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The Name of the Rose Hardcover – September 26, 2006
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In 1327, Brother William of Baskerville is sent to investigate a wealthy Italian abbey whose monks are suspected of heresy. When his mission is overshadowed by seven bizarre deaths patterned on the book of Revelation, Brother William turns detective, following the trail of a conspiracy that brings him face-to-face with the abbey’s labyrinthine secrets, the subversive effects of laughter, and the medieval Inquisition. Caught in a power struggle between the emperor he serves and the pope who rules the Church, Brother William comes to see that what is at stake is larger than any mere political dispute–that his investigation is being blocked by those who fear imagination, curiosity, and the power of ideas.
The Name of the Rose offers the reader not only an ingeniously constructed mystery—complete with secret symbols and coded manuscripts—but also an unparalleled portrait of the medieval world on the brink of profound transformation.
- Print length600 pages
- LanguageEnglish
- PublisherEveryman's Library
- Publication dateSeptember 26, 2006
- Dimensions5.2 x 1.3 x 8.3 inches
- ISBN-109780307264893
- ISBN-13978-0307264893
Book recommendations, author interviews, editors' picks, and more. Read it now
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Editorial Reviews
Review
—SAN FRANCISCO CHRONICLE
“The novel explodes with pyrotechnic inventions, literally as well as figuratively . . . The narrative impulse that commands the story is irresistible . . . Mr. Eco’s delight in his narrative does not fail to touch the reader.”
—NEW YORK TIMES BOOK REVIEW
“Like the labyrinthine library at its heart, this brilliant novel has many cunning passages and secret chambers . . . Fascinating . . . Ingenious . . . Dazzling.”
—NEWSWEEK
“Whether you’re into Sherlock Holmes, Montaillou, Borges, the nouvelle critique, the Rule of St. Benedict, metaphysics, library design, or The Thing from the Crypt, you’ll love it. Who can that miss out?”
—SUNDAY TIMES (LONDON)
“[The Name of the Rose] is an example of that rare publishing phenomenon, the literary mega best seller which transcends linguistic boundaries . . . [It has] a gripping mystery, vivid characterization, an atmospheric setting, fascinating period detail, sly humour, dramatic confrontations, stunning set pieces, and a supple, eloquent prose that can shift its register to encompass the experience of faith, doubt, horror, erotic ecstasy, and despair.”
—from the Introduction by David Lodge
From the Back Cover
About the Author
Product details
- ASIN : 0307264890
- Publisher : Everyman's Library; First American Editi edition (September 26, 2006)
- Language : English
- Hardcover : 600 pages
- ISBN-10 : 9780307264893
- ISBN-13 : 978-0307264893
- Item Weight : 1.4 pounds
- Dimensions : 5.2 x 1.3 x 8.3 inches
- Best Sellers Rank: #111,023 in Books (See Top 100 in Books)
- #2,873 in Classic Literature & Fiction
- #6,206 in Literary Fiction (Books)
- #7,172 in Suspense Thrillers
- Customer Reviews:
About the author

Umberto Eco (born 5 January 1932) is an Italian novelist, medievalist, semiotician, philosopher, and literary critic.
He is the author of several bestselling novels, The Name of The Rose, Foucault's Pendulum, The Island of The Day Before, and Baudolino. His collections of essays include Five Moral Pieces, Kant and the Platypus, Serendipities, Travels In Hyperreality, and How To Travel With a Salmon and Other Essays.
He has also written academic texts and children's books.
Photography (c) Università Reggio Calabria
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book worthwhile and enjoyable. They describe the story as enthralling, unique, and thought-provoking. Readers also appreciate the rich and compelling characters. However, some find the book frustrating, difficult to follow, and long. Opinions are mixed on the writing style.
AI-generated from the text of customer reviews
Customers find the book worthwhile, engaging, and enjoyable. They say it's well-researched and worth the perseverance.
