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Musical Acoustics, 3rd Edition 3rd Edition

4.2 out of 5 stars 16 customer reviews
ISBN-13: 978-0534377281
ISBN-10: 0534377289
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Editorial Reviews

Review

1. THE NATURE OF SOUND. Acoustics and Music. Organizing Our Study of Sound. The Physical Nature of Sound. The Speed of Sound. Pressure and Sound Amplitude. 2. WAVES AND VIBRATIONS. The Time Element in Sound. Waveforms. Functional Relations. Simple Harmonic Oscillation. Work, Energy, and Resonance. 3. SOURCES OF SOUND. Classifying Sound Sources. Percussion Instruments. String Instruments. Wind Instruments. Source Size. Sound from the Natural Environment. 4. SOUND PROPAGATION. Reflection and Refraction. Diffraction. Outdoor Music. The Doppler Effect. Interference and Beats. 5. SOUND INTENSITY AND ITS MEASUREMENT. Amplitude, Energy, and Intensity. Sound Level and the Decibel Scale. The Inverse-Square Law. Environmental Noise. Combined Sound Levels and Interference. 6. THE HUMAN EAR AND ITS RESPONSE. The Mechanism of the Human Ear. Limits of Audibility and Discrimination. Characteristics of Steady Single Tones. Loudness and Intensity. Pitch and Frequency. Pitch and Loudness Together. Timbre and Instrument Recognition. 7. ELEMENTAL INGREDIENTS OF MUSIC. Organizing Musical Events in Time. Melody and Harmony. Scales and Intervals. The Harmonic Series. 8. SOUND SPECTRA AND ELECTRONIC SYNTHESIS. Prototype Steady Tones. Periodic Waves and Fourier Spectra. Modulated Tones. Electronic and Computer Music. 9. PERCUSSION INSTRUMENTS AND NATURAL MODES. Searching for Simplicity. Coupled Pendulums. Natural Modes and Their Frequencies. Tuning Forks and Xylophone Bars. Drums, Cymbals, and Bells. Striking Points and Vibration Recipes. Damped Vibrations. 10. PIANO AND GUITAR STRINGS. Natural Modes of a Thin String. Vibration Recipes for Plucked Strings. Vibration Recipes for the Piano. Piano Scaling and Tuning. 11. THE BOWED STRING. Violin Construction. Bowing and String Vibrations. Resonance. Sound Radiation from String Instruments. 12. BLOWN PIPES AND FLUTES. Air Column Vibrations. Fluid Jets and Edgetones. Organ Flue Pipes. Organ Registration and Design. Fingerholes and Recorders. The Transverse Flute. 13. BLOWN REED INSTRUMENTS. Organ Reed Pipes. The Reed Woodwinds. The Brass Family. Playable Notes and Harmonic Spectra. Radiation. 14. THE HUMAN VOICE. The Vocal Apparatus. Sound Production. Formants. Special Characteristics of the Singing Voice. 15. ROOM ACOUSTICS. General Criteria for Room Acoustics. Reverberation Time. Reverberation Calculation. Reverberant Sound Levels. Sound Reinforcement. Spatial Perception. 16. SOUND REPRODUCTION. Electric and Magnetic Concepts. Transducers. Microphones. Amplifiers. Recording. Loudspeakers. Multiphonic Sound Reproduction. 17. THE EAR REVISITED. Types of Pitch Judgment. Pitch Perception Mechanisms. Modern Pitch Perception Theory. Critical Bands. Combination Tones. Loudness and Masking. Timbre. 18. HARMONIC INTERVALS AND TUNING. Interval Perception. Intervals and the Harmonic Series. Musical Scales. The Impossibility of Perfect Tuning. Tuning and Temperament. 19. STRUCTURE IN MUSIC. Melodies and Modes. Chords and Harmonic Progressions. Consonance and Dissonance. Musical Forms and Styles. 20. EPILOGUE: SCIENCE AND ESTHETICS. APPENDIX A. WRITTEN MUSIC. APPENDIX B. THE METRIC SYSTEM. Units for Physical Measurements. Scientific Notation and Computation. APPENDIX G. GLOSSARY. APPENDIX H. HINTS AND ANSWERS TO SELECTED EXERCISES. Index. The Chromatic Scale; The Chromatic Series Slider.

