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Murder for Hire: The Peruvian Pigeon Paperback – October 15, 2007
- Print length256 pages
- LanguageEnglish
- PublisherYellowback Mysteries
- Publication dateOctober 15, 2007
- Dimensions5.98 x 0.58 x 9.02 inches
- ISBN-101596635711
- ISBN-13978-1596635715
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Product details
- Publisher : Yellowback Mysteries (October 15, 2007)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 1596635711
- ISBN-13 : 978-1596635715
- Item Weight : 14.1 ounces
- Dimensions : 5.98 x 0.58 x 9.02 inches
- Customer Reviews:
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About the author

Dana Fredsti is ex B-movie actress with a background in theatrical sword-fighting. Through ten plus years of volunteering at EFBC/FCC (Exotic Feline Breeding Facility/Feline Conservation Center), Dana's had a full-grown leopard sit on her feet, kissed by tigers, held baby jaguars and had her thumb sucked by an ocelot with nursing issues. She's addicted to bad movies and any book or film, good or bad, which include zombies. Her other hobbies include surfing, collecting beach glass, and wine tasting.
Dana was co-producer/writer/director for a mystery-oriented theatrical troupe based in San Diego. These experiences were the basis for her mystery novel MURDER FOR HIRE: The Peruvian Pigeon (Fox Spirit Books). She is the author of the Ashley Parker series (PLAGUE TOWN, PLAGUE NATION, PLAGUE WORLD) with Titan Books, touted as Buffy meets the Walking Dead, as well as what might be the first example of zombie noir, A MAN'S GOTTA EAT WHAT A MAN'S GOTTA EAT, first published in Mondo Zombie edited by John Skipp, and released as an eBook by Titan Books. HOLLYWOOD MONSTERS, the third in her Lilith series, will be released October 2022. She is also co-author of the TIME SHARDS trilogy (TIME SHARDS, SHATTER WARS, TEMPUS FURY), co-written with David Fitzgerald.
She's written numerous published articles, essays and shorts, including stories in Joe Ledger: Unstoppable, Consumed (Tales of the Wendigo), Cat Fantastic IV, an anthology series edited by Andre Norton (Daw, 1997), Danger City (Contemporary Press, 2005), and Mondo Zombie (Cemetery Dance, 2006). Her essays can be seen in Morbid Curiosity, Issues 2-7. Additionally, she's written several produced low-budget screenplays, with several scripts under option. Dana was also co-writer/associate producer on Urban Rescuers, a documentary on feral cats and TNR (Trap/Neuter/Return), which won Best Documentary at the 2003 Valley Film Festival in Los Angeles. Under the nom de plume Inara LaVey, she wrote several novels and short stories for Ravenous Romance. She also co-wrote THE JOE LEDGER COMPANION with Mari Adkins, and is the submissions editor for Weird Tales Magazine.
She guest blogs frequently and has been a guest on numerous podcasts. She lives in Eureka in Northern California with her husband and fellow author David Fitzgerald, their dog Pogeen, and a small horde of felines. You can find Dana on Facebook at https://www.facebook.com/dana.fredsti.inara.lavey and on Instagram at https://www.instagram.com/zhadi1/
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If this sounds like your idea of fun, then don't hesitate. Curl up by the fire and enjoy a fine read.
If those elements don't provide enough of a temptation, add the ingedient of excellent writing to the mix that is Murder for Hire: The Puruvian Pigeon and readers are in for a real treat.
I enjoyed the plot and the characters, but the two qualities that set this book apart from the pack are the intentionally over-the-top gangster dialogue used by the theater troupe, and the white-hot love scenes. Here's an example of the classic 40s hard-boiled detective patter sprinkled throughout the book:
"...the solution to this case was gnawing at me, hanging around my subconscious like a fart in a phone booth."
"It was a cold night, and the fog was rolling in off of the Thames, which was kind of scary since I was in San Diego."
"The goon dropped his roscoe when I crunched my grinders into his mitt. I cold-cocked him with a right to his smeller. The other baboon lunged for me and my legs turned to limp pasta as he sank a fist into my belly."
Love that stuff! Even more than that, I enjoyed the very sexy, very fun flirtation and heat Connie generates with Alex the stuntman. In their first meeting, Connie makes clear that she doesn't think he's an actor and isn't a fan of those in his profession. When Alex asks her why, she says, "No offense, but a lot of stuntmen I've met are lucky if they can memorize their own phone number." In the great tradition of Maddie and David in Moonlighting and Joe and Stephanie in the Janet Evanovich series, the two banter throughout the novel as the heat between them climbs.
I don't want to give too much more away. If you want to get a backstage peek at theater while getting sucked up in suspense, romance, and humor, find yourself a copy of The Peruvian Pigeon. Or you might just find a brass glove in your sniffer, see?
This is a fun novel and you don't have to be a mystery maven to enjoy it. There's something here for everyone. I look forward to the next book in the series.
I particularly enjoyed Connie and Daphne's fascination with mystery writer "Shay Randell" (I'll let you figure that out...) and the coded references to his life, work and town of residence--very cleverly done. Bottom line: Couldn't put it down.
The fact that "The Peruvian Pigeon" is a subtitle allows us to hope that it's just the first and that we can look forward to collecting the set.



