist (starred review)
One of the most acclaimed writers in the world today, the inimitable Joyce Carol Oates follows up her searing, New York Times bestselling memoir, A Widow’s Story, with an extraordinary new work of fiction. Mudwoman is a riveting psychological thriller, taut with dark suspense, that explores the high price of repression in the life of a respected university president teetering on the precipice of a nervous breakdown. Like Daphne DuMaurier’s gothic masterwork, Rebecca, and the classic ghost story, The Turn of the Screw, by Henry James, Oates’s Mudwoman is a chilling page-turner that hinges on the power of the imagination and the blurry lines between the real and the invented—and it stands tall among the author’s most powerful and beloved works, including The Falls, The Gravedigger’s Daughter, and We Were the Mulvaneys.
- Print length428 pages
- LanguageEnglish
- PublisherEcco
- Publication dateMarch 20, 2012
- Dimensions6.25 x 1.75 x 9.5 inches
- ISBN-100062095625
- ISBN-13978-0062095626
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A #1 Wall Street Journal, Amazon Charts, USA Today, and Washington Post bestseller.| Learn more
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Editorial Reviews
Review
“[A] powerful novel…[Oates] deftly interweaves M.R.’s present, memories of her troubled childhood, and her feverish hallucinations…This hypnotic novel suggests that forgetting the past may be the heavy cost that success demands.” — The New Yorker
“Uniquely personal… an intriguing departure from token Oates tales.” — Huffington Post
“Madness and malevolence squirm on almost every page in Joyce Carol Oates’ 38th novel… Oates’ dark brilliance is ever evident in her main characters, complex souls with mysterious corners in their psyches…” — Minneapolis Star Tribune
“This chilling novel opens with a child left to die in a silty riverbed, a memory that no amount of later life success can erase.” — O, the Oprah Magazine
“…The Oates style, with its fractious barrage of dashes, suggests what [Emily] Dickenson might have produced if she had written doorstop novels instead of short poems…[Oates] is especially perceptive in showing the political tightrope that M.R. has to walk in her powerful but fragile position at the university…” — Wall Street Journal
“[A] disturbing, psychological thriller.” — New York Post
“Extraordinarily intense, racking, and resonant... Masterfully enmeshing nightmare with reality, Oates has created a resolute, incisive, and galvanizing drama about our deep connection to place, the persistence of the past, and the battles of a resilient soul under siege… A major, controversy-ready novel from high-profile, protean Oates.” — Booklist (starred review)
“Oates [displays] the insights into human bonds that make her brilliant....Oates makes [her character’s] torment come alive. We grasp her compulsion to return to the mud of the past in order find her true self.” — USA Today
“[A] disturbing exploration of selfhood…As always, Joyce Carol Oates masterfully evokes a sense of menace, if not malevolence, while drawing her readers deep into the psychology of her characters… a dark, intelligent and deeply compelling novel... which will hold you in its thrall until the end.” — Washington Independent Review of Books
“There’s a freshness to this novel, a sense of some new, more personal beginning. It’s bold... to paint achievement... as just the flip side of victimization--and it’s perhaps even bolder to make such visceral drama from the story of a workaholic who finally confronts life unhooked from a keyboard.” — New York Times Book Review
“Oates is an extremely visceral writer…Mudwoman is a genuinely unsettling book in which Oates pays her readers the compliment of never letting them settle or even being entirely sure about what they have just read.” — Financial Times
“Mudwoman is very good at the performance of the public life of the woman president…The unraveling of this performance is grippingly horrible.” — New York Review of Books
“Joyce Carol Oates’ latest novel is about many things, but first and foremost it is about the complications of being a high-achieving woman in the 21st century…Oates tells [her protagonist’s story] with a detail and relish that’s both heartbreaking and fascinating.” — Ms. magazine
From the Back Cover
A riveting novel that explores the high price of success in the life of one woman—the first female president of a lauded ivy league institution—and her hold upon her self-identity in the face of personal and professional demons, from Joyce Carol Oates, author of the New York Times bestseller A Widow’s Story
Mudgirl is a child abandoned by her mother in the silty flats of the Black Snake River. Cast aside, Mudgirl survives by an accident of fate—or destiny. After her rescue, the well-meaning couple who adopt Mudgirl quarantine her poisonous history behind the barrier of their middle-class values, seemingly sealing it off forever. But the bulwark of the present proves surprisingly vulnerable to the agents of the past.
Meredith “M.R.” Neukirchen is the first woman president of an Ivy League university. Her commitment to her career and moral fervor for her role are all-consuming. Involved with a secret lover whose feelings for her are teasingly undefined, and concerned with the intensifying crisis of the American political climate as the United States edges toward war with Iraq, M.R. is confronted with challenges to her leadership that test her in ways she could not have anticipated. The fierce idealism and intelligence that delivered her from a more conventional life in her upstate New York hometown now threaten to undo her.
A reckless trip upstate thrusts M.R. Neukirchen into an unexpected psychic collision with Mudgirl and the life M.R. believes she has left behind. A powerful exploration of the enduring claims of the past, Mudwoman is at once a psychic ghost story and an intimate portrait of a woman cracking the glass ceiling at enormous personal cost, which explores the tension between childhood and adulthood, the real and the imagined, and the “public” and “private” in the life of a highly complex contemporary woman.
About the Author
Joyce Carol Oates is a recipient of the National Medal of Humanities, the National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, the National Book Award, and the 2019 Jerusalem Prize, and has been several times nominated for the Pulitzer Prize. She has written some of the most enduring fiction of our time, including the national bestsellers We Were the Mulvaneys; Blonde, which was nominated for the National Book Award; and the New York Times bestseller The Falls, which won the 2005 Prix Femina. She is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University and has been a member of the American Academy of Arts and Letters since 1978.