About the Author

Donald E. Hall is Jackson Family Distinguished Chair in the Department of English at West Virginia University and the author of Fixing Patriarchy: Feminism and Mid-Victorian Male Novelists, also from NYU Press.
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Product Details

  • Hardcover: 480 pages
  • Publisher: Brooks/Cole; 3rd edition (August 22, 2001)
  • Language: English
  • ISBN-10: 0534377289
  • ISBN-13: 978-0534377281
  • Product Dimensions: 0.8 x 7.8 x 9.8 inches
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (16 customer reviews)
  • Amazon Best Sellers Rank: #250,006 in Books (See Top 100 in Books)

Customer Reviews

Top Customer Reviews

By Amazon Customer TOP 1000 REVIEWERVINE VOICE on April 25, 2003
Format: Hardcover
This book is a thorough overview of physics behind music. In the first part of the book, Hall lays the foundation with an investigation into waves, sound propagation, sound measurement, and the human ear. The middle third of the book takes up families of instruments, and how they work to create musical sounds. The last part of the book investigates room acoustics, sound reproduction, and the perception of intervals, tunings, and musical structure. Each chapter includes references and suggestions for further reading, numerous mathematical exercises for practicing the concepts covered in the chapter, and a list of potential projects for further investigation. The book includes a glossary and answers to selected problems, as well as an index.
I read quite a few textbooks for work and occasionally just for interest's sake, but this one really stands out. After reading the first few chapters, I found myself wishing I could sit in on Hall's lectures. His style is intensely personal, and his explanations are incredibly clear. I'll admit that sometimes my eyes glossed over while slogging through some of the numbers and charts, but it was mainly my fault for not being a more active reader. In order to get the most from this book, you really need to read it with calculator in hand, or better yet, an Excel spreadsheet open, ready to try out the numbers and scenarios that Hall provides us with. Nevertheless, the math is kept quite simple- -no calculus; if you can do algebra, you should be able to get through the book.
I've found the information in the book to be quite useful. Hall's description of how resonance works in drums has helped me make sense of my tabla teacher's pickiness about where my fingers strike the tabla heads.
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Format: Hardcover Verified Purchase
This book is an excellent starting place for someone who wants a somewhat quantitative treatment of the science of sound as it relates to music, but does not have the advanced math background necessary to digest something like "The Physics of Musical Instruments". The chapters and sections in this third edition are the same as in the previous edition, however some changes have been made to the content. The book is updated with more current references to the end-of-chapter bibliographies, and there is some new material, especially in areas affected by the personal computer's role in the digital processing of sound.

The author provides an integrated understanding of three major areas: the production of sound by various sources, the propagation of sound from source to listener, and the perception of sound by the human brain.

For easier reading, each chapter starts with an introductory section that sets up the chapter. There are also summaries and lists of symbols, terms, and relations highlighting the most important terms and quantitative expressions in each chapter. There are realistic and interesting exercise sets containing both qualitative and quantitative questions for each chapter, with most chapters containing 20-25 exercises. There are also projects included that provide out-of-class assignments that generally require students to do research. There are approximately three of these in each chapter. Finally, several new photographs have been added to this third edition, particularly of the inner ear structure and of the vocal cords in motion.

Like the previous reviewer, I make a habit of purchasing and reading several textbooks a year, and sometimes I am very disappointed and sometimes I am not. This is one of those purchases that I found most worthwhile.
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Format: Hardcover Verified Purchase
(My son gave me this information. The book was rented for him.) The author writes a little too much like the organist that he is. With a little too much feeling, elegance, and (for Christ's sake, we are taking a college course for a grade here - it's required for my major) with too little concern for the students who need to be able to solve problems.
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Format: Hardcover
This text has some nice features, and is at a good level to introduce students to both the music and the acoustics topics. The material is up-to-date, and has good graphics. However, I stopped using this as a course text for 2 reasons. 1) the "spiral" multi-pass format can be difficult; this means that half of a topic will be in chapter 5, and the other half in 15. This was confusing in making reading assignments for the students. 2) I dropped this text when the list price went over $200; I could not justify the cost relative to other choices.
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Format: Hardcover Verified Purchase
Bought this book for the class at Sac State taught by the author. Excellent book, very intelligent author.
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This book is seriously overpriced for what you get and I would not have purchased it other than it was a class requirement. There are several other texts available that cover the subject of the physics of music in an adequate manner. Little has changed in the understanding of the generation or hearing of music over the years and there is no real excuse to have a 3rd Edition or "an up to date" book. If you must have a copy, make sure you take a look at obtaining a used one at a more sane price.
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For the beginner in physics and an explorer versed in the world of music, Musical Acoustics is a good textbook for discovering some of the more scientific reasonings behind certain phenomenons or ideas we take for granted in music.
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