Buy new:
-32% $11.60$11.60
FREE delivery August 11 - 12
Ships from: YourOnlineBookstore Sold by: YourOnlineBookstore
Save with Used - Good
$7.65$7.65
FREE delivery Friday, August 8 on orders shipped by Amazon over $35
Ships from: Amazon Sold by: MegaReads
Return this item for free
We offer easy, convenient returns with at least one free return option: no shipping charges. All returns must comply with our returns policy.
Learn more about free returns.- Go to your orders and start the return
- Select your preferred free shipping option
- Drop off and leave!
Sorry, there was a problem.
There was an error retrieving your Wish Lists. Please try again.Sorry, there was a problem.
List unavailable.
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required.
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.
Image Unavailable
Color:
-
-
-
- To view this video download Flash Player
-
-
-
-
VIDEO -
We Need to Talk About Kevin Paperback – December 27, 2011
Purchase options and add-ons
Now a major motion picture by Lynne Ramsay, starring Tilda Swinton and John C. Reilly, Lionel Shriver’s resonant story of a mother’s unsettling quest to understand her teenage son’s deadly violence, her own ambivalence toward motherhood, and the explosive link between them reverberates with the haunting power of high hopes shattered by dark realities.
Like Shriver’s charged and incisive later novels, including So Much for That and The Post-Birthday World, We Need to Talk About Kevin is a piercing, unforgettable, and penetrating exploration of violence, family ties, and responsibility, a book that the Boston Globe describes as “sometimes searing . . . [and] impossible to put down.”
- Print length432 pages
- LanguageEnglish
- PublisherHarper Perennial
- Publication dateDecember 27, 2011
- Dimensions5.31 x 0.97 x 8 inches
- ISBN-100062119044
- ISBN-13978-0062119049
Frequently bought together

Frequently purchased items with fast delivery
We Are the Light: A NovelPaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Friday, Aug 8
Just a Regular Boy: A NovelPaperback19% offLimited time dealFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Friday, Aug 84% Claimed
The Outside Boy: A NovelPaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Friday, Aug 8Only 7 left in stock (more on the way).
Then We Came to the End: A NovelPaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Friday, Aug 8
The Little Stranger (Movie Tie-In)PaperbackFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Friday, Aug 8
Someone Like Us: A novelHardcoverFREE Shipping on orders over $35 shipped by AmazonGet it as soon as Friday, Aug 8
Only a country that feels invulnerable can afford political turmoil as entertainment.Highlighted by 1,448 Kindle readers
In a country that doesn’t discriminate between fame and infamy, the latter presents itself as plainly more achievable.Highlighted by 1,065 Kindle readers
In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting.Highlighted by 683 Kindle readers
In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting.Highlighted by 380 Kindle readers
Editorial Reviews
Review
“Ms. Shriver takes a calculated risk . . . but the gamble pays off as she strikes a tone of compelling intimacy.” — Wall Street Journal
“Furiously imagined.” — Seattle Times
“An underground feminist hit.” — New York Observer
“A slow, magnetic descent into hell that is as fascinating as it is disturbing.” — Cleveland Plain Dealer
“Shriver handles this material, with its potential for cheap sentiment and soap opera plot, with rare skill and sense.” — Newark Star Ledger
“Powerful [and] harrowing.” — Entertainment Weekly
“Impossible to put down.” — Boston Globe
From the Back Cover
Eva never really wanted to be a mother—and certainly not the mother of a boy who ends up murdering seven of his fellow high school students, a cafeteria worker, and a much-adored teacher who tried to befriend him, all two days before his sixteenth birthday. Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin’s horrific rampage, in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.
About the Author
Lionel Shriver's fiction includes The Mandibles; Property; the National Book Award finalist So Much for That; the New York Times bestseller The Post-Birthday World; and the international bestseller We Need to Talk About Kevin, adapted for a 2010 film starring Tilda Swinton. Her journalism has appeared in the Guardian, the New York Times, the Wall Street Journal, and many other publications. She’s a regular columnist for the Spectator in Britain and Harper’s Magazine in the US. She lives in London and Brooklyn, New York.
