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The film most certainly does "make sense" and follows a completely rational and logistically valid plot structure. The film begins with a stylized jitterbug contest behind the opening credits, showing Naomi Watt's character (Diane Selwyn) winning a trip to LA from her native Canada to tryout for a Hollywood production. We then see the suggestion of a sleeping figure (Diane again) in red sheets prior to the start of her dream, which opens with the hypnotic figure of a limosine traveling down a dark road, containing Diane's idealization of her real-life paramour, Camilla Rhodes. In reality, Camilla is Diane's former lesbian lover, who betrayed her by stealing the coveted role in the film Diane unsuccessfully tried out for, and spurned her affections for the director of the film. Diane is so jealous and infuriated that she hires a hitman to kill Camilla; when the two meet to discuss the deal, the hitman says he will leave a blue key on her coffee table to signify that Camilla has been successfully dispatched.Read more ›
Mulholland Drive is a brilliantly structured film even though the structure is unconventional. Basically the first two hours play out as the dream of a very troubled young woman by the name of Diane Selwyn. In the final 30 minutes we are taken into Diane's reality. Mullholland Drive is a very disturbing portrait of the inner world of a woman about to commit suicide and we learn about her life and what led her to murder and suicide through the dream imagery of the first two hours.
What confuses many people the first time they see Mulholland Drive is that David Lynch doesn't use the normal cinematic techniques to tip his audience off that they are watching a dream segment. In fact, the dream plays out in fairly conventional linear fashion while it is the reality portion of the film that plays out in non-linear form, jumping back and forth in time and introducing psychotic hallucinations as well. This further blurs the line between reality and fantasy in this film.
Contrary to popular belief Mulholland Drive is actually very intricately plotted, although the narrative is not readily apparent on the first viewing. The dream portion is a mirror image of reality and it displays a reversed reflection of Diane's real world. A few examples: In the dream Rita exits the limousine and walks downhill; in reality Diane exits the limousine and walks uphill. In the dream Aunt Ruth is alive; in reality Aunt Ruth is dead.Read more ›
In my opinion, one big clue to the movie is in the opening shot (not the beginning credits, but the first "film" frame). It is of a pillow and a sheet...that quickly dissolves into a rather nostalgic ride down Mulholland Drive (the road that runs behind the famous HOLLYWOOD sign). The movie does not return the viewer to that shot ... of the pillow again until Diane wakes up nearly 5/8's of the way through the film. It can be assumed that this whole portion of the film has been one long dream, a dream that gives us a great deal of insight into the personal desires and fantasies of Diane. The rest of the film is a mish-mash of (in my opinion) drug-induced daydreams and paranoia, seen through the beer-bottle goggles of Diane. She over-emphasizes the importance of things she is suspicious of, and sees things that are not really there--ultimately leading to her making some bad decisions that she cannot deal with.
Several characters appear in both worlds (the dream, and the warped/drug altered reality of the end). These characters, we assume, have had some kind of impact on Diane's life.Read more ›
Most Recent Customer Reviews
the hype that was given to this show, was not worth it,
it tell about a women that gets in a car wreck and she finally find her way to a empty house
which finds out... Read more
Lynch's masterpiece. Naomi Watts gives the meta-performance of a lifetime. Don't watch it alone - this is a true horror story.Published 1 month ago by Amazon Customer
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