| Publisher | Ace; 1st edition (July 1, 1984) |
|---|---|
| Language | English |
| Mass Market Paperback | 271 pages |
| ISBN-10 | 0441569595 |
| ISBN-13 | 978-0441569595 |
| Lexile measure | 790L |
| Item Weight | 5.8 ounces |
| Dimensions | 4.19 x 0.86 x 6.75 inches |
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Neuromancer Mass Market Paperback – July 1, 1984
| William Gibson (Author) Find all the books, read about the author, and more. See search results for this author |
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Case was the sharpest data-thief in the matrix—until he crossed the wrong people and they crippled his nervous system, banishing him from cyberspace. Now a mysterious new employer has recruited him for a last-chance run at an unthinkably powerful artificial intelligence. With a dead man riding shotgun and Molly, a mirror-eyed street-samurai, to watch his back, Case is ready for the adventure that upped the ante on an entire genre of fiction.
Neuromancer was the first fully-realized glimpse of humankind’s digital future—a shocking vision that has challenged our assumptions about technology and ourselves, reinvented the way we speak and think, and forever altered the landscape of our imaginations.
- Print length271 pages
- LanguageEnglish
- PublisherAce
- Publication dateJuly 1, 1984
- Dimensions4.19 x 0.86 x 6.75 inches
- ISBN-100441569595
- ISBN-13978-0441569595
- Lexile measure790L
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Editorial Reviews
Review
“Freshly imagined, compellingly detailed, and chilling in its implications.”—The New York Times
“Kaleidoscopic, picaresque, flashy, decadent...an amazing virtuoso performance.”—The Washington Post
“Science fiction of exceptional texture and vision...Gibson opens up a new genre, with a finely crafted grittiness.”—San Francisco Chronicle
“Epic in scale...shimmers like chrome in a desert sun.”—The Wall Street Journal
“A revolutionary novel.”—Publishers Weekly
“In with the ruthless violence, the hyperreality, the betrayal and death, is an unquenchable love of language. Gibson has that in common with Le Guin and with J. G. Ballard. Neuromancer sings to us as a collage of voices, a mixed chorus, some trustworthy and others malicious, some piped through masks.”—James Gleick
“Streetwise SF... one of the most unusual and involving narratives to be read in many an artificially induced blue moon.”—London Times
“Unforgettable...the richness of Gibson’s world is incredible.”—Chicago Sun-Times
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The sky above the port was the color of television, tuned to a dead channel.
“It’s not like I’m using,” Case heard someone say, as he shouldered his way through the crowd around the door of the Chat. “It’s like my body’s developed this massive drug deficiency.” It was a Sprawl voice and a Sprawl joke. The Chatsubo was a bar for professional expatriates; you could drink there for a week and never hear two words in Japanese.
Ratz was tending bar, h is prosthetic arm jerking monotonously as he filled a tray of glasses with draft Kirin. He saw Case and smiled, his teeth a webwork of East European steel and brown decay. Case found a place at the bar, between the unlikely tan on one of Lonny Zone’s whores and the crisp naval uniform of a tall African whose cheekbones were ridged with precise rows of tribal scars. “Wage was in her early, with two joeboys,” Ratz said, shoving a draft across the bar with his good hand. “Maybe some business with you, Case?”
Case shrugged. The girl to his right giggled and nudged him.
The bartender’s smile widened. His ugliness was the stuff of legend. In an age of affordable beauty, there was something heraldic about his lack of it. The antique arm whined as he reached for another mug. It was a Russian military prosthesis, a seven-function force-feedback manipulator, cased in grubby pink plastic. “You are too much the artiste, Herr Case.” Ratz grunted; the sound served him as laughter. He scratched his overhang of white-shirted belly with the pink claw. “You are the artiste of the slightly funny deal.”
“Sure,” Case said, and sipped his beer. “Somebody’s gotta be funny around here. Sure the fuck isn’t you.”
The whore’s giggle went up an octave.
“Isn’t you either, sister. So you vanish, okay? Zone, he’s a close personal friend of mine.”
She looked Case in the eye and made the softest possible spitting sound, her lips barely moving. But she left.
“Jesus,” Case said, “what kinda creepjoint you running here? Man can’t have a drink?”
“Ha,” Ratz said, swabbing the scarred wood with a rag, “Zone shows a percentage. You I let work here for entertainment value.”
