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Mythologizing Jesus: From Jewish Teacher to Epic Hero Hardcover – May 7, 2015
by
Dennis R. MacDonald
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Print length178 pages
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LanguageEnglish
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PublisherRowman & Littlefield Publishers
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Publication dateMay 7, 2015
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Dimensions6.28 x 0.73 x 9.25 inches
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ISBN-100742558916
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ISBN-13978-0742558915
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Luke and the Politics of Homeric Imitation: Luke–Acts as Rival to the AeneidDennis R. MacDonaldHardcover
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Editorial Reviews
Review
The Christian scriptures took shape within a rich literary landscape, as the gnostic gospels and the Dead Sea Scrolls make clear. But MacDonald, a biblical studies professor at Claremont Graduate School and Claremont School of Theology, sheds light on a different dimension of literary dependence: Homeric material, especially the epic poems the Iliad and the Odyssey. MacDonald (author of The Homeric Epics and the Gospel of Mark, to which he directs interested readers for more scholarly treatments) aims here to distill his findings and present a cogent comparison of Homeric tropes with the Christian gospels of Mark and Luke. To that end, in brief chapters, the author shows some 24 major parallels explored chapter by chapter, from 'Born Divine and Human' to 'Disappearing into the Sky.' . . . The evidence certainly seems to demonstrate . . . dependence by the gospel writers on their masterful Greek predecessor in their stories about and portrayals of Jesus. ― Publishers Weekly
MacDonald provides a substantive and careful comparison of early Christian writings with cherished literature of the ancient world (e.g., Homer, Hesiod). Using examples and thorough comparisons of Greek and Roman sources, MacDonald explains how the authors of the Gospels understood that Jesus was in contention with the images of Odysseus, Heracles, and Romulus and, as a result, created fictions to prove that their hero exemplified those figures and more. VERDICT MacDonald doesn’t intend to assail belief; this is not an atheist’s or a scoffer’s approach but rather a post–Rudolf Bultmann view of the Christian ideal, suitable for believers who are ready to embrace a Christianity that acknowledges its own myth. ― Library Journal
[T]his book is an intriguing read and worth the time to dig through it... ― Faith Matters
Mythologizing Jesus convincingly explains the numerous correspondences between the synoptic Gospels of Luke and Mark and the Greek poet Homer; too many, in fact, to be just coincidences and thereby shedding new light on old texts and unmistakably illuminating an important area of research. ― San Diego Jewish World
The author of this work, a professor of New Testament and Christian Origins at Claremont School of Theology, has dedicated much of his professional work to comparing the New Testament literature with ancient Greek and Latin classics. This work on Jesus is something of a summary of his more extensive previous studies on this subject. His thesis is clear. ― The Bible Today
This book is a rare treat. It breams with knowledge of Homer, the Gospels, and early Christian writings.... Read Mythologizing Jesus. It is courageous, refreshing and timely. It unearths a huge truth and breaks ground in scholarship and theology. ― The Huffington Post
Exceptionally well written, organized, and presented, Mythologizing Jesus: From Jewish Teacher to Epic Hero is enhanced with the inclusion of eight pages of Notes; an Appendix (The Gospels of Matthew and John); a two page Bibliography; a two page Index to Classical Greek Literature; and a two page Index to the Gospels and Acts. Highly recommended for both academia and non-specialist general readers alike, Mythologizing Jesus: From Jewish Teacher to Epic Hero is very highly recommended for community, seminary, and academic library Christian Studies reference collections. ― Midwest Book Review
