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NIGHTMARE USA: The Untold Story of the Exploitation Independents Hardcover – July 24, 2007
| Stephen Thrower (Author) Find all the books, read about the author, and more. See search results for this author |
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From Quentin Tarantino (Kill Bill) to Eli Roth (Hostel), the young guns of modern Hollywood just can't get enough of that exploitation film high. That's because, between 1970 and 1985, American Exploitation movies went berserk. With censorship relaxed, and the gate to excess wide open, horror offered a vibrant alternative to the mainstream of American cinema. Luridly titled wonders like The Headless Eyes, Scream Bloody Murder and Hitch Hike to Hell were everywhere, from the drive-ins of Texas to the grindhouses of New York. Massively popular around the world, American exploitation movies added immensely to the richness of the nation's cinema.
Built on five years of research, Nightmare USA explores the development of America's subterranean horror film industry, spotlighting some of the wildest films imaginable from an era unchecked by censorship or 'good taste.' Ranging from cult favourites like I Drink Your Blood to stylish mind-benders like Messiah of Evil and shockers like Don't Go in the House, Nightmare USA goes where no other in-depth study has gone before, revealing the fascinating true stories behind classics and obscurities alike. Author Stephen Thrower has explored the attics and cellars of American cinema, delved beneath the floorboards, peered between the walls, searching for the strangest, most exotic cine-lifeforms... Nightmare USA is the reader's guide to what lies beyond the mainstream of American horror, dispelling the shadows to meet the men and women behind fifteen years of screen terror: the Exploitation Independents!
This massive overview of the Horror genre's development through the 1970s and 1980s features:
In-depth EXCLUSIVE interviews with twenty-five grindhouse movie makers, many of whom are discussing their work for the first time ever in print, including David Durston (I Drink Your Blood), Robert Endelson (Fight for Your Life), Frederick Friedel (Axe), Don Jones (Schoolgirls in Chains); and Joseph Ellison (Don't Go in the House).
Over 175 individual films reviewed, with full cast and crew credits.
Vast quantities of previously unpublished stills, posters, press-books, plus behind-the-scenes photographs from the filmmakers' own collections.
- Print length528 pages
- LanguageEnglish
- PublisherFAB Press
- Publication dateJuly 24, 2007
- Dimensions10 x 1.5 x 11.5 inches
- ISBN-101903254469
- ISBN-13978-1903254462
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Editorial Reviews
Review
-- Alan Jones, Fangoria
"One of the most fascinating and important film books in recent memory, Thrower's massive tome is not just a tribute to the joys of regional filmmaking, it's also ultimately nothing less than a secret history of American cinema."
-- Travis Crawford, Film Comment
"The best book about the blood-drenched, scream-inducing, golden era of US independent horror cinema imaginable. Buy or die!"
-- Billy Chainsaw, Bizarre
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Films like The Headless Eyes (Kent Bateman, 1971), I Drink Your Blood (David Durston, 1971) and Bloodsucking Freaks (Joel M. Reed, 1976) were recklessly bizarre journeys to the outer fringes of horror, and they thrived commercially thanks to a complex network of independent distributors and exhibitors. Gloriously unregulated, this network established a country-wide free-for-all where all that mattered was the hard sell. From Texas drive-ins to the grindhouses of New York, sex and violence ruled the roost, and the race was on to be more extreme, more horrific, more bizarre. With only potential profits to guide tone and content, the rulebook went out the window. Consequently, marginal or eccentric filmmakers found the exploitation industry the perfect place to explore their obsessions: as long as you made a buck, you could go as far out as you pleased! Of course the 'exploitation independents' also created some of the most hopelessly inept movies ever to run through a projector. Some are hilarious, others are dull beyond belief: what matters is that taken together, both good and bad constitute a parallel cinema where imagination and daring trump taste and respectability.