Product details
- Publisher : Harper Perennial
- Publication date : December 27, 2011
- Edition : Reprint
- Language : English
- Print length : 432 pages
- ISBN-10 : 0062119044
- ISBN-13 : 978-0062119049
- Item Weight : 11.2 ounces
- Dimensions : 5.31 x 0.97 x 8 inches
- Best Sellers Rank: #1,218,573 in Books (See Top 100 in Books)
- #597 in Psychological Fiction (Books)
- #792 in Family Life Fiction (Books)
- #2,111 in Psychological Thrillers (Books)
- Customer Reviews:
Product Videos
About the author

Lionel Shriver is a novelist whose previous books include Orange Prize–winner We Need to Talk About Kevin, The Post-Birthday World, A Perfectly Good Family, Game Control, Double Fault, The Female of the Species, Checker and the Derailleurs, and Ordinary Decent Criminals.
She is widely published as a journalist, writing features, columns, op-eds, and book reviews for the Guardian, the New York Times, the Wall Street Journal, the Financial Times, the Economist, Marie Claire, and many other publications.
She is frequently interviewed on television, radio, and in print media. She lives in London and Brooklyn, NY.
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on AmazonReviews with images
A truly incredibly work of literature that started as an almost DNF.
Top reviews from the United States
There was a problem filtering reviews. Please reload the page.
- Reviewed in the United States on December 1, 2010This extraordinarily intense and thought-provoking book takes the form of letters written by the mother of a school shooter to her absent husband. Eva is essentially reliving her entire history with her son in order to come to some kind of understanding as to why he decided to shoot down his classmates in cold blood. And especially, to understand the part she might have played in creating such a monster.
The writing style seems strange, more like a doctoral thesis in English Lit rather than informal letters to a person one knows very well. It put me off a bit at first - who writes letters like that? It wasn't believable. But once I got further into the book and recognized Shriver's expertise with language, I knew it wasn't likely that she would make such an obvious error. I began to wonder if there wasn't a mysterious reason for the strangeness of the letters. That's all I'm going to say about it, except: don't give up on this book because of that.
Speaking of writing style, the immense vocabulary is one of the first things you'll notice. I've read so many books that I rarely encounter an English word I don't know, but in We Need to Talk About Kevin it happened all the time. You'll want to keep a dictionary handy in order to avoid frustration. Reading it on my Kindle was a great way to experience this book, thanks to the instant-access definitions. But there were words that even the Kindle dictionary didn't know, necessitating several detours to the computer. I enjoyed the intellectual stimulation of stretching my vocabulary even after so many decades of reading, so for me that was a plus.
I was thrilled to catch Shriver making a vocabulary error, though, a malapropism (a word I learned in this book): she used "pneumonic" instead of "mnemonic." Although it's probably an error on the the part of whoever transcribed the book for Kindle . . .
I didn't like the narrator at all throughout most of the book, nor did I find her entirely believable. Her self-centeredness seemed too extreme and unyielding to be real. But she and the story were so interesting that it didn't matter. And in the end, I did come to feel some compassion and credulity towards her. As with nearly all aspects of this book - and that is its genius - I go around and around about Kevin's mother. No mother could be so utterly cold and unfeeling towards her own newborn child. Yes, but . . . her feelings read exactly like accounts I've read from real parents of autistic children. Yes, but . . . those parents don't feel that way immediately, only after being subjected to behaviors that feel like dislike and rejection from the child. So maybe . . . she is a sociopath like her son, just a non-violent one. Sociopathy does run in families, after all. Yes, but . . . she does love her daughter. Yes, but . . . maybe hers is just a milder case. Maybe, but . . . if she was capable of any love at all, how could a mother dislike an innocent newborn? No wonder Kevin turned out the way he did. Yes, but . . .
Even though Kevin was an even more extreme character, I found him all too believable. We may question how a very young child could be so truly evil, but I've read accounts of real-life children exactly like him. And like the Columbine shooters Harris and Klebold, Kevin was neither a social outcast (except by choice) nor was he singled out as a victim for bullying.