As Case was picking up his beer, one of those strange instants of silence descended, as though a hundred unrelated conversations had simultaneously arrived at the same pause. Then the whore’s giggle rang out, tinged with certain hysteria.
Ratz grunted. “An angel has passed.”
“The Chinese,” bellowed a drunken Australian, “Chinese bloody invented nerve-splicing. Give me the mainland for a nerve job any day. Fix you right, mate…;”
“Now that,” Case said to his glass, all his bitterness suddenly rising in him like bile, “that is so much bullshit.”
The Japanese had already forgotten more neurosurgery than the Chinese had ever known. The black clinics of Chiba were the cutting edge, whole bodies of technique supplanted monthly, and still they couldn’t repair the damage he’d suffered in that Memphis hotel.
A year here and he still dreamed of cyberspace, hope fading nightly. All the speed he took, all the turns he’d taken and the corners he’d cut in Night City, and still he’d see the matrix in his sleep, bright lattices of logic unfolding across that colorless void…;The Sprawl was a long strange way home over the Pacific now, and he was no console man, no cyberspace cowboy. Just another hustler, trying to make it through. But the dreams came on in the Japanese night like livewire voodoo, and he’d cry for it, cry in his sleep, and wake alone in the dark, curled in his capsule in some coffin hotel, his hands clawed into the bedslab, temperfoam bunched between his fingers, trying to reach the console that wasn’t there.
“I saw your girl last night,” Ratz said, passing Case his second Kirin.
“I don’t have one,” he said, and drank.
“Miss Linda Lee.”
Case shook his head.
“No girl? Nothing? Only biz, friend artiste? Dedication to commerce?” The bartender’s small brown eyes were nested deep in wrinkled flesh. “I think I liked you better, with her. You laughed more. Now, some night, you get maybe too artistic; you wind up in the clinic tanks, spare parts.”
“You’re breaking my heart, Ratz.” He finished his beer, paid and left, high narrow shoulders hunched beneath the rainstained khaki nylon of his windbreaker. Threading his way through the Ninsei crowds, he could smell his own stale sweat.
Case was twenty-four. At twenty-two, he’d been a cowboy, a rustler, one of the best in the Sprawl. He’d been trained by the best, by McCoy Pauley and Bobby Quine, legends in the biz. He’d operated on an almost permanent adrenaline high, a byproduct of youth and proficiency, jacked into a custom cyberspace deck hat projected his disembodied consciousness into the consensual hallucination that was the matrix. A their, he’d worked for other, wealthier thieves, employers who provided the exotic software required to penetrate the bright walls of corporate systems, opening windows into rich fields of data.
He’s made the classic mistake, the one he’s sworn he’d never make. He stole from his employers. He kept something for himself and tried to move it through a fence in Amsterdam. He still wasn’t sure how he’d been discovered, not that it mattered now. He’d expected to die, then but they only smiled. Of course he was welcome, they told him, welcome to the money. And he was going to need it. Because––still smiling––they were going to make sure he never worked again.
They damaged his nervous system with a wartime Russian mycotoxin.
Strapped to a bed in a Memphis hotel, his talent burning out micron by micron, he hallucinated for thirty hours.
The damage was minute, subtle, and utterly effective.
For Case, who’d lived for the bodiless exultation of cyberspace, it was the Fall. In the bars he’d frequented as a cowboy hotshot, the elite stance involved a certain relaxed contempt for the flesh. The body was meat. Case fell into the prison of his own flesh.
His total assets were quickly converted to New Yen, a fat sheaf of the old paper currency that circulated endlessly through the closed circuit of the world’s black markets like the seashells of the Trobriand islanders. It was difficult to transact legitimate business with cash in the Sprawl; in Japan, it was already illegal.
In Japan, he’d known with a clenched and absolute certainty, he’d find his cure. In Chiba. Either in a registered clinic or in the shadowland of black medicine. Synonymous with implants, nerve-splicing, and microbionics, Chiba was a magnet for the Sprawl’s techno-criminal subcultures.
In Chiba, he’d watched his New Yen vanish in a two-month round of examinations and consultations. The men in the black clinics, his last hope, had admired the expertise with which he’d been maimed, and then slowly shaken their heads.
