From Publishers Weekly
Starred Review. The Los Angeles–born Spicer died young, at age 40 in 1965, of acute alcoholism. In his lifetime, he published six books of poems with tiny presses. Though he was influential, he operated in a small circle, mostly in Berkeley. It was at the Six Gallery he cofounded that Ginsberg gave the first reading of Howl in 1955; he was very close to the poets Robert Duncan and Robin Blaser, but as the editors of this extraordinary collection point out, Spicer was never fully embraced within the official culture or counter-culture of the period. This remarkably fresh assemblage, which gathers from two earlier posthumous (and now out-of-print) collections and adds many unpublished poems and sequences, will dramatically expand Spicer's influence. Like the work of Emily Dickinson and W.B. Yeats, Spicer's poems still seem to come from somewhere else (in fact, Spicer claimed he received Martian signals). But what a reader finds here is a poet deeply engaged with language, a gay man consumed by desperate affairs of the heart and flesh, a lover of jazz and baseball and weather, and possessed of the tenderest lyricisms and biting wit. His After Lorca series still shocks with its bold presumption of the dead Lorca's voice; many of the previously unpublished one-night stand poems are marvelous (see Any fool can get into an ocean...) and the Letters to James Alexander, found by the editors amid the Spicer collection at Berkeley, is Spicer at his best—rendering letters as poems, cauterizing the wound of a love affair: Dear James/ It is absolutely clear and sunny as if neither a cloud nor a moon had ever been invented. (Dec.)
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Review
"As a measure of our historical distance from Spicer's personality, a new generation of editors, the poets Peter Gizzi and Kevin Killian, moves beyond the Spicer 'legend' in order to present the full range of his poetry to readers both familiar and unfamiliar with his work."―Zach Finch, Boston Review
"Spicer is an interesting poet on several levels, all of them deep and rich with deposits that reward an earnest dig. He is, I think, on a par with Wallace Stevens and William Carlos Williams in grilling the elaborative infrastructure of how we draw or are drawn to specialized conclusions with the use of metaphor, and it is to his particular brilliance as a lyric poet, comparable to Frank O'Hara that the contradictions, competing desires and unexpected conundrums of investigating one's verbal stream are made comprehensible to the senses, a joy to the ear. No one, really no one wrote as distinctly as the long obscure Spicer did, and editors Gizzi, Killian, and publisher Wesleyan Press are to be thanked for restoring a major American voice to our shared canon."―Ted Butler, Oyster Boy Review
"His vocabulary did indeed do this to him, but perhaps with this handsome edition, love and reappraisal will let him go on."―Edward Champion, The Los Angeles Times
"You finish My Vocabulary Did This to Me feeling you've come in contact with an original artist and a genuine one, a writer who is, to borrow from Wordsworth, 'fierce, moody, patient, venturous, modest, shy'. You also finish the book thinking that these poems are ready to find a new audience."―Dwight Garner, The New York Times
"As a measure of our historical distance from Spicer's personality, a new generation of editors, the poets Peter Gizzi and Kevin Killian, moves beyond the Spicer 'legend' in order to present the full range of his poetry to readers both familiar and unfamiliar with his work."―Zach Finch, Boston Review
"My Vocabulary Did This To Me These final words serve as an apt title for Peter Gizzi and Kevin Killian's wonderfully edited Spicer collection, the first thorough gathering of the poet's extraordinary and challenging writing to appear since the '70s."―Erik Davis, Bookforum
"The book is one of the most important volumes of poetry published in the past 50 years. The poems are simply wonderful, and Spicer's mature work is some of the best ever written by an American."―Ron Silliman
"An epic of irritation by a poet who professed no epic intent, the collected poetry of Jack Spicer is essential reading. Acerbic, wary, aggressive, aggrieved, it rides and puts it own spin on a recovering (would-be recovering) romanticism, a signal travail informing twentieth-century poetics.""―Nathaniel Mackey
About the Author
JACK SPICER (1925–1965) published books including After Lorca (1957), Billy the Kid (1959), and The Holy Grail (1962). PETER GIZZI is a poet and author of numerous books, including The Outernationale (2007), who lives in Holyoke, Massachusetts. KEVIN KILLIAN is a poet, novelist, critic, and playwright living in San Francisco.