This book distills much of MacDonald’s decades of scholarship on the Homeric debt of popular literature at the time of Jesus. Mark’s and Luke’s stock of story motifs were in many cases influenced by Homer: the storm on the sea, the mentally ill man who lived among the caves, the hero walking on the water, the message from the dead to the living, the hero turning over the tables in his house, and many others. Early Christian authors and Byzantine scholars alike noticed the similarities, and now MacDonald has laid out the case clearly and forcefully. -- Lawrence M. Wills, Ethelbert Talbot Professor of Biblical Studies, Episcopal Divinity School
In this fascinating and provocative book, MacDonald shows how the concept of Jesus as superhero made sense to people of the ancient Mediterranean world. He argues that tales of epic heroes fed into portrayals of Jesus in the Gospels, especially in terms of miraculous elements. This is a book sure to fire debate, written with vibrancy and aplomb by an accomplished scholar wielding classical, biblical, and early Christian sources with equal dexterity. -- Joan Taylor, King’s College London
MacDonald provides a substantive and careful comparison of early Christian writings with cherished literature of the ancient world (e.g., Homer, Hesiod). Using examples and thorough comparisons of Greek and Roman sources, MacDonald explains how the authors of the Gospels understood that Jesus was in contention with the images of Odysseus, Heracles, and Romulus and, as a result, created fictions to prove that their hero exemplified those figures and more. VERDICT MacDonald doesn’t intend to assail belief; this is not an atheist’s or a scoffer’s approach but rather a post–Rudolf Bultmann view of the Christian ideal, suitable for believers who are ready to embrace a Christianity that acknowledges its own myth. ― Library Journal
[T]his book is an intriguing read and worth the time to dig through it... ― Faith Matters
Mythologizing Jesus convincingly explains the numerous correspondences between the synoptic Gospels of Luke and Mark and the Greek poet Homer; too many, in fact, to be just coincidences and thereby shedding new light on old texts and unmistakably illuminating an important area of research. ― San Diego Jewish World
The author of this work, a professor of New Testament and Christian Origins at Claremont School of Theology, has dedicated much of his professional work to comparing the New Testament literature with ancient Greek and Latin classics. This work on Jesus is something of a summary of his more extensive previous studies on this subject. His thesis is clear. ― The Bible Today
This book is a rare treat. It breams with knowledge of Homer, the Gospels, and early Christian writings.... Read Mythologizing Jesus. It is courageous, refreshing and timely. It unearths a huge truth and breaks ground in scholarship and theology. ― The Huffington Post
Exceptionally well written, organized, and presented, Mythologizing Jesus: From Jewish Teacher to Epic Hero is enhanced with the inclusion of eight pages of Notes; an Appendix (The Gospels of Matthew and John); a two page Bibliography; a two page Index to Classical Greek Literature; and a two page Index to the Gospels and Acts. Highly recommended for both academia and non-specialist general readers alike, Mythologizing Jesus: From Jewish Teacher to Epic Hero is very highly recommended for community, seminary, and academic library Christian Studies reference collections. ― Midwest Book Review
This book distills much of MacDonald’s decades of scholarship on the Homeric debt of popular literature at the time of Jesus. Mark’s and Luke’s stock of story motifs were in many cases influenced by Homer: the storm on the sea, the mentally ill man who lived among the caves, the hero walking on the water, the message from the dead to the living, the hero turning over the tables in his house, and many others. Early Christian authors and Byzantine scholars alike noticed the similarities, and now MacDonald has laid out the case clearly and forcefully. -- Lawrence M. Wills, Ethelbert Talbot Professor of Biblical Studies, Episcopal Divinity School
In this fascinating and provocative book, MacDonald shows how the concept of Jesus as superhero made sense to people of the ancient Mediterranean world. He argues that tales of epic heroes fed into portrayals of Jesus in the Gospels, especially in terms of miraculous elements. This is a book sure to fire debate, written with vibrancy and aplomb by an accomplished scholar wielding classical, biblical, and early Christian sources with equal dexterity. -- Joan Taylor, King’s College London
About the Author
Dennis R. MacDonald is professor of New Testament and Christian origins at Claremont School of Theology. He is the author of several books, including The Gospels and Homer and Luke and Vergil.