These movies added immensely to the richness of American cinema. In their oddness and imperfection, their cheapness and occasional amateurism, they provide a glimpse of a freer, less mediated film environment. Their great value was in challenging the notion that cultural power in cinema was located entirely in Hollywood, encouraging optimism and engagement in the medium at a local level. For these reasons the exploitation independents deserve our admiration.
Product details
- Publisher : FAB Press (July 24, 2007)
- Language : English
- Hardcover : 528 pages
- ISBN-10 : 1903254469
- ISBN-13 : 978-1903254462
- Item Weight : 7.04 pounds
- Dimensions : 10 x 1.5 x 11.5 inches
- Best Sellers Rank: #271,052 in Books (See Top 100 in Books)
- #195 in Video Direction & Production (Books)
- #292 in Movie Direction & Production
- #539 in Movie History & Criticism
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I've talked to many people that feel the price is a bit steep and I agree the book isn't cheap. It is however 500 pages filled with interviews, pictures (everywhere), and essays. Think Arnold Schwarzenegger's The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised size wise but about horror films. I mean the book is no joke and there could be an exploitation horror film made about a serial killer who uses this heavy book as his weapon, that's how big it is. I felt the price was well worth it as a horror fan and film lover in general.
For those of you who aren't the biggest readers:
Basically, all you have to do is read section I The Exploitation Independents which is the history of American independent exploitation films during 1970-85 and goes from page 11-48. After you start reading you'll want to keep going and after that it's basically a reference book with essays and reviews, so you could read up on a particular film. What I'd do is either read up on a film I found prior to watching it or after I watched it to learn more.
THE BOOK:
Stephen Thrower appears to know film even though he made a rule to not include reviews on classics, foreign, and studio made films, he still makes tons of compare and contrast references to classics and mentions great directors such as Bergman and Fellini. I highly recommend this book to horror and film fans, my friends in everyday life not so much but I think my horror Amazon friends will love it, specifically reviewer Clint Bronson. Clint has crazy knowledge on horror and from my readings of his reviews 1970s imparticular which, after much thought, is the best decade for horror hands down. Be sure to check out Clint's reviews as well.
Section I- As I mentioned details the history of the exploitation film from 1970-85
Here is how Thrower breaks down section I and the history, this was a great read.
The roots and the Godfather of gore H.G Lewis.
Romero and the Modern Horror Pantheon
Critical Responses to Exploitation Cinema
Drive in Massacres
42nd Street Monsters
Serial Killers
Psycho-Killer, Qu'est-ce que c'est?
Slashers- J'adore
When Blood Is Not Enough
Torture
R ape
It Came from the Stars/Swamp/Bushes/Caves
Things That Go Bump in the Night - One of my favorite avenues of horror being the ghost story. Thrower is honest in this area saying a bigger budget with good acting helps this area of horror.
Art of Perversity-Horror and Incoherence
Decline-Carpenter, Hooper, Romero, Craven
Hollywood Trash
Section II
Essays on Films and Filmmakers
This goes from 73-373 and like I said at this point it's a reference book. You can skip around read films that interest you and as you see others go back to the book and read up.
Section III
Reviews
118 Additional reviews. These are done in a shorter format then the essays above.
Section IV
Appendices and Index
Including an exploitation independent checklist Horror, 1970-85
A Bibliography
Index
I actually learned about this book in a non horror magazine Film Comment which gave it very high praise as well.
If anyone wants to know if a particular director or film they like is talked about in the book feel free to ask.
I accidentally learned of NIGHTMARE USA while watching a fascinating "Making of" featurette included on the recent AXE/KIDNAPPED COED Blu-ray release. So glad I did. As a movie fanatic, NIGHTMARE is a thoroughly engrossing, highly educational and downright fascinatingly fun read which intricately recounts the eclectic cornucopia of independent filmmakers created during the tumultuous period between 1970-1985, when these studio system outsiders reached their creative zenith giving us an impressive output of all manner of grindhouse & exploitation fare. By coincidence, several of the offbeat flicks covered in this book I happened to already own in one format or other so it was a rewarding, eye-opening experience to pour through the wealth of obscure details behind these oddball films which I have enjoyed for so many years. (It was one of the prime motivators for my buying this book.) Knowing more about the trials, tribulations, triumphs & tragedies that these independent directors & producers went through in order to bring their uncommon creations to the screen makes me enjoy & appreciate them all the more now.
