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Neuromancer Paperback – July 1, 2000
| William Gibson (Author) Find all the books, read about the author, and more. See search results for this author |
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Case was the sharpest data-thief in the matrix—until he crossed the wrong people and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street-samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction.
Neuromancer was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.
- Print length336 pages
- LanguageEnglish
- PublisherAce
- Publication dateJuly 1, 2000
- Dimensions5.5 x 0.9 x 8.2 inches
- ISBN-100441007465
- ISBN-13978-0441007462
- Lexile measure790L
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Editorial Reviews
Review
“Freshly imagined, compellingly detailed, and chilling in its implications.”—The New York Times
“Kaleidoscopic, picaresque, flashy, decadent...an amazing virtuoso performance.”—The Washington Post
“Science fiction of exceptional texture and vision...Gibson opens up a new genre, with a finely crafted grittiness.”—San Francisco Chronicle
“Epic in scale...shimmers like chrome in a desert sun.”—The Wall Street Journal
“A revolutionary novel.”—Publishers Weekly
“In with the ruthless violence, the hyperreality, the betrayal and death, is an unquenchable love of language. Gibson has that in common with Le Guin and with J. G. Ballard. Neuromancer sings to us as a collage of voices, a mixed chorus, some trustworthy and others malicious, some piped through masks.”—James Gleick
“Streetwise SF... one of the most unusual and involving narratives to be read in many an artificially induced blue moon.”—London Times
“Unforgettable...the richness of Gibson’s world is incredible.”—Chicago Sun-Times
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Product details
- Publisher : Ace; Reprint edition (July 1, 2000)
- Language : English
- Paperback : 336 pages
- ISBN-10 : 0441007465
- ISBN-13 : 978-0441007462
- Lexile measure : 790L
- Item Weight : 10.4 ounces
- Dimensions : 5.5 x 0.9 x 8.2 inches
- Best Sellers Rank: #4,956 in Books (See Top 100 in Books)
- #30 in Technothrillers (Books)
- #40 in Hard Science Fiction (Books)
- #46 in Cyberpunk Science Fiction (Books)
- Customer Reviews:
About the author

William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.
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"Neuromancer" essentially boils down to a futuristic crime novel. Case, the main character, is an ex-hacker whose former employer had part of his nervous system irrevocably destroyed after Case tried to hack the employer's company, effectively preventing him from ever connection to Cyberspace again (and therefore putting him out of work). Down on his luck, he's offered an opportunity he can't pass up: his nerves will be repaired using new (and otherwise preventatively expensive) medical technology if he agrees to use his hacking skills to complete a special job. He's joined by an odd, unique group of cohorts: a former colonel from the Special Forces that doesn't quite seem to be all the way there; a mercenary with some cool cybernetic enhancements and a past she doesn't want to talk about; a performance artist with perverse holographic imaginings; the personality of a dead hacker immortalized in the matrix; and the mysterious Wintermute, an Artificial Intelligence that seems to really be running the show.
To start this review on a high note, the story is great. It's both exciting and complete. I had feared that the plot would take a back seat to showcasing the author's ideas of futuristic tech, but that happily isn't the case, and the story definitely isn't secondary in the novel. Ok, so the beginning is a little slow (the first 20 pages or so could prove to be a little daunting for some since they're mostly introducing us to Case and giving some exposition on the setting), but once things pick up, they really pick up. And not only is the plot satisfying in and of itself, it takes us all over the world (seriously - the characters go to several different countries and even take a trip off-planet) and gives us a look at plenty of locales to help flesh out Gibson's world.