Now he slept in the cheapest coffins, the ones nearest the port, beneath the quartz-halogen floods that lit the docks all night like vast stages; where you couldn’t see the lights of Tokyo for the glare of the television sky, not even the towering hologram logo of the Fuji Electric Company, and the Tokyo Bay was a black expanse where gulls wheeled above drifting shoals of white styrofoam. Behind the port lay the city, factory domes dominated by the vast cubes of corporate arcologies. Port and city were divided by a narrow borderland of older streets, an area with no official name. Night City, with Ninsei its heart. By day, the bars down Ninsei were shuttered and featureless, the neon dead, the holograms inert, waiting, under the poisoned silver sky.
--Reprinted from Neuromancer by William Gibson by permission of Berkley, a member of Penguin Putnam Inc. Copyright © 1984, William Gibson. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.
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About the author

William Gibson was born in the United States in 1948. In 1972 he moved to Vancouver, Canada, after four years spent in Toronto. He is married with two children.
Customer reviews
Reviewed in the United States on February 16, 2019
Top reviews from the United States
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I am so relieved it’s finally over.
One of the most painfully boring and confusing books I’ve ever read. The author offers virtually no world building or explanation; rather he throws all these foreign and made up terms at you without defining them and just expects you to catch on. Same with characters. I didn’t care about a single one of them, and honestly I only kept up with the plot by periodically referencing Wikipedia. Even having understood the plot from Wikipedia, it’s really not that intriguing.
I have no idea what fans see in this, and I’d recommend something like Snow Crash instead.
I have never liked this book, despite sincere, repeated efforts to enjoy it and despite the enthusiasm of some of my friends for it.
The first two times I read the book, suddenly I reached the end and really could not make sense of what happened, thinking to myself: "Is that it? What happened? Where's the plot?". (Now that there's Wikipedia, I read *that* summary so I know what to look for -- if a book requires the equivalent of "Cliff Notes" to be comprehensible, that cannot be a worthwhile book, IMHO.)
To me, the book has always read like someone trying too hard to be cool, to impress and to sound scientifically and technologically savvy, but is really just a poser and a neophyte and is essentially ignorant (but can handle a dictionary and an encyclopedia to give appearances of knowledge). The language and sentences seem written to appeal to a teenage males (which I *was*, at the first reading!), but under close scrutiny frequently carry little content (but can *sound cool*) and less meaning. A more ruthless, and critical, editor would have helped.
Previously, I would have rated Neuromancer just one star, but reading the Wikipedia summary and trudging through the author's inflated prose, I think a genuinely interesting and innovative plot lies buried. So I'll give it an additional star in recognition of that.
Coda: Sorry to blast a book that so many rate highly and that has been showered with rewards and recognition, but there it is. (I also read Burning Chrome, Mona Lisa Overdrive *and* Count Zero, and have roughly the same opinion of them as well.)
My husband read it first and hated it. He recommended that I not read it at all. I think he’d give it zero stars if he could. He said it was a total waste of time. I tried reading the first few chapters a few times, then decided to trash it.
Reminded me of the JRR Tolkien books, which were difficult to read, but I thouroughly enjoyed. I read those in high school, maybe I’m not as patient as I was back then.
Top reviews from other countries
I think if you are a fan of the cyberpunk genre and AI, they you will likely love this book, but the genre for me was only an intrigue and it bought me to this book.
I wouldn't let me review put you off, it was merely my experience with the book. Many many people enjoy this iconic book.
Whilst the depiction of the world inside a computer is a little silly, with data visualized as physical form, you'd have to credit this as contributing to everything that followed, from Tron to the Matrix and beyond. And I can't help thinking that Case's anarchic life on the edge of legality and society is a remarkable foretlling of the hacker society that would not really come into existence until 20 years after the book was written.
Sometimes Gibson lost himself in watered down descriptions which tended to dilute the plot, which is the reason behind the lack of a fifth star. But when the plot actually kicked in, I was all-in with Case, Molly, Wintermute, Armitage and all the incredible characters Gibson managed to craft. And his style was stunningly effective to describe filthy and grubby visuals all over the book, which contributed to a clear painting of his fascinating world.
Not to mention this man was able to predict most of the virtual reality and cyberspace tropes in the 1980s. Something to be extremely proud of.
Overall, a Cyberpunk milestone, and definitely one of the greatest sci-fi stories I've ever read. Strongly recommended!













