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Neil Gaiman's Chivalry Hardcover – April 5, 2022

4.8 4.8 out of 5 stars 395 ratings

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Editorial Reviews

About the Author

Neil Gaiman was born in Hampshire, UK, and now lives in the United States near Minneapolis. As a child he discovered his love of books, reading, and stories, devouring the works of C. S. Lewis, J. R. R. Tolkien, James Branch Cabell, Edgar Allan Poe, Michael Moorcock, Ursula K. Le Guin, Gene Wolfe, and G. K. Chesterton. A self-described "feral child who was raised in libraries," Gaiman credits librarians with fostering a lifelong love of reading: "I wouldn't be who I am without libraries. I was the sort of kid who devoured books, and my happiest times as a boy were when I persuaded my parents to drop me off in the local library on their way to work, and I spent the day there. I discovered that librarians actually want to help you: They taught me about interlibrary loans."

Neil Gaiman's work has been honored with many awards internationally, including the Newbery and Carnegie Medals. His books and stories have also been honored with four Hugos, two Nebulas, one World Fantasy Award, four Bram Stoker Awards, six Locus Awards, two British Science Fiction Association Awards, one British Fantasy Award, three Geffens, one International Horror Guild Award, and two Mythopoeic Awards.

Colleen Doran is a cartoonist/illustrator whose recent adaptation of Neil Gaiman's short story "Snow, Glass, Apples" received the Bram Stoker Award for Superior Achievement in a Graphic Novel and the Eisner Award for Best Adaptation from Another Medium. Her work also appeared in Gaiman's "Sandman", and his "American Gods" graphic novel, as well as "The New York Times" bestselling adaptation of his story "Troll Bridge. She did the art for Stan Lee's bestselling graphic novel autobiography "Amazing, Fantastic, Incredible Stan Lee", and she also contributed to "Morrison Hotel", a graphic novel featuring the music and life stories of the legendary rock band The Doors.


Recent work includes "Wonder Woman", illustrations for "Star Wars: Doctor Aphra", "The Clock" at Image Comics/Top Cow written by Matt Hawkins, art for film director Duncan Jones, and pop star/television producer Shaun Cassidy. She is working on the final chapter of her space opera series "A Distant Soil" from Image Comics/Shadowline, supported by her Patreon. She also worked on "Electricomics", an experimental web comics anthology project with "Watchmen" creator Alan Moore.


Other works include "Mangaman" with Barry Lyga for Houghton Mifflin, a 2012 pick by The American Library Association for Great Graphic novels for Teens: "Gone to Amerikay" with Eisner Award nominated author Derek McCulloch for DC/Vertigo (2012,) picked for Best Adult Books for Teens from the "School Library Journal", and listed in "Best American Comics" 2013: and essayist for the Hugo Nominated "Chicks Dig Comics". She also wrote and drew stories for "The Vampire Diaries" from DC Comics, based on the TV show, and did cover art for "S.H.I.E.L.D" based on the "Marvel: Agents of Shield" TV show, "Wonder Woman" 75th Anniversary special, "Faith" from Valiant, as well as cover art for "The Walking Dead" and art for the Netflix series "Jessica Jones".
Other credits include "Amazing Spiderman", "Lucifer", "Captain America", "The Legion of Superheroes", "The Teen Titans", "Walt Disney's Beauty and the Beast," "Anne Rice's The Master of Rampling Gate," "Clive Barker's Hellraiser", "Clive Barker's Nightbreed", "The Silver Surfer", and many others.


She was Artist in Residence at the Smithsonian Institution, and lectured at The Maryland Institute College of Art and Design, The Australian Society of Authors, and has exhibited and lectured in galleries, museums and exhibits around the world. Books featuring her work have received Eisner Awards, The International Horror Guild Award, and Harvey Awards. She is also a sometime participant in the NASA Social media correspondent project.

Product details

  • Publisher ‏ : ‎ Dark Horse Books (April 5, 2022)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 72 pages
  • ISBN-10 ‏ : ‎ 1506719112
  • ISBN-13 ‏ : ‎ 978-1506719115
  • Item Weight ‏ : ‎ 14.6 ounces
  • Dimensions ‏ : ‎ 6.9 x 0.44 x 10.46 inches
  • Customer Reviews:
    4.8 4.8 out of 5 stars 395 ratings

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Colleen Doran is a New York Times bestselling cartoonist whose professional career began when she was a young teen. She illustrated work for the Eisner Award winning The Sandman by Neil Gaiman, as well as their graphic novel adaptations of his novels and short stories American Gods, Troll Bridge, and Norse Mythology. She also illustrated Stan Lee's New York Times bestselling autobiography Amazing, Fantastic, Incredible Stan Lee.

For Neil Gaiman’s Snow Glass Apples, which she adapted and illustrated, she won the Eisner Award for Best Adaptation, the Bram Stoker Award for Superior Achievement in a Graphic Novel from the Horror Writers Association, and the Ringo Award for Best Graphic Novel. Snow, Glass, Apples was also nominated for the National Cartoonist Society Reuben Award for Best Graphic Novel, The Tripwire Award, and received an Honorable Mention at the Rondo Hattan Classic Horror Awards for Best Graphic Novel, as well as Eisner and Ringo Award nominations for Best Penciler/Inker and Best Artist.

She was inducted into the Women Cartoonists Hall of Fame in 2007, and the Wizard World Hall of Legends in 2017.

