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My Antonia Paperback – September 21, 1995
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It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.
Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.
As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak
From School Library Journal
Grade 7 Up--In Jim Burden's accounting of his life with, and without, Antonia Shimerda, listeners are transported to the hardscrabble Nebraska prairie and the rural immigrant experience. When Jim first sees the Shimerda family, immigrants from Bohemia, disembarking from the same train that is taking him West to live with his grandparents, he has no idea the impact they will have on his life. Nostalgically, he remembers the good and bad times they had on their respective farms and creates his portrait of Antonia, an independent and tough survivor. The brief biography of author Willa Cather at the beginning of the CD explains how her life mirrors Antonia's life in many ways, helping listeners understand the context of the story. Patrick Lawlor's rich, fluid voice lends an air of sophistication to Burden, reinforcing the class structure inherent at the beginning of the 20th century. Lawlor's attempts to create voices for the characters often falls flat. Since the novel is Burden's reminiscence, it would have been better told in Burden's voice alone. Since My Antonia continues to be a staple in many English curriculums, this is a good audiobook for schools and public libraries to have available.--Lynn Evarts, Sauk Prairie High School, Prairie du Sac, WA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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My Antonia is at once Cather's masterpiece, the premier American novel of the 20th C., and a wonderful reminder to 21st C. America of values that are timeless.
In our current era of media conglomerates' increasingly "individualistic" sales pitches (talking heads telling us that we'll "stand out from the crowd" if we buy their toothpaste or shampoo or sports car), the delight in discovering a community that will not dishonor a sensitive man's grave by building a cross-road over it is palpable.
At our time in history, when movie moguls pitch Iron-Man cult-worship of "rugged individualists" to pre and early-teen boys -- showing them everything that they're not -- watching Ms. Cather's narrator look into the mirror of "his" Antonia's eyes for affirmation of him as a "big man" is like prairie rain settling the dust on a dry summer road.
In an epoch obsessed with superficial beauty -- where women's bodies are sculpted like designer-SoCal hot rods then washed and waxed in "spas" that closely resemble automated 1970s car washes -- Antonia's strong shoulders, broken fingernails, and weather-creased face remind us that beauty is not the way a woman looks but, rather, a reflection of what she is.
At a time when third-wave immigrants object to the "strange languages" their neighbors speak -- the Indian Spanish dialects and Tex-Mex of todays immigrants -- Ms. Cather speaks across the open fields of time to issues of immigration. The Swedish and Czech and Dutch and Italian and Celtic idioms of Antonia and her fellow working girls in an insular Nebraska town are physically strong, fun, and objectively superior as people to the indolent, stay-indoors (we can almost imagine TV-watching) daughters of the town's elite class. Can we see that old truth in hard lives of our "illegal" neighbors and their families? Truth that remains unspoken in the immigration demagoguery of our times?
My Antonia is perhaps an old book: it speaks Old Wisdom that is seldom (if ever) heard in modern America's crop and consumer monoculture. The foregoing quick examples suggest the rich, deep truth that inhabits the novel. But does "modern" America have ears for the old Wisdom Ms. Cather's characters speak into life?
Are there still ears to hear Willa Cather's voice?
As I was reading I kept waiting for some huge story line that was going to tie all the tidbits together. It never really came. It was sort of a walk down memory lane by someone nostalgic for the old days. Then again, there are passages that are so beautifully written that you can see and feel the poetry in them. So I kept reading, but there was really no punch line or dramatic happenstance that exposed a vital character flaw or virtue that made the story more profound.
Perhaps the very fact that nothing really happened is what Cather wanted to write about. I was not stimulated, but it was a pleasant story.