"...Eco provides in the opening chapters are what make this such a marvelous, masterful work...." Read more
"...Definitely preferable to Davinci Code, The Name of the Rose is a work of art, albeit, that last slide down the bramble when the petals fell was a..." Read more
"...1327 and published in 1980, Eco's mystery is both intriguing and entertaining." Read more
"...someone interested in a well-written, complicated mystery, the book will be rewarding, but anyone looking for light reading for the summer vacation..." Read more
Customers find the story enthralling, unique, and intriguing. They describe the book as a marvelous piece of fiction that feels from the source right. Readers also mention the plot quietly unfolds itself.
"...and amazing, and for those interested in history, this is a marvelous piece of fiction that feels from-the-source 'right' on so many levels." Read more
"...Set in the early 1327 and published in 1980, Eco's mystery is both intriguing and entertaining." Read more
"...Still, The Name of the Rose has some interesting elements. The two protagonists, William and Adso, alone make the novel a worthwhile read...." Read more
"...For someone interested in a well-written, complicated mystery, the book will be rewarding, but anyone looking for light reading for the summer..." Read more
Customers find the book thought-provoking, erudite, and fascinating. They say it's rich in history and educational. Readers also mention the depth of research is brilliant. In addition, they say the book gives a rich description about the management of ancient libraries.
"...in the murders; as a stand-alone issue, Eco not only shows remarkable historical accuracy, but also makes a commentary on the Church specifically..." Read more
"...is a Sherlock Holmes-like character, clever and smart, a free thinker, and has a dry sense of humor that adds a level of comic relief that sorely..." Read more
"...There are many learned quotes, many in Latin. Some of them are translated and some are not...." Read more
"...The story, when it was able to stay on focus, was great...interesting, tense and even at times, harrowing...." Read more
Customers find the characters rich and compelling. They also appreciate the author's voice acting and personification. Readers mention the narrator is very human.
"...your typical monk, however as such he's a very complex and interesting character, whom I identified with in many ways...." Read more
"...The characters are well developed even when seen only through the novice...." Read more
"...The characters are vivid, if mostly unsympathetic and the interweaving of real historical personages with Eco's invented ones is seamless and..." Read more
"...like your grandpa is reading you a story, and he does well on voice acting the different characters so you can follow along...." Read more
Customers have mixed opinions about the writing style of the book. Some mention it's well-written, enjoyable, and almost like reading poetry. However, others say there is quite a bit of untranslated Latin contained in the book, and the writing is at times scholarly but clear and profound.
"...For one, the philosophical digressions were overdone and came off as a cheap way for the author to "show off" about his knowledge rather than adding..." Read more
"...But it is truly a masterpiece of writing - I highly recommend it." Read more
"The Kindle version is missing text compared to the audiobook and printed editions." Read more
"...Ah, well. The writing is deft and amazing, and for those interested in history, this is a marvelous piece of fiction that feels from-the-source '..." Read more
Customers have mixed opinions about the architecture in the book. Some mention it's a great picture of medieval religious life, while others say it's dull with tedious descriptions of nonexistent architecture.
"...a medieval history background because of the excellent plot and Gothic atmosphere...." Read more
"The book is rather dull with a tedious descriptions of nonexistent architecture and flavors of heresy long gone...." Read more
"Great book very well written and narrated. Excellent portrayal of medieval times and the changes within the Church during this time." Read more
"...Way too much architectural detail and the longest sentences ever." Read more
Customers find the book frustrating, difficult to follow at times, and tiresome. They say the first few chapters are intentionally difficult to get through. Readers also mention the story takes some work to get into and is painfully slow.
"_The Name of the Rose_ is a challenging read: Eco infuses the dialogue with Latin, the primary plot doesn't really develop until after the first 100..." Read more
"...This is not an easy book to read...." Read more
"...However, this novel was the most sluggish, difficult book to read that I've ever soldiered through...." Read more
"...The pacing of the book doesn't help, although the author provides an explanation for the plodded pace at which the narrative moves...." Read more
Customers find the book too long. They mention there are sentences that run over half a page, overly long sequences, and descriptions. Readers also mention the first 100 pages are hard, but after that it becomes one of the best books.