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Product details
- Publisher : Rowman & Littlefield Publishers; Illustrated edition (May 7, 2015)
- Language : English
- Hardcover : 178 pages
- ISBN-10 : 0742558916
- ISBN-13 : 978-0742558915
- Item Weight : 14.7 ounces
- Dimensions : 6.28 x 0.73 x 9.25 inches
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- #81 in Religious Literature Criticism
- #1,384 in Christology (Books)
- #1,715 in History of Religions
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Reviewed in the United States on September 20, 2015
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I enjoyed the succinct summation of all his previous work in this easy to read, informative book. MacDonald is one of my new favorite authors. I have read the majority of books he has written since being given the hint he exists from Richard Carrier's astonishing book "On the Historicity of Jesus." MacDonald has done us all the favor of showing that there is far more to the Gospels, to early Christianity than we have supposed before. We now see they had access to far more literary sources than we have assumed (at least for me this is true). I thought his lay out was simple to follow, his scholarship is incredible, and his evidence is quite powerful. His other books have far and away more evidence than this one does, but it is a good review and updated for 2015. I highly recommend this very fine book! Anything by MacDonald is worth reading. I am wondering why some of his materials are so expensive however. "The Gospel and Homer," shows hundreds of parallels, as does his "Luke and Vergil." I have enjoyed every single book he has written. It is a marvel to actually see that the Gospel writers are far more literary than previously thought, and we have access to the literature so we can look for ourselves. Now that's just nice. His largest book to date I have read is "Two Shipwrecked Gospels," which just simply blows me out of the water. Scholarly, outstanding layout, incredible research, and amazing energy and evidence presented each step of the way. Oh wait. Isn't that what I was supposed to say on that books' link? GRIN! Get his materials and enjoy them, they will open your eyes to how sophisticated and literary these so-called "uneducated fishermen" were in Jesus' day. Now just one favor for MacDonald to consider. Do't stop writing! We want more!
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Reviewed in the United States on December 10, 2016
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My favorite scholar is the American Jesuit cultural historian and theorist Walter J. Ong (1912-2003; Ph.D. in English, Harvard University, 1955) of Saint Louis University (SLU), the Jesuit university in St. Louis, Missouri. I’d like to discuss his work a bit here before I turn my attention to the work of the New Testament scholar Dennis R. MacDonald (born in 1946; Ph.D. in New Testament studies, Harvard University, 1978) of the Claremont School of Theology in Claremont, California. Readers who are interested in understanding how the historical Jesus was transformed into the superhero portrayed in the New Testament might want to consider studying MacDonald’s work.
In Ong’s massively researched book Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason (Harvard University Press, 1958), Ong discusses the history of the verbal arts of grammar, rhetoric, and dialectic (also known as logic) from ancient times through medieval times down to the time of the French logician and educational reformer and Protestant martyr Peter Ramus (1515-1572) – and beyond in the case of formal logic.
For many years, Ong was listed in the Quarterly Journal of Speech as the advisory editor for classical rhetoric. He also served as the elected president of the Modern Language Association of America in 1978.
In his study of the history of rhetoric, Ong became familiar with various aspects of rhetorical education, including the use of commonplaces in composing speeches and in writing texts. As a Renaissance specialist, Ong served as the director of Sister Joan Marie Lechner’s SLU doctoral dissertation in English, which as published as the book Renaissance Concepts of Commonplaces (Pageant Press, 1962) – with a preface by Ong. Recently Heinrich F. Plett has referred to Lechner’s book in his article “Rhetoric and Intertextuality” in Rhetorica: A Journal of the History of Rhetoric, volume 17, number 3 (Summer 1999): pages 313-329.
As I will explain momentarily, MacDonald has published an impressive body of scholarly work based on a certain aspect of rhetorical education – imitation. At first blush, imitation may sound like something that we today do not deliberately practice. But the practice of imitation in rhetorical education can be likened to all forms of learning through practice involving an example such as all forms of apprenticeship learning. Basically, imitation involves mimicry – saying, in effect, “I can do that.” MacDonald’s methodology in analyzing New Testament texts has come to be known as Mimesis Criticism. For all practical purposes, MacDonald treats all the Homeric examples he discusses in connection with imitations as what Ong and the rhetorical tradition refer to as commonplaces.