We know from the beginning what Kevin ended up doing, yet there was still so much suspense in this book that I read it faster than I'd ever have thought possible for such a long book. And there were surprises all the way through to the end.
One thing that puzzled me was Eva's signatures on the letters. They look very crude, like someone trying to write with something not designed for writing, or maybe scratching letters into a wood surface. I'd expect someone like Eva - a highly educated perfectionist whose career is in writing and publishing books - to have beautiful, perfect handwriting. But that anomaly was never explained - did I miss something?
We Need to Talk About Kevin is ultimately a vastly deep and wide-ranging investigation into the questions of what makes a school shooter, and why have school shootings become so "trendy" in the last couple of decades? Although this is fiction, we aren't given any easy answers - or any answers at all; just a great many possibilities and potential contributing factors. The book raises questions rather than giving answers. Just like real life. In the end, it is disturbingly real.
(500 pages)
Quotes from We Need to Talk About Kevin:
"I suppose that's a common conceit, that you've already been so damaged that damage itself, in its totality, makes you safe."
"I have to go further back. So many stories are determined before they start."
"Funny how you dig yourself into a hole by the teaspoon - the smallest of compromises, the little roundings off or slight recastings of one emotion as another that is a tad nicer or more flattering."
"Sheer obstinacy is far more durable than courage, although it's not as pretty."
"You can only subject people to anguish who have a conscience. You can only punish people who have hopes to frustrate or attachments to sever; who worry what you think of them. You can really only punish people who are already a little bit good."
"I realize it's commonplace for parents to say to their child sternly, 'I love you, but I don't always like you.' But what kind of love is that? It seems to me that comes down to "I'm not oblivious to you - that is, you can still hurt my feelings - but I can't stand having you around.' Who wants to be loved like that? Given a choice, I might skip the deep blood tie and settle for being liked. I wonder if I wouldn't have been more moved if my own mother had taken me in her arms and said, "I like you.' I wonder if just enjoying your kid's company isn't more important."
"And there's a freedom in apathy, a wild, dizzying liberation on which you can almost get drunk. You can do anything."
"But the resilience of the spirit is appalling."
"You can call it innocence or you can call it gullibility, but Celia made the most common mistake of the good-hearted: She assumed that everyone else was just like her."
"'discomfort,' a term beloved of the medical profession that seems to be a synonym for agony that isn't yours."
"Surely it makes a travesty of the exercise to forgive the unrepentant."
(Referring to forgiveness) " . . . invoking a God . . . while sweepingly acquitting my shortcomings as a mother . . . made this deliverance . . . seem cheap, and an undercurrent of preening betrayed that conspicuous clemency has become the religious version of driving a flashy car. By contrast, my brother Giles' staunch incapacity to pardon us . . . is a grudge I treasure, if only for its frankness."
"it may grate on me most that this big dumb absolution latterly in vogue is doled out so selectively. Weak characters of an everyday sort - bigots, sexists, and panty fetishists - need not apply. . . . [T]he murderer harvests sheaves of pitying pen pals; an addled drama teacher too desperate to be liked is blackballed for the rest of her life."
- Reviewed in the United States on February 20, 2019Let me say at the outset that I was very impressed with this book. A few months ago I watched the movie of the same name and was struck sufficiently by the themes presented therein to seek out Lionel Shriver’s book. I was not disappointed.
[A side note about the movie: It is almost the common wisdom that movies are never as good as the books upon which they are based, but this movie gives the lie to that inasmuch as it was gripping and very faithful to the book, managing to cut very little out and to portray the main characters as the author had intended.]
The titular Kevin is a bad kid. He is a son single-mindedly intent - for whatever reason - on destroying his mother and everything (everything!) meaningful in her life. The bulk of the book is spent cataloging the evil deeds perpetrated by this miscreant from the minute he leaves the womb until the horrific climax. (The school violence that Kevin carries out is really only the penultimate climax, and is frequently alluded to as the story unfolds, so to speak of it is not really a “spoiler.” There is, however, an even more climactic climax, if there can be such a thing, which I won’t divulge and which will come as a shock to anyone who did not as I did view the movie first.)