"...Philosophy for purpose is one thing, but here the discussions go in circles on end (or maybe it was my head), a semiotic version of Who's on First...." Read more
"...in me finds boring the layers of prologue intro and interminable theological debates...." Read more
"...At first, some of them are interesting, but this book is nearly 600 pages long. It would have been much better if it were 350 pages...." Read more
"...It's long. It's dense. But absolutely worth the necessary perseverance." Read more
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Good book terrible formatting!
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Reviewed in the United States on August 23, 2017
Eco is writing on several levels: as a mystery, to be sure. Who is killing the monks at the abby and why? And why is there an apocalyptic theme to the deaths? What are the secrets being hidden by the monks, and how are they related to the crimes committed? But there is another level to the story: Brother William and his novice (Adso, the author of the story) are part of a larger theological mission regarding the nature of the Church - should it emphasize poverty? And if so, how does one reconcile this with the tremendous wealth and power the Church wields in the 14th century? (The backdrop of the story is set during the "Avignon Papacy" which resulted in two Popes claiming leadership of the Church). This conflict, in fact, may play a role in the murders; as a stand-alone issue, Eco not only shows remarkable historical accuracy, but also makes a commentary on the Church specifically and religion more generally. Yet Eco goes further still for those readers who are looking: while many of the characters and issues are drawn from history, Eco also gives a nod and wink to Sir Arthur Conan Doyle in several respects - Brother William is "William of Baskerville"; the methods used by Brother William are identical to those used by Doyle's creation (deduction, inference and Occam's Razor - in fact, Occam is cited as an acquaintance of William's) - in fact, as the pair arrive at the abbey, the deductions William makes are too reminiscent to be overlooked. Further, the narrator writes as did Dr. Watson - _The Name of the Rose_ is essentially an account written by the investigator's side-kick.
Eco's brilliance is also demonstrated in the organization of the book: it opens with the same lines as Genesis ("In the beginning was the word ...") and is broken up into seven days, each day divided into the monastic measurement of time (Matins, Lauds, Prime,Terce, Sext, Nomes, Vespers and Compline). This not only reinforces the sense of authenticity of the story, but it also draws readers into the rhythms and pattern of monastic life. The details of the monastery - and especially the library around which the investigation revolves - speaks to the conflict between reason (as exemplified by Brother William) and faith (as exemplified by the monks). This is a conflict that continues to the present and is related to the other issue of wealth and Christianity that is at the heart of the internal conflict within the Church in the 1300s.
Perhaps my analysis is more than the casual reader is interested in, in which case Eco provides a top-notch mystery that is complicated, difficult to solve and rewarding in its conclusion. The only complaint I have plot-wise is the resolution: I was frustrated at the way in which Eco chose to end the mystery, if only because of my tremendous reverence for and love of the written word. That being said, the conclusion certainly does point to the value of monastic work in the Middle Ages, and the miracle that we have so many texts from the ancient world still extant.
_The Name of the Rose_ is dense and sometimes difficult to read (because of Latin, because of the historical details, and yes, because the mystery itself is a real challenge). But it is truly a masterpiece of writing - I highly recommend it.
Reviewed in the United States on September 4, 2005
Alas. I could have thrown the thing across the room.
Umberto, dear one, how I wanted to LOVE this book! Your talent and education is too immense to disappoint a simple reader like me and not receive at least some gentle upbraiding. If your editor insisted you throw in that lengthy explanatory conceit, instead of a seriously contrived and well-plotted capital-L ending where discovery is made by characters and readers together, to placate us troglodites incapable of thrilling at the sheer pinnacle of unwound deception William might have laid bare, he/she was decidedly wrong.
How I would love to read your first draft. I'm sure that wasn't in it.
Definitely preferable to Davinci Code, The Name of the Rose is a work of art, albeit, that last slide down the bramble when the petals fell was a drag.
Ah, well. The writing is deft and amazing, and for those interested in history, this is a marvelous piece of fiction that feels from-the-source 'right' on so many levels.