Now, MacDonald’s impressive body of scholarly work involving imitation includes the following books: The Homeric Epics and the Gospel of Mark (Yale University Press, 2000), Does the New Testament Imitate Homer?: Four Cases from the Acts of the Apostles (Yale University Press, 2003), The Gospels and Homer: Imitations of Greek Epic in Mark and Luke-Acts (Rowman & Littlefield, 2015), Luke and Virgil: Imitations of Classical Greek Literature (Rowman & Littlefield, 2015), Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2015), and John and Euripides: The Dionysian Gospel (Fortress Press, 2017, forthcoming).
Now, Albert B. Lord in comparative literature at Harvard University published his landmark study based on anthropological field work and recordings, The Singer of Tales (Harvard University Press, 1960). Ong reviewed Lord’s book in Criticism: A Quarterly for Literature and the Arts, volume 4, number 1 (Winter 1962): pages 74-78. Ong’s review is reprinted in the 600-page anthology An Ong Reader: Challenges for Further Inquiry (Hampton Press, 2002, pages 301-306). Ong never tired of referring to Lord’s landmark book. In effect, Lord details how the composing practices of non-literate singers of tales involve the use of commonplaces like the commonplaces used by orators and writers trained in rhetorical education.
The New Testament scholar Werner H. Kelber of Rice University in Houston, Texas, draws on various aspects of Ong’s impressive body of scholarly work and on Lord’s landmark book in the following books: The Oral and the Written Gospel: The Hermeneutics of Speaking and Writing in the Synoptic Tradition, Mark, Paul, and Q (Fortress Press, 1983) and Imprints, Voiceprints, and Footprints of Memory: Collected Essays of Werner H. Kelber (Society of Biblical Literature, 2013). As Ong points out, the art of memory was cultivated in ancient rhetorical education.
Now, in MacDonald’s book Mythologizing Jesus, MacDonald refers to Lord’s landmark book in the classified list of further reading at the end of the book (page 156). However, MacDonald gives no evidence of being familiar with Ong’s impressive body of scholarly work.
Ong’s impressive body of scholarly work in which he refers to Lord’s landmark book includes the following books: The Barbarian Within: And Other Fugitive Essays and Studies (Macmillan, 1962; see the index for “commonplaces”); The Presence of the Word: Some Prolegomena for Cultural and Religious History (Yale University Press, 1967; see the index for “commonplaces”), the expanded version of Ong’s 1964 Terry Lectures at Yale University; Rhetoric, Romance, and Technology: Studies in the Interaction of Expression and Culture (Cornell University Press, 1971); Interfaces of the Word: Studies in the Evolution of Consciousness and Culture (Cornell University Press, 1977), and Orality and Literacy: The Technologizing of the Word (Methuen, 1982).
Ong’s book Fighting for Life: Contest, Sexuality, and Consciousness (Cornell University Press, 1981), the published version of Ong’s 1979 Messenger Lectures at Cornell University, is relevant to MacDonald’s theme of the spirit of rivalry involved in imitation in his book Mythologizing Jesus. As Ong explain, the Greek word agon means contest, struggle, and rivalry involves contest, struggle.
MacDonald’s theme of the spirit of rivalry involved in imitation in his book Mythologizing Jesus is also relevant to Yale’s literary critic Harold Bloom’s book Agon: Towards a Theory of Revisionism (Oxford University Press, 1982).
The spirit rivalry in our Western literary tradition is central to the poet T. S. Eliot’s famous essay “Tradition and the Individual Talent” (1919).
In Mythologizing Jesus, MacDonald likens the character portrayed as Jesus in the New Testament to a superhero. He says, “Hollywood did not invent superheroes; they are pre-historic” (page 1). Thus superheroes were also not invented by comic books. Because the Homeric epics were central to ancient rhetorical education as exemplars of style and expression, MacDonald concentrates on them as sources used for the New Testament portrayal of Jesus as a superhero. (MacDonald’s focus on the Homeric epics as sources of motifs in the New Testament does not rule out the Hebrew Bible as another source.)
But according to MacDonald, the fictional stories in the New Testament “are fictions advocating a higher ethical standard than superheroes in Homer – or Hollywood” – or the comics (page 11).