Gibson's writing style is very notable and distinct. Honestly, it can be a tad difficult to get used to at first glance. The best way to describe it would be that each chapter is broken into vignettes, each one serving to highlight something, whether it be some introspection on Case's part, character development, a plot point, demonstrating a piece of technology, or showcasing some part of the setting. While a little jolting at first to jump around, the vignettes flow and connect nicely to weave a coherent, satisfying story. Prose-wise, Gibson has the type of writing style that needs to be read slowly and enjoyed. That's not to say that it's wordy or complex - quite the opposite, actually! Every word is important, so if you try to skim or read too quickly, you'll likely miss out on a lot and become horribly confused. It's not that Gibson writes a lot, but that he writes meaningfully - trying to speed read this would do a disservice to the author, story, and reader. Gibson's writing style is unlike anything I've seen, and, perhaps surprisingly, it really works.
While the story and the author's style are extremely important, the tech and relevance are also large parts of the book. "Neuromancer" was published in the 1980s, so I expected some very dated science fiction and technology and a vision of the future that was so off base that it push the book firmly into the realm of fantasy. Since this is the book that is considered one of the foundation works of the cyber punk genre, a lot concepts have trickled into not only cyber punk culture, but mainstream media as a whole. This is the novel that invented the term Cyberspace and prominently featured the matrix as an abstract representation of the computer network that, with the right equipment, one can interact with. People adding cybernetic enhancements to their bodies is perceived as normal and virtual intelligence is not only a thing, but a well-known (though not always completely understood) creation. Cloning isn't unheard of and advanced medical procedures are the norm. Given that Gibson wrote this before many of these things existed, his ideas have stayed largely relevant because many are things that science is still trying to make a reality. One might wonder if Gibson could somehow see into the future. Even over 20 years after its publication, "Neuromancer" manages to not feel dated and, as a result, lacking in relevance.
The final thing to discuss as far as the overall story goes is the world. The other big reason that this piece of speculative fiction has aged gracefully is that the gritty, rough, super-controlled world portrayed in the book is very much the sort of future that many people still fear. Gibson's vision of the future consists of large corporations controlling the different countries and regions. Some of the cities that we know have come together to form larger metropolises and the lines between countries seem to sometimes blur, yet cultures are still fairly distinct. None of that really matters, though, since it's mostly companies and illegal groups that hold the power in this world. Whether this is a personal fear of yours or not, you'll be able to feel the corrupt hold these large groups have and the complete helplessness of the average person to do anything about it. This isn't a clean, sci-fi future where everything is white, shiny, and full of helpful technology; it's a grimy world full of selfish people who use (and abuse) the current tech in whatever way benefits the most...and it's surprisingly accessible to the modern reader.
Lets move on to the characters. This is the one thing that keeps me from giving "Neuromancer" a full five stars. I'm the kind of reader that needs great characters to become truly invested in a story, and this book fell a little flat for me in the area of character development. Make no mistake, this is certainly an interesting group of individuals. Each one stands out in their own right with their unique abilities and back stories and, much like Gibson's writing itself, there are no wasted or superfluous characters. Every one has a role to fill and each demonstrates something that serves to flesh out the novel's setting. Even the side characters or one-off figures are intriguing in their own right. I would argue that the characters serve their various purposes well...but I never felt particularly attached to any of them. Instead, rather than seeing them as fully realized characters, they struck me more as the embodiments of the ideas and concepts of Gibson's world. There's nothing necessarily wrong with this - my fiancé and others seem to have responded well to the book's figures and what they set out to do. I just needed more growth from them, more reasons to become attached and really care about them as individuals and as a whole. And while there are moments where some of this development that I craved began to shine through, the characters seemed distant throughout most of the novel. I was interested in their stories and who they were, I was interested in what they could do, but I ultimately didn't care about them beyond that, and the absence of that more personal connection with them stood out while I was reading.
The one exception to this is Case, the main character. Perhaps it's because most of the book is from his (third person) point of view and he therefore gets to experience more than any of the other characters. Perhaps it's because he gets the biggest life-changing upgrade (his ability to jack into the matrix being restored), so we see a drastic change as far as his capabilities and outlook are concerned. Whatever the reason, his journey actually seems to have an effect on him, and he definitely isn't the same character at the end of the story as he is at the beginning, and since we get to experience things right along with him, it's easy to care about what ultimately happens to him in this strange, futuristic world.