The basis for my favorable assessment of this book is twofold: The style in which the book is written and the theme(s) tackled.
First, a word about the writing style. Most striking (although it has surely been done before) is that the story is told via the format of letters which the main character writes to her now out-of-the-picture husband. Initially I wasn’t sure if I cared too much for this mechanism, finding it extremely unrealistic, but the ending of the story (which, again, I won’t give away) makes one realize why it was undertaken.
Several reviews of the book that I’ve read have faulted the author for being too wordy and verbose, and using too many fifty-cent words. I tend to agree with that. The author all too often engages in feats of linguistic complexity that will have you reading and re-reading the same sentence over and over to try to parse out exactly what idea or sentiment she is trying to convey, and that can be somewhat off-putting. Nevertheless, this is one talented and intelligent writer.
Over and above the writing style (which, although a bit too highfaluting, is yet quite notable), the book tackles two parallel themes, both difficult subjects. The first – and most obvious – theme is that of school violence, certainly a hot topic in today’s violence drenched society. The book liberally references school shootings that have, tragically, taken place all over the country in recent years.
But the other theme – which seems to take a back seat but shouldn't – is the one that I found the more compelling. It is the theme of familial dysfunction, specifically maternal aloofness and lack of maternal love.
The way I see it, “Kevin” kind of presents a chicken-and-egg conundrum: Is Kevin bad because his mother never bonded with and loved him, or was Eva never able to bond with and love her son because Kevin was inherently bad?
I think this is an almost taboo subject – the very possibility that a mother might dislike her own progeny – and I applaud the author for daring to tackle it, albeit in a fictional account.
The four main characters in this story are expertly and painstakingly sketched.
Eva Khatchadourian is our protagonist inasmuch as the story, ultimately, is about how the terrible events of the story impact her life. It is also through Eva’s first-person voice that this woebegone tale is told. Eva is the quintessential working woman. She is very much in love with her husband Franklin but let there be no doubt: She is a working girl. She owns her own highly lucrative travel agency and travels the world over in pursuit of her career. Somewhere along the line, Eva and Franklin decide – for reasons that are not entirely rock-solid – to have a child. The bottom line is that Eva is highly conflicted about having this child – even though this is very much a voluntary pregnancy – and that ambivalence will exact an ugly price.
Then we have Franklin, her husband. Franklin is an affable enough fellow, but utterly and completely clueless, guilty of stick-your-head-in-the sand ostrich-like denial in the face of the cascading evil perpetrated by his flesh-and-blood on a regular basis.
Then there is sweet, vulnerable, trusting Celia, the perfect counter-point to Kevin, and the apple of her mother’s eye.
And then of course there is Kevin. Kevin is, quite simply, evil incarnate. Kevin is the antagonist to Eva’s protagonist, and what an antagonist he is! As aforesaid, Kevin is a bad kid from the start. Incorrigible seems like a quaint term, implying “naughtiness,” but Kevin is truly incorrigible. In infancy (and indeed well past toddlerhood), he acts out his spite and malice through his toilet-training habits; by the time he is a teenager, he is exacting his malevolence through physical harm to his angelic little sister. ....And worse, as we come to see.
Basically, We Need to Talk about Kevin is about how this boy wreaks havoc for his mother. Well, actually, not just his mother, but somehow Eva always ends up taking the brunt of his evil-doing. Can the sins of the son be visited upon the mother? Many of the reviews I’ve read before embarking on my own describe Eva as unlikeable. In her very own words (p. 350) Eva is "cold, suspicious, resentful, accusatory, and aloof" and an “ice queen.” I personally felt sorry for her, however, not only for the way her life falls apart at the end, but even earlier than that, for the reason that she is like a voice crying out in the wilderness. In the face of her own husband’s – the boy’s father! - failure to see the truth of what is happening right in front of him, Eva is the only one with eyes to see, the only sane force among the insane. How can a figure like this not be at least somewhat sympathetic?