If this subject matter is near and dear to you then by all means buy it without hesitation. You won't be disappointed. And if someone you know or love enjoys oddball films from this time period then this incredible book would certainly make a cherished gift that would quickly become a well-thumbed "go-to" bible for their movie-loving hobby. NIGHTMARE USA is not a cheap book, but the quality of the product itself (the paper, binding, sturdy cover, crisp clean printing & photo reproduction clarity) is every bit the equal to the intensive, expansive, exhaustive treasure trove of information contained within. Whether you buy it in hardcover or softcover, you'll absolutely get your money's worth. I enthusiastically give Mr. Stephan Thrower's staggeringly impressive reference work NIGHTMARE USA a full 5 STARS!
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My only negative is that a couple of Chapters have comprehensively been devoted to some really 'Z grade' films and perhaps at the expense of more-deserving films that the average person might be familiar with.
So what makes this such a superb piece of work? Well, there's the scale and scope of it. A proposed second volume is apparently on the way, which indicates just how much fascinating, previously untouched information Thrower has unearthed. In fact, Thrower himself admits that even he was taken unawares by just how much material he was capable of mining from his beloved topic. And what material! Even in regard to films that have never crossed your path (and I defy even the most illuminated of underground cognoscenti to read this and not encounter a film previously unheard of), Thrower's enthusiastic, savvy, delightfully opinionated writing will spark fascination and possibly obsession for the films he lovingly looks over. In fact, Thrower's writing and approach to the exploitation underground in general is characterised by both intelligence and jaw-dropping dedication. 5 years in the making, the amount of painstaking research the man has undertaken has to be seen to be believed. Lengthy interviews abound, and from an aesthetic point of view, the book is filled to the brim with wonderful, lurid images both from the films themselves and associated advertising material such as posters and lobby-cards. Not simply a feast for the mind, this book is very importantly a feast for the eye too.
What is particularly refreshing about `Nightmare USA' is seeing films like these discussed with a level of insight and analysis which they deserve. Thrower is keen not simply to wallow in the sometimes morbid worlds he discusses, but to present his own insight into what he feels the films are trying to say, or are saying without trying to! But his analysis, while intellectual and often highly psychological, is not the stuff of dry academia - Thrower feels too much personal connection to the films he discusses for that, allowing him to strike a neat balance between passion and erudition.
Some personal highlights include chapters on `The Child', `Death Bed', `Messiah of Evil' and `The Strangeness' (complete with its perverse looking monster, now gracing a Code Red DVD near you!) For me, however, one the most interesting sections concerns Robert Endelson's ultra-controversial study of prejudice, `Fight For Your Life', a film which, at the time of writing I haven't seen, and I'm still not sure if I want to, but to which Thrower devotes a fascinating chapter, exploring the film's notoriety in a measured manner.
Further reading? Well, the Thrower-edited Eyeball Compendium is well worth a look, a fine compilation of articles from Thrower's influential magazine. Then there's `Beyond Terror' for Thrower's enraptured take on the Italian master, Lucio Fulci. But overall, `Nightmare USA' is a godsend to anyone willing to get grimy on a trip to the uncharted depths of American cinema - trust me, once you're in, you won't want to emerge, and if you do, you'll never be the same!
The only downside is that you'll end up ordering a lot of films you did not even know about before reading this book. On the other hand you'll most likely be all the happier for it.
The writer strikes a balance between the scholarly, the personal and the deeply funny like nobody else.
Insightful, critical, full of interesting facts and a l w a y s entertaining.
Makes the wait for Murderous Passions 2 slightly more bearable.
Just get it. You won't regret it.