On a random, personal note regarding characters, as seems to often be the case, the two characters I was most interested in died before their stories were fully concluded or revealed to us. Damn! Just my luck...
In closing, don't make the same assumptions that I did. Don't ignore this book because you think it'll be too smart or tech-heavy. Don't refuse to read it because you fear the story will take a backseat to Gibson's scientific concepts and visions of the future. Don't give it a wide berth because you fear the age of the novel will make it come across as dated and out of touch with the current reality. "Neuromancer" manages to strike the balance between telling a satisfying, interesting story and showcasing the author's (sometimes terrifying) world. Gibson's distinct style of prose makes for a unique reading experience, and though the characters fell a bit short of what I wanted, I'm glad I overcame my objections and read this book. A solid four star read.
But... So many authors have attempted to write good science fiction, and it is one of my favourite genres of fiction, so it is very jarring to run into the fictional science of "rotational gravity" in an otherwise very good tale.
Just as a thought exercise, imagine a point in space where there is no gravity. Place a hollow sphere, say ten meters in diameter in space at that point. Place an object the size and mass of your average human in the center of the sphere. Spin that sphere as fast as you like, and it will not affect the object in the slightest. An object at rest, tends to remain at rest.
A torus is a hollow tube the ends of which meet forming what looks roughly like a doughnut. Otherwise intelligent authors of science fiction will invariably create a structure in space (a spaceship, or space station for example) that uses a hollow torus attached to some sort of axle by spokes which are also hollow and serve as access from the axle of the structure to the torus. They imagine that by spinning that hollow tube it produces something like gravity. It does not.
Apparently they have confused centrifugal force, inertia, friction and angular momentum for gravity.
If we return to the large sphere with the object within it, and imagine that as it spins, it also moves, sooner or later the object within will come into contact with the inner surface (because an object at rest tends to remain at rest) and what will happen then is that friction will cause that object within to spin away from the inner surface until it once again makes contact at which point it will spin off in a new direction.
The only way that the object will adhere to that surface is if there is a source of gravity external to the sphere which will pull it against that surface, and it will then remain in the general area, spinning in place until friction finally brings the sphere to a stop.
Centrifugal force does not create anything like gravity, it seeks to overcome gravity.
One of the most attractive aspects of science fiction, is that it provides an opportunity to learn. One is drawn into the science of the tale as much as the fiction. Perhaps I am an anomalous reader, but I have never been able to resist trying to understand the science. It is always as important to me as the plot. Some things are beyond my understanding, but that is no excuse for not trying...
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I think if you are a fan of the cyberpunk genre and AI, they you will likely love this book, but the genre for me was only an intrigue and it bought me to this book.
I wouldn't let me review put you off, it was merely my experience with the book. Many many people enjoy this iconic book.
Whilst the depiction of the world inside a computer is a little silly, with data visualized as physical form, you'd have to credit this as contributing to everything that followed, from Tron to the Matrix and beyond. And I can't help thinking that Case's anarchic life on the edge of legality and society is a remarkable foretlling of the hacker society that would not really come into existence until 20 years after the book was written.
Sometimes Gibson lost himself in watered down descriptions which tended to dilute the plot, which is the reason behind the lack of a fifth star. But when the plot actually kicked in, I was all-in with Case, Molly, Wintermute, Armitage and all the incredible characters Gibson managed to craft. And his style was stunningly effective to describe filthy and grubby visuals all over the book, which contributed to a clear painting of his fascinating world.
Not to mention this man was able to predict most of the virtual reality and cyberspace tropes in the 1980s. Something to be extremely proud of.
Overall, a Cyberpunk milestone, and definitely one of the greatest sci-fi stories I've ever read. Strongly recommended!