Incidentally, as a young literary scholar, Ong took the comics seriously enough to comment on them – for example, in his article “The Comics and the Super State: Glimpses Down the Back Alleys of the Mind” in the Arizona Quarterly, volume 1, number 3 (Autumn 1945): pages 34-48, which was written up in Time Magazine (on October 22, 1945, pages 67-68 and again on November 5, 1945, page 23).
Even though I admire MacDonald for likening the portrayal of Jesus in the New Testament to superheroes in Hollywood movies and comic books, I think that his theorizing of his methodology known as Mimesis Criticism could be strengthened by also taking into account Ong’s work related to Lord’s landmark book and the rhetorical tradition.
No doubt the portrayal of Jesus as a superhero in the New Testament has dominated the Christian imagination and Christian identity over the centuries down to the present time, just as the Hebrew Bible has dominated the Jewish imagination and Jewish identity over the centuries down to the present time. Both of these religious traditions are still living traditions that influence the identities of Christians and Jews today.
By contrast, the Homeric epics rarely influence the identities of people today, even though they remain influential works of imaginative literature in the Western literary tradition – influencing, for example, James Joyce’s experimental novel Ulysses (1922). Of course both the Hebrew Bible and the New Testament also remain influential works in the Western literary tradition.
Taking a hint from the title of T. S. Eliot’s famous essay, perhaps we Americans today should think of our Western cultural heritage, including of course our religious traditions, and our individual identities.
Even though I find MacDonald’s thesis and supporting arguments cogent and compelling, I admit that many Christians may resist and reject his approach to analyzing New Testament texts.
But if liberals and progressives who are not culturally and politically conservative Christians are interested in exploring how the historical Jesus was transformed into the superhero portrayed in the New Testament, they might find MacDonald’s work interesting.
In conclusion, MacDonald’s Mythologizing Jesus can be read as a summative distillation of his impressive body of scholarly work, or as an introduction to his impressive body of scholarly work – for those people who might want to read more of his work.
In Ong’s massively researched book Ramus, Method, and the Decay of Dialogue: From the Art of Discourse to the Art of Reason (Harvard University Press, 1958), Ong discusses the history of the verbal arts of grammar, rhetoric, and dialectic (also known as logic) from ancient times through medieval times down to the time of the French logician and educational reformer and Protestant martyr Peter Ramus (1515-1572) – and beyond in the case of formal logic.
For many years, Ong was listed in the Quarterly Journal of Speech as the advisory editor for classical rhetoric. He also served as the elected president of the Modern Language Association of America in 1978.
In his study of the history of rhetoric, Ong became familiar with various aspects of rhetorical education, including the use of commonplaces in composing speeches and in writing texts. As a Renaissance specialist, Ong served as the director of Sister Joan Marie Lechner’s SLU doctoral dissertation in English, which as published as the book Renaissance Concepts of Commonplaces (Pageant Press, 1962) – with a preface by Ong. Recently Heinrich F. Plett has referred to Lechner’s book in his article “Rhetoric and Intertextuality” in Rhetorica: A Journal of the History of Rhetoric, volume 17, number 3 (Summer 1999): pages 313-329.
As I will explain momentarily, MacDonald has published an impressive body of scholarly work based on a certain aspect of rhetorical education – imitation. At first blush, imitation may sound like something that we today do not deliberately practice. But the practice of imitation in rhetorical education can be likened to all forms of learning through practice involving an example such as all forms of apprenticeship learning. Basically, imitation involves mimicry – saying, in effect, “I can do that.” MacDonald’s methodology in analyzing New Testament texts has come to be known as Mimesis Criticism. For all practical purposes, MacDonald treats all the Homeric examples he discusses in connection with imitations as what Ong and the rhetorical tradition refer to as commonplaces.
Now, MacDonald’s impressive body of scholarly work involving imitation includes the following books: The Homeric Epics and the Gospel of Mark (Yale University Press, 2000), Does the New Testament Imitate Homer?: Four Cases from the Acts of the Apostles (Yale University Press, 2003), The Gospels and Homer: Imitations of Greek Epic in Mark and Luke-Acts (Rowman & Littlefield, 2015), Luke and Virgil: Imitations of Classical Greek Literature (Rowman & Littlefield, 2015), Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2015), and John and Euripides: The Dionysian Gospel (Fortress Press, 2017, forthcoming).
