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A Natural History of Seeing: The Art and Science of Vision Hardcover – October 17, 2008
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The science, history, philosophy, and mythology of how and why we see the way we do.
We spend about one-tenth of our waking hours completely blind. Only one percent of what we see is in focus at any one time. There is no direct fossil evidence for the evolution of the eye. In graceful, accessible prose, novelist and science writer Simon Ings sets out to solve these and other mysteries of seeing.A Natural History of Seeing delves into both the evolution of sight and the evolution of our understanding of sight. It gives us the natural science―the physics of light and the biology of animals and humans alike―while also addressing Leonardo's theories of perception in painting and Homer's confused and strangely limited sense of color. Panoramic in every sense, it reaches back to the first seers (and to ancient beliefs that vision is the product of mysterious optic rays) and forward to the promise of modern experiments in making robots that see. 16 pages of color; 90 black-and-white illustrations- Print length336 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateOctober 17, 2008
- Dimensions5.8 x 1.1 x 8.6 inches
- ISBN-10039306719X
- ISBN-13978-0393067194
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- Publisher : W. W. Norton & Company; 1st edition (October 17, 2008)
- Language : English
- Hardcover : 336 pages
- ISBN-10 : 039306719X
- ISBN-13 : 978-0393067194
- Item Weight : 1.15 pounds
- Dimensions : 5.8 x 1.1 x 8.6 inches
- Best Sellers Rank: #1,615,758 in Books (See Top 100 in Books)
- #367 in Optics for Physics
- #2,045 in Anatomy (Books)
- #5,683 in History & Philosophy of Science (Books)
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I began my career writing science fiction stories, novels and films, before widening my brief to explore perception (The Eye: A Natural History), 20th-century radical politics (The Weight of Numbers), the shipping system (Dead Water) and augmented reality (Wolves). A spot of mid-career ghost-writing once had me being rescued from a tree by Ben (of Ben & Jerry's) in the middle of a hurricane. Back home I co-founded and edited Arc magazine, a digital publication about the future, before joining New Scientist magazine as its arts editor. I split my time between a penthouse in Dubai (not mine) and a freezing cold flat in London, writing op-eds and reviews for The Spectator and the occasional broadsheet.
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Although tracing the evolution of the eye - meaning inevitably the human eye - is not Ing's chief purpose, his chapters on evolution will be the most provocative for many readers. Provocative of thought, I hope, rather than emotion. Most readers are aware that the 'perfection' of the eye has been wielded as evidence of "Intelligent Design". How could such a complex organ have evolved by random tiny increments, the argument goes, and what selective advantage would a half-finished eye afford? Darwin himself contributed to this fracas by murmuring in his writings that the evolution of the eye presented him with headaches. But in fact the evolutionary progress of the eye from mere swatches of light-sensitive pigment, to light-sensing skin patches, to various sorts of eyes of diverse capabilities has been fairly well established by now, and offers, if anything, quite strong evidence of the incremental power of biological evolution - conservative, opportunistic, inevitable. What's fascinating in Ing's account is his reversal of the usual question. Instead of asking "how could evolution produce vision?", Ing proposes that we should ask "how has vision affected/effected evolution?" Ing speculates, with plenty of evidence and with appropriate reservations, that vision was one of the prime stimuli for the Cambrian Explosion of animal species, the 'saltation' that produced virtually all of the 'body plans' of the animal kingdom within a few million years. In other words, vision formed "us" before "we" needed eyes.
But Ing ranges farther than a study of origins. He also takes on the subtle balance of vision and self-awareness and the chicken/egg problem of vision or communication. And he doesn't shy away from the age-old philosophical issues of epistemology, that is, of the subjective nature of vision and the dilemma of how we can know that what we see is really what is.
This is a book that requires close reading and concentration. It will exercise your short-term memory, to keep the strands of Ing's discourse woven together. It's the sort of book that gets better the better you require yourself to be as a reader. If you like that level of challenge, it's a wonderful book indeed.
Highly recommended for general readers interested in how they (and the rest of the world) get to see letters on pages, as well as for graduate psychology students like me looking to broaden/deepen their sensation/perception knowledge.
It's well-written, clear and easy reading for a non-scientist, and yet still intriguing for the more science-minded. Technical discussions of the mechanisms, evolution, and development of vision are well-explained. Entertaining optical illusions are presented, along with underlying theory. There are also many fascinating factoids about the vision of many different species of animals.
I'm confused by the earlier reviewer's complaint that notes permeated the text. In my copy (first American edition) the notes are, in fact, lumped into an appendix in the back. They certainly don't clutter the reading.
It has been a while since I was so enamored with a science book, and I highly recommend this to anyone remotely interested in the subject of vision.