This book starts out slowly but snowballs toward its ineffable climax with ever more chilling incidents. (I catch myself wondering if the book should be classified as “horror” in the vein of “The Bad Seed” or “Damian,” but it deals with themes of a more intellectual nature than sheer horror.) At the book’s conclusion Eva is bereft of everything that mattered in her life. Everything. When I finished this book I was left with the thought in my head that it can be seen as a cautionary tale: Raising a child is risky business, the stakes are potentially high, and perhaps not everyone is suited for parenthood, and hence parenthood is something that should not be entered into lightly. Again, a bold subject for this brave author to tackle.
This book has left an indelible impression on me. It is a story I won't soon forget. I would encourage any reader burdened by the lofty language or the initially slow pace of this book to persevere. It is no doubt a depressing tale but one offering much food for thought. I think this would make an excellent book club selection as it not only presents fascinating characterizations but also raises many issues worthy of discussion.
Top reviews from other countries
Victoria42Reviewed in Spain on July 22, 20225.0 out of 5 stars Unforgetable..
This book haunts you. I read it months ago and still think of the protagonistas at least once a day. A must read for eveyone.. l loved it even though it breaks your heart. Brilliant writing.
-
Info Outdoor & MoreReviewed in Italy on February 16, 20255.0 out of 5 stars Regalo
È stato un regalo molto apprezzato.
Susana J GReviewed in the United Kingdom on August 14, 20135.0 out of 5 stars Shocking and wonderful
LIKE most who have read this book I found it a compelling read. Unlike some however, I find nothing at all wrong with either the subject matter or the way in which Shriver has tackled it.
The story is particularly relevant these days with so many tragic school shootings occurring in the United States; too little do people delve into the real cause behind these killings, instead trotting out the usual "psychopaths", "abuse at home","bullied at school" and so on, without looking too hard at the perpetrators.
Here we have a mother asking herself if she is to blame because she never really cared for her son. I believe she did all she could given that her son appeared to be psychotic from day one almost. I found myself identifying with Eva, the mother, as I too never wanted children. Unlike the character however, I did not find myself in the position where I felt obliged to have a child for my partner. Never a good idea, which I think is proved only too well here. But Eva could have been a loving mother to Kevin, if he had let her, as is proven when she gives birth to her second child, Celia. She doesn't bond with her only because she is a girl, but because from the very beginning the child lets her in.
People have criticised Lionel Shriver for having the audacity to tackle such subject matter while being childfree. I had no idea she did not have children, but as a childfree woman myself I can state uncategorically that we tend to look at children a lot more objectively than do mothers. (And I'm sure many will not agree with me on this.) Mothers always look at the deeds of children with their own offspring in mind, whether it's "thank goodness mine don't do that" or "I hope mine aren't doing that" or "I wonder if mine will be like that when they're older" or "mine would never do that" and a thousand more phrases that run through their minds, so of course they are subjective. If this were a different subject matter they would be crying out for an objective person to study the issue at hand. I think Lionel Shriver has achieved probably more than she set out to do, and done it with such deft and delicate writing.
The issue of a mother's love for her child, or the lack of it, must be terrifying for anyone who has ever given birth; here we at last have an author who acknowledges this fear and takes it all the way to a certain conclusion. She should be congratulated for that alone. The book she has written forces the reader to think and to perhaps question many assumptions held and she has written it with a voice that we can question, agree with, identify with, loathe, and love. Surely any work that forces all those sentiments to the surface must be worth reading. This one certainly is.
ChezReviewed in Australia on June 2, 20235.0 out of 5 stars We Need to Talk About Kevin
Throughout this book, the play on words aggravated. However, the content that the story is based on is devastating. I try to imagine a child of mine being so utterly deviant, and my conclusion is, I can’t even go there. So reading this story from a mothers point of view, takes you right to the heart of the matter - does love make you blind? Realistically, no, but it does have a power to forgive so much, and yet still acknowledge the wrongdoing.
IshikaReviewed in India on October 4, 20235.0 out of 5 stars Quality is good
Just the cover is different.
Just the cover is different.5.0 out of 5 stars
IshikaQuality is good
Reviewed in India on October 4, 2023
Images in this review