Product details
- Publisher : Ecco; First Edition (March 20, 2012)
- Language : English
- Hardcover : 428 pages
- ISBN-10 : 0062095625
- ISBN-13 : 978-0062095626
- Item Weight : 1.45 pounds
- Dimensions : 6.25 x 1.75 x 9.5 inches
- Best Sellers Rank: #3,188,503 in Books (See Top 100 in Books)
- #56,092 in Contemporary Women Fiction
- #91,209 in Suspense Thrillers
- #122,367 in Literary Fiction (Books)
- Customer Reviews:
About the author

Joyce Carol Oates is the author of more than 70 books, including novels, short story collections, poetry volumes, plays, essays, and criticism, including the national bestsellers We Were the Mulvaneys and Blonde. Among her many honors are the PEN/Malamud Award for Excellence in Short Fiction and the National Book Award. Oates is the Roger S. Berlind Distinguished Professor of the Humanities at Princeton University, and has been a member of the American Academy of Arts and Letters since 1978.
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I found the ending confusing at first. The novel was a good read -- it flowed smoothly and was delightfully insightful -- but I didn't understand how the ending related, or what the overall theme was. And the book is complex. It weaves two fully-developed threads through each other, across time, with plenty of important characters, past and present. It had to mean something.
Maria Russo's NY Times review (March 30, 2012) touches on something important. Russo first highlights one of M.R.'s comments -- "My dream is to be -- of service!" -- then asks: "At what point is a prolific worker a kind of sucker? Is all the productivity just a way to escape the pain of facing other areas of life?"
Ms Russo hit the nail on the head. The book is a tragedy of the search for self-worth. M.R. works herself to the bone. She wants to be of use -- to be valuable, to be loved, respected, admired, esteemed -- and ultimately whole. She fantasizes self-aggrandizingly about how impressive her statements or actions will be.
But M.R.'s decision-making becomes skewed. She makes one bad judgment after another. She has a fine and intelligent mind, but doesn't always think straight. Her over-exertion and introversion -- is it misanthropy? -- addle her brain.
She collects bad relationships. Her brain is an echo chamber. She maintains a severe privacy about herself -- a complete lack of intimacy with potential friends, whether male, female, romantic or collegial; and a complete lack of forthrightness with others. The echo chamber grows thicker and more impenetrable.
She projects herself into fantasy situations -- some desirous, and some nightmarish. She develops imaginary scenarios about the people around her. At times she appears to suffer from outright hallucinations.
And then the ending. The final scene seemed ambiguous, detached from the rest of the work. The action is vivid, but its relevance was unclear. Until I realized that this was Fate's answer to M.R. She finally meets someone who values her, but not how you'd expect, nor how she'd want. The end.
"Mudwoman" is the tragic portrait of a woman with an epic life, written with a powerful message. It is a cautionary fable for the search for self-worth, ending with Fate's resounding reply. It is a deep and satisfying novel of thought and action, and its final scene echoes long after the book is closed.
P.S. There are a few theories about Oates's inspiration for Mudwoman. Having read Oates's "The Accursed", and having seen summaries of A. Scott Berg's new biography of Woodrow Wilson, I found the parallels between M.R. and Wilson quite striking. But only half-way. Wilson was not "thrown away as a child". (Was he?) But the over-achieving nature, severe character flaws and unhealthy over-exertion are quite similar. I wonder whether Mudwoman and The Accursed started life as a single character sketch, perhaps based upon Wilson, and eventually split into two halves, each taking on a life of its own. If there's no parallel in Wilson's life, then Mudwoman's "being thrown away" may have been Oates's fictional attempt to explain her current dilemmas.
The heroine survivor-woman of our story is known during her adult years as M.R. [Meredith Ruth] Neukirchen of Carthage, NY in the Adirondack Mountains. She is adopted by a very loving Quaker couple, Agatha and Konrad Neukirchen and given the birthday of 9-21-61, which is also important to the story. She was abandoned by her birth mother Marit Kraeck a very psychotic woman of extremely humble background. Marit tries to kill the child by throwing her in a mudflat, where she is found by a mentally challenged man lead there by a big black bird known as THE KING OF THE CROWS for the rest of the story. As a child she was called either Jedina or Jewell [the discovery of how that is reconciled is part of the story so I won't spoil it]. She gets the not-so-kind nickname Mudwoman, as an adult, and was called Mudgirl, while a child, due to the method of her abandonment.
Another facet of this story is that you are not always sure when an event important to the story really happened or was merely a psychotic episode imagined by our heroine, which included but are not limited to several amorous encounters.
I normally love reading the frenetic, emphatic, and jittery writing style of this author, but found the lack of resolution to many parts of the story somewhat off putting leaving one dyspeptic in the end. About three quarters of the way through the book, the discussion got off course veering towards the morality and political correctness of conservatives versus liberals. It is like a teacher reviewing the work of an A student who occasionally turns in work of a somewhat lesser quality. This would equate to one of those times. I am sure her next work will be back to snuff.
Top reviews from other countries
Choice comments: "Disjointed, yet consistently unengaging." "The book felt a bit repetitive sometimes, and I couldn’t tell whether that was a reflection of the narrator’s state of mind, or a reflection of the fact that it needed a better editor. Possibly both." "Interesting and absorbing if a little weird, especially good description of cutting up a dead body."






