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Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm

4.1 out of 5 stars 1,167 customer reviews

Price: $10.99 & FREE Shipping on orders over $49. Details
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  • Top rated Professional Pop filter for vocal microphones
  • Multi-positional windscreen for optimum performance
  • Stops plosives and protects your mic
  • Includes boom and microphone stand clamp
  • Swivel mount for easy positioning, plus extra long and flexible gooseneck holder
4 new from $6.00 7 used from $6.97
$10.99 & FREE Shipping on orders over $49. Details In Stock. Ships from and sold by Amazon.com. Gift-wrap available.

Frequently Bought Together

  • Nady MPF-6 6-Inch Clamp On Microphone Pop Filter with Flexible Gooseneck and Metal Stabilizing Arm
  • +
  • On Stage Stands MS7701B Tripod Boom Microphone Stand
Total price: $35.94
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Product Description

Mic Pop Filter With Boom

Product Information

Item Weight 4 ounces
Product Dimensions 15.8 x 8.6 x 1.8 inches
Shipping Weight 4 ounces (View shipping rates and policies)
Domestic Shipping This item is also available for shipping to select countries outside the U.S.
International Shipping This item can be shipped to select countries outside of the U.S. Learn More
Shipping Advisory This item must be shipped separately from other items in your order. Additional shipping charges will not apply.
ASIN B0002CZW0Y
Item model number MPF-6
Customer Reviews
4.1 out of 5 stars 1,167 customer reviews

4.1 out of 5 stars
Best Sellers Rank #223 in Musical Instruments (See Top 100 in Musical Instruments)
#4 in Electronics > Accessories & Supplies > Microphones > Accessories > Windscreens & Pop Filters
#120 in Musical Instruments > Recording Equipment
Date first available at Amazon.com October 2, 2001

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Customer Reviews

Top Customer Reviews

By C. Hill HALL OF FAMETOP 500 REVIEWER on April 22, 2010
Verified Purchase
Length: 0:52 Mins
The Nady MPF-6 Pop Filter is a great value, since it works very well and is a lot less expensive than some of the other manufacturer's alternatives. We have been producing professional instructional videos for several years (some are available on Amazon)for my wife's business, but we recently decided to offer our services to local businesses as well. That required us to put a little more effort into making our studio area more professional looking for clients, which meant replacing the double thickness of stocking stretched over a wire coat-hanger form we had been using as a Pop Filter.

It works very well for attenuating the sharper "P", "T", and "S" sounds that cause spikes when doing voice-overs. This is a well made unit that connects firmly to the microphone stand with a screw clamp (see my picture in "Customer Images" of this unit connected to our Blue Microphones Snowball USB Microphone (White)) and has an flexible neck so it can easily be positioned as needed.

I am very please with this Pop Filter as it works as expected, looks good, and didn't cost very much!

Highly Recommended!

CFH
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I have been into audio recording for a while now, and always wanted to get a pop filter, but never did. Always looked at the and said, how does that make a different. Well I finally opted for the Nady MPF-6, as it seemed like the name was well known and there was positive reviews. So let me say that Im sorry I have not bought this sooner. It really works well, it still passes very good quality of your voice, and any words that have that blowing effect is not picked up. In general it will cut down about 70% of any words that generally cause a spike in the wave form to be normal. It will make for much easier post editing.

The gooseneck design is sturdy, the clamp works excellent, used it on a Samson spider mount but clamp to most circular stands easily. I use it with a Samson CO1U microphone, very very please. One complaint is the screw that holds the gooseneck part to the clamp arm depending how you move the gooseneck will cause this to loosen, this is the only fault I have with the design, not major, but could have made that a more solid piece as I am not ware why one would ever need to loosed or adjust that park of the mount.
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It works fine. Comparing my vocal recordings before and after, you can tell the difference with the absence of those annoying vocal pops. It clamps onto any mic stand and you can contort it the way you want.
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I didn't know much about pop filters except that I needed one. Having never shopped for one before I was unaware of the variety of types and quality. My local brick & mortar shop offered a 6 inch pop filter for $27 and it looked pretty simple. I paid about $16 for this one. The low price made me wonder what I would find in the box. I decided to try two different types of pop filter. After reading many product descriptions in this category I chose this Nady single screen type and a double screen type from Musicians Gear. I received this one first. When I opened the package, the screen mesh part of the filter fell out of its frame. I found that the frame could not be tightened enough to hold the screen mesh securely in place!! Not a good first impression. I made simple shims out of scissor cut pieces of rubber band and was able to reassemble the filter in a way that allowed it to stay together well. I figured for the price I got what I paid for. The gooseneck is substantial and holds the filter in place nicely. The gooseneck can be removed from the mounting clamp which is another cost savings to the manufacturer but can be useful to the user who doesn't need or want to use the clamp. The clamp is OK and is identical to the clamp on the second filter I bought. I thought the rubber "bumper" on the tip of the screw that secures the clamp to its mounting point was a bit small and too "squishy". Again, one gets what one pays for. In the end, this pop filter mounted with little trouble, seemed secure and provided the needed service. The screen mesh frame seems fragile to me and can fall apart easily. This is definitely a consumer product meant for a stable, unchanging installation. It is not a "professional" quality product and would not survive one trip outside the studio.
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Lets just start off by examining the price. At under twenty dollars you won't find many competitors, especially with this build quality. It is essentially an embroidery hoop with black pantyhose, an adjustable arm and screw clamp. Building one yourself will probably run you over twenty dollars and you will end up with an interesting mixture of distracting textures and colors, so why not just buy it instead? Functionally it works fine. It does muffle sound to some extent when stacked up against a metal mesh screen but for anything short of an audience of 50,000, it should appease just fine. all in all, if you are hitting annoying pops in your recording and don't want to spend a lot of money -- this is the way to go.
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After reading the reviews I chose this POP filter over the other obvious choices. It works very well and mounts on my proline mic stand easily. One of the better POP filers out there the gooseneck holds its position fine unless of course you bump it.
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