Other books she has illustrated have won Eisner and Harvey Awards, and the International Horror Guild Award. Her essays appeared in the Hugo nominated Chicks Dig Comics. Art from the Troll Bridge graphic novel was selected for the Spectrum annual collection featuring the best science fiction and fantasy art of the year. She was Artist in Residence at the Smithsonian Institute and has lectured at the Maryland Institute College of Art and Design and the Australian Writers Association. Her work has been featured in numerous galleries and museum exhibits worldwide, including a solo exhibit this year at the Cartoon Art Museum in San Francisco featuring the original art from Neil Gaiman's Chivalry.

Doran’s A Distant Soil, which she created and published as a teenager, is now published by Image Comic’s Shadowline imprint. Vector: The Journal of the British Science Fiction Association declared it “groundbreaking science fiction comics…ahead of its time.”

She worked with Alan Moore on an experimental animated webcomic Big Nemo based on the classic Winsor McCay comic strip. On The Vampire Diaries she contributed as writer and artist for the comic based on the hit television show. She wrote and/or drew stories for various Wonder Woman titles from DC Comics. She’s also illustrated the works of Margaret Atwood, Anne Rice, J Michael Straczynski, Clive Barker, and official graphic novel works for legendary rock band The Doors, as well as Blondie, Melissa Etheridge, and Tori Amos.

Other credits include Amazing Spider-Man, The Teen Titans, Captain America, Guardians of the Galaxy, Jessica Jones for Netflix, Marvel Agents of S.H.I.E.L.D, and various Star Wars and Lord of the Rings projects.

Customer reviews

4.8 out of 5 stars
4.8 out of 5
395 global ratings
All Photos
It's the little mistakes which hurt the most.
5 Stars
It's the little mistakes which hurt the most.
I can't fault the art in this slim book - it's beyond amazing! Coleen Doran is no doubt a superbly talented artist, and after reading the artist's notes at the back, it's clear that this adaptation of Neil Gaiman's short story was a labor of love... and not just a tiny bit of obsession. Which is why the errors I found rub against me like sandpaper on a paper cut!Error #1: The knight of the Holy Grail is introduced as being named 'Galaad'. Was Coleen Doran certain about this? Because a few pages later he's being named 'Galahad' (which is actually more correct according to Arthurian legends). Then he's back to 'Galaad'. So, which is it?Error #2: This is an error I see more and more, a clear indicator that people are forgetting their basic English lessons. A character is shown saying 'could of' - as in, "I could of gone for him." NO!! *moves to rip out hair in frustration* The contraction is COULD'VE, as in the shortening and combining of COULD and HAVE - COULD'VE! No matter how much the "'ve" at the end SOUNDS like 'of' that doesn't mean it's spelled that way! The letterer of the book's text, Todd Klein, must've had someone overseeing his work, an editor or Doran herself, yet the book managed to go to print with "could of" right there in the adaptation! Are you kidding me?!Again, I don't like nitpicking over these kind of - in the grand scheme of things - minor errors. Yet, these most basic of mistakes aren't those one would expect to find in a large-scale publishing endeavor such as this. There's really no excuse - someone should've caught these problems, whether it's the artist during final proof or an editor at Dark House. After all, there are three - count 'em, THREE - editors listed on the book's fronts piece: Daniel Chabon, Chuck Howitt, and Konner Knudsen. One of them dropped the ball.Maybe those reading this review will think I'm being petty, but that couldn't be further from the truth. The foundation of clear communication is using proper language. I don't expect texts or tweets to be properly spelled or punctuated (no matter how much it pains me otherwise), but I do expect such things from professionally published books.
It's the little mistakes which hurt the most.
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Reviewed in the United States on December 16, 2023
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5.0 out of 5 stars It's the little mistakes which hurt the most.
Reviewed in the United States on April 8, 2022
I can't fault the art in this slim book - it's beyond amazing! Coleen Doran is no doubt a superbly talented artist, and after reading the artist's notes at the back, it's clear that this adaptation of Neil Gaiman's short story was a labor of love... and not just a tiny bit of obsession. Which is why the errors I found rub against me like sandpaper on a paper cut!

Error #1: The knight of the Holy Grail is introduced as being named 'Galaad'. Was Coleen Doran certain about this? Because a few pages later he's being named 'Galahad' (which is actually more correct according to Arthurian legends). Then he's back to 'Galaad'. So, which is it?

Error #2: This is an error I see more and more, a clear indicator that people are forgetting their basic English lessons. A character is shown saying 'could of' - as in, "I could of gone for him." NO!! *moves to rip out hair in frustration* The contraction is COULD'VE, as in the shortening and combining of COULD and HAVE - COULD'VE! No matter how much the "'ve" at the end SOUNDS like 'of' that doesn't mean it's spelled that way! The letterer of the book's text, Todd Klein, must've had someone overseeing his work, an editor or Doran herself, yet the book managed to go to print with "could of" right there in the adaptation! Are you kidding me?!

Again, I don't like nitpicking over these kind of - in the grand scheme of things - minor errors. Yet, these most basic of mistakes aren't those one would expect to find in a large-scale publishing endeavor such as this. There's really no excuse - someone should've caught these problems, whether it's the artist during final proof or an editor at Dark House. After all, there are three - count 'em, THREE - editors listed on the book's fronts piece: Daniel Chabon, Chuck Howitt, and Konner Knudsen. One of them dropped the ball.

Maybe those reading this review will think I'm being petty, but that couldn't be further from the truth. The foundation of clear communication is using proper language. I don't expect texts or tweets to be properly spelled or punctuated (no matter how much it pains me otherwise), but I do expect such things from professionally published books.
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Enrique Melgarejo
5.0 out of 5 stars I love this
Reviewed in Mexico on July 26, 2023
Summer
5.0 out of 5 stars sweet comedic story, love the artwork and back story
Reviewed in Canada on April 8, 2022
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