Now, Albert B. Lord in comparative literature at Harvard University published his landmark study based on anthropological field work and recordings, The Singer of Tales (Harvard University Press, 1960). Ong reviewed Lord’s book in Criticism: A Quarterly for Literature and the Arts, volume 4, number 1 (Winter 1962): pages 74-78. Ong’s review is reprinted in the 600-page anthology An Ong Reader: Challenges for Further Inquiry (Hampton Press, 2002, pages 301-306). Ong never tired of referring to Lord’s landmark book. In effect, Lord details how the composing practices of non-literate singers of tales involve the use of commonplaces like the commonplaces used by orators and writers trained in rhetorical education.
The New Testament scholar Werner H. Kelber of Rice University in Houston, Texas, draws on various aspects of Ong’s impressive body of scholarly work and on Lord’s landmark book in the following books: The Oral and the Written Gospel: The Hermeneutics of Speaking and Writing in the Synoptic Tradition, Mark, Paul, and Q (Fortress Press, 1983) and Imprints, Voiceprints, and Footprints of Memory: Collected Essays of Werner H. Kelber (Society of Biblical Literature, 2013). As Ong points out, the art of memory was cultivated in ancient rhetorical education.
Now, in MacDonald’s book Mythologizing Jesus, MacDonald refers to Lord’s landmark book in the classified list of further reading at the end of the book (page 156). However, MacDonald gives no evidence of being familiar with Ong’s impressive body of scholarly work.
Ong’s impressive body of scholarly work in which he refers to Lord’s landmark book includes the following books: The Barbarian Within: And Other Fugitive Essays and Studies (Macmillan, 1962; see the index for “commonplaces”); The Presence of the Word: Some Prolegomena for Cultural and Religious History (Yale University Press, 1967; see the index for “commonplaces”), the expanded version of Ong’s 1964 Terry Lectures at Yale University; Rhetoric, Romance, and Technology: Studies in the Interaction of Expression and Culture (Cornell University Press, 1971); Interfaces of the Word: Studies in the Evolution of Consciousness and Culture (Cornell University Press, 1977), and Orality and Literacy: The Technologizing of the Word (Methuen, 1982).
Ong’s book Fighting for Life: Contest, Sexuality, and Consciousness (Cornell University Press, 1981), the published version of Ong’s 1979 Messenger Lectures at Cornell University, is relevant to MacDonald’s theme of the spirit of rivalry involved in imitation in his book Mythologizing Jesus. As Ong explain, the Greek word agon means contest, struggle, and rivalry involves contest, struggle.
MacDonald’s theme of the spirit of rivalry involved in imitation in his book Mythologizing Jesus is also relevant to Yale’s literary critic Harold Bloom’s book Agon: Towards a Theory of Revisionism (Oxford University Press, 1982).
The spirit rivalry in our Western literary tradition is central to the poet T. S. Eliot’s famous essay “Tradition and the Individual Talent” (1919).
In Mythologizing Jesus, MacDonald likens the character portrayed as Jesus in the New Testament to a superhero. He says, “Hollywood did not invent superheroes; they are pre-historic” (page 1). Thus superheroes were also not invented by comic books. Because the Homeric epics were central to ancient rhetorical education as exemplars of style and expression, MacDonald concentrates on them as sources used for the New Testament portrayal of Jesus as a superhero. (MacDonald’s focus on the Homeric epics as sources of motifs in the New Testament does not rule out the Hebrew Bible as another source.)
But according to MacDonald, the fictional stories in the New Testament “are fictions advocating a higher ethical standard than superheroes in Homer – or Hollywood” – or the comics (page 11).
Incidentally, as a young literary scholar, Ong took the comics seriously enough to comment on them – for example, in his article “The Comics and the Super State: Glimpses Down the Back Alleys of the Mind” in the Arizona Quarterly, volume 1, number 3 (Autumn 1945): pages 34-48, which was written up in Time Magazine (on October 22, 1945, pages 67-68 and again on November 5, 1945, page 23).
