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Neverwhere: Author's Preferred Text Mass Market Paperback – November 29, 2016
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Neverwhere's protagonist, Richard Mayhew, learns the hard way that no good deed goes unpunished. He ceases to exist in the ordinary world of London Above, and joins a quest through the dark and dangerous London Below, a shadow city of lost and forgotten people, places, and times. His companions are Door, who is trying to find out who hired the assassins who murdered her family and why; the Marquis of Carabas, a trickster who trades services for very big favors; and Hunter, a mysterious lady who guards bodies and hunts only the biggest game. London Below is a wonderfully realized shadow world, and the story plunges through it like an express passing local stations, with plenty of action and a satisfying conclusion. The story is reminiscent of Douglas Adams's The Hitchhiker's Guide to the Galaxy, but Neil Gaiman's humor is much darker and his images sometimes truly horrific. Puns and allusions to everything from Paradise Lost to The Wonderful Wizard of Oz abound, but you can enjoy the book without getting all of them. Gaiman is definitely not just for graphic-novel fans anymore. --Nona Vero --This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Starred Review. Gaiman assumes the role of narrator for his latest book, offering an intimate reading that steals one's attention almost immediately and keeps the listener involved throughout. As the story is based in the United Kingdom, Gaiman is a quintessential raconteur for the tale, with his charming Scottish brogue instilling life and spirit into the central character of Richard Mayhew. Pitch perfect, with clear pronunciation, Gaiman invites listeners into his living room for a fireside chat, offering a private and personal experience that transcends the limitations of traditional narration. The author knows his story through and through, capturing the desired emotion and audience reaction in each and every scene. His characters are unique, with diverse personalities and narrative approaches, and Gaiman offers a variety of dialects and tones. The reading sounds more like a private conversation among friends with Gaiman providing the convincing and likable performance the writing deserves. A Harper Perennial paperback (Reviews, May 19, 1997). (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
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Top customer reviews
The lead character is Richard Mayhew, a perfectly normal resident of London Above. He has a fine—if boring—job in the business world, and a fiancé isn’t right for him, but who he believes is close enough for an imperfect world by virtue of her being pretty, smart, and capable.
Mayhew is living an ordinary and comfortable life until he and his girlfriend come across an injured young woman on the street. While his fiancé, Jessica, steps over the girl because the couple are on their way to meet Jessica’s VIP boss, Richard refuses to leave the girl. The injured girl is a resident of London Below, and had collapsed to the sidewalk after escaping from the two London Below master assassins who killed her family. It turns out the girl, Door, is from a family whose magical gift is the ability to open doors—even doors that are locked, sealed, or that no one even recognizes the existence of. As no good deed goes unpunished, Richard’s assistance of Door pulls him into the world of London Below, and he soon finds that he’s almost invisible to the residents of London Above and that he’s been forgotten by Jessica, his friends, and his coworkers.
The rest of the book is a hero’s quest in which Door is trying to discover who ordered the assassination of her family and why, and Richard is trying to find out whether (and, if so, how) he can get back his life in London Above. Because the fates of Richard and Door are intertwined, they travel together along with a bodyguard named Hunter and a Marquis / conman in the debt of Door’s father named the Marquis de Carabas.
I enjoyed this book immensely. It’s highly readable and the reader will be drawn to the fate of the characters. It has that page-turner quality. I’d highly recommend this book for anyone who reads fantasy / speculative fiction--or who doesn’t but is willing to give it a try.
Neil Gaiman is, as always, the master storyteller. When the story calls for humor, it is genuinely funny. When it’s time to be scary, it creates shivers. The storytelling was good enough that I was willing to overlook an ending that—in less capable hands—would have felt flat and too easy.
I didn’t realize that “Neverwhere” was based on a BBC miniseries. In other words, for a change the book is based on the movie rather than the other way round. However, the book does concisely but vividly portray setting—a task that one might imagine being easier having gone in this developmental direction. And, of course, setting is extremely important in this book. The distinct feel of London Below, London Above, and Rooftop London must be conveyed.
Most recent customer reviews
If you live in London, there is place so close you could reach out and touch it, yet could walk...Read more