Even though I admire MacDonald for likening the portrayal of Jesus in the New Testament to superheroes in Hollywood movies and comic books, I think that his theorizing of his methodology known as Mimesis Criticism could be strengthened by also taking into account Ong’s work related to Lord’s landmark book and the rhetorical tradition.
No doubt the portrayal of Jesus as a superhero in the New Testament has dominated the Christian imagination and Christian identity over the centuries down to the present time, just as the Hebrew Bible has dominated the Jewish imagination and Jewish identity over the centuries down to the present time. Both of these religious traditions are still living traditions that influence the identities of Christians and Jews today.
By contrast, the Homeric epics rarely influence the identities of people today, even though they remain influential works of imaginative literature in the Western literary tradition – influencing, for example, James Joyce’s experimental novel Ulysses (1922). Of course both the Hebrew Bible and the New Testament also remain influential works in the Western literary tradition.
Taking a hint from the title of T. S. Eliot’s famous essay, perhaps we Americans today should think of our Western cultural heritage, including of course our religious traditions, and our individual identities.
Even though I find MacDonald’s thesis and supporting arguments cogent and compelling, I admit that many Christians may resist and reject his approach to analyzing New Testament texts.
But if liberals and progressives who are not culturally and politically conservative Christians are interested in exploring how the historical Jesus was transformed into the superhero portrayed in the New Testament, they might find MacDonald’s work interesting.
In conclusion, MacDonald’s Mythologizing Jesus can be read as a summative distillation of his impressive body of scholarly work, or as an introduction to his impressive body of scholarly work – for those people who might want to read more of his work.
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Reviewed in the United States on December 31, 2020
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A very easy read - less than 200 pages & a real page turner. Dennis R. MacDonald shows without a doubt that whoever penned the Gospels used Homer's The Iliad & The Odyssey. Highly recommended.
Reviewed in the United States on November 18, 2015
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Easily understood and very readable--clearly points out how the early authors of Mark and Luke (New Testament of the King James Bible) supplanted lines from Homer's Iliad and Odyssey into their own verses. Indeed, Mark and Luke made Jesus an "Epic Hero!"
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Reviewed in the United States on May 16, 2016
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I was for me a new idea and I found it to be intriguing.
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Reviewed in the United States on July 21, 2015
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Fascinating, a really extraordinary book.
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Reviewed in the United States on June 25, 2016
Mythologizing Jesus is an introduction to the exquisite and disciplined scholarship Dr. Dennis MacDonald brings to the New Testament. How I wish he had been available in my seminary days, in the 1960s. So much would have made sense that didn't in those days. The synoptic problem(s) consumed many of us and the solutions that were offered obscured our quests for a Jesus who made sense and the legends that created problems. Dennis MacDonald has provided in this volume an entry into his profound and often controversial contributions to the New Testament. As I work through this and his other volumes, my faith is enhanced as I learn how Gospel writers managed to give us a mystery that is central to the Christian message and happenings. He believes there actually was a Jesus, a hero of his time, a teacher, but he clearly gives us a way to see how Jesus as the Christ is made into a Superhero, one who revivifies all previous Greek heroes, among others.
I recommend this book to anyone with enough curiosity to revisit the New Testament with an exciting new-to-many-of-us view and energy.
A hearty recommendation from a retired Episcopal priest's questing and most-often frustrated understanding of the NT. Sancho
I recommend this book to anyone with enough curiosity to revisit the New Testament with an exciting new-to-many-of-us view and energy.
A hearty recommendation from a retired Episcopal priest's questing and most-often frustrated understanding of the NT. Sancho
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Reviewed in the United States on June 27, 2015
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Good thought exercise. But not convincing.
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David Ashton
5.0 out of 5 stars
A FRESH APPROACH TO NEW TESTAMENT ANALYSIS
Reviewed in the United Kingdom on April 27, 2016Verified Purchase
An important book that needs to be carefully considered by NT scholars.
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