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Night Moves (DVD)

Gene Hackman (Actor), Jennifer Warren (Actor), Arthur Penn (Director) Rated:

Format: DVD

661 ratings

IMDb7.1/10.0

Amazon's Choice for "night moves 1975"

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July 12, 2005

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Genre	Drama, Mystery & Suspense
Format	Multiple Formats, Closed-captioned, Color, Dubbed, NTSC, Subtitled, Widescreen
Contributor	Jennifer Warren, Carey Loftin, Alan Sharp, Ed Binns, James Woods, C.J. Hincks, Melanie Griffith, Janet Ward, Louie Elias, Gene Hackman, Anthony Costello, John Moio, Kenneth Mars, Harris Yulin, Susan Barrister, John Crawford, Dennis Dugan, Larry Mitchell, Max Gail, Ben Archibek, Susan Clark, Arthur Penn See more
Language	English
Runtime	1 hour and 41 minutes

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Product Description

Night Moves (DVD)

Harry Moseby (Gene Hackman) is a run-of-the-mill, bottom-of-the-barrel private eye who spends his working hours staking out divorce disputants, chasing runaways, and tracing missing persons. That is, until he's called in to find a beautiful teenaged runaway, Delly Grastner (Melanie Griffith). The mystery deepens as Moseby's pursuit of Delly leads him into a labyrinth of crime.

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Product details

Aspect Ratio ‏ : ‎ 1.85:1
Is Discontinued By Manufacturer ‏ : ‎ No
MPAA rating ‏ : ‎ R (Restricted)
Product Dimensions ‏ : ‎ 7.5 x 5.25 x 0.75 inches; 2.88 Ounces
Item model number ‏ : ‎ 2210533
Director ‏ : ‎ Arthur Penn
Media Format ‏ : ‎ Multiple Formats, Closed-captioned, Color, Dubbed, NTSC, Subtitled, Widescreen
Run time ‏ : ‎ 1 hour and 41 minutes
Release date ‏ : ‎ July 12, 2005
Actors ‏ : ‎ Gene Hackman, Jennifer Warren, Susan Clark, Ed Binns, Harris Yulin
Dubbed: ‏ : ‎ French
Subtitles: ‏ : ‎ English, Spanish, French
Language ‏ : ‎ English (Dolby Digital 2.0 Mono), French (Dolby Digital 2.0 Mono), Unqualified
Studio ‏ : ‎ Studio Distribution Services
ASIN ‏ : ‎ B0009GX1CE
Writers ‏ : ‎ Alan Sharp
Country of Origin ‏ : ‎ USA
Number of discs ‏ : ‎ 1

Best Sellers Rank: #20,582 in Movies & TV (See Top 100 in Movies & TV)
- #1,483 in Mystery & Thrillers (Movies & TV)
- #4,236 in Drama DVDs

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Sulaco Survivor

Melanie Griffith in this one !

Reviewed in the United States on July 2, 2022

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Melanie Griffith had JUST turned 18 while filming this one. And yes, she had more than one nude scene. Gene Hackman puts in a solid performance (as always). Some scenes are somewhat improbable but, this still an enjoyable watch.
A private detective is hired by a former Hollywood actress to bring back her runaway daughter from Florida.

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FRED C. DOBBS

SEARCHING FOR THE TRUTH IS OFTEN EASIER THAN FACING IT

Reviewed in the United States on January 10, 2012

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Tawdry, 70's head-scratcher of a detective flick with Gene Hackman playing a private investigator [PI] getting big bucks for locating the flighty 16-year old daughter of an affluent ex-actress. Concurrently, the ex-football star is getting two-timed by his wife with a guy who has a gimpy leg. Melanie Griffith plays the rowdy, promiscuous and itinerant teen, reprising her similar [and memorable] role opposite Paul Newman in THE DROWNING POOL earlier that same year of of 1975. Susan Clark [with Clint Eastwood in COOGAN'S BLUFF, 1968] plays Hackman's unfulfilled and ambivalent spouse.

Hackman's search for the teen takes him from trendy suburban LA and a lot of stuntmen pals to the bedraggled Florida Keys where the kid is holed up with her step-dad and his lady friend in a trashy shore house. The dad, a puffy, glib, overly-congenial maritimer is played particularly well by vet actor John Crawford---his specious manner and veiled virulence sensed throughout. A strikingly attractive Jennifer Warren plays the oddball and enigmatic lady friend---your're never sure if she's just being coy and furtive or if she has serious mental health issues, or both---a very cool and crafty performance.

The teen adamently refuses to return to LA with Hackman but changes her mind when she comes upon a corpse while diving off the Keys. The PI comforts the shaken, bawling teen that night, the big lug showing he has a soft spot and realizing that his target is just a deprived, neglected and probably misguided child. Also probably vicariously comforting himself as much in the lives of both teen and PI seem to run in parallel: both victims of abandonment, betrayal and sexual deviancy [incest versus adultery], and both having few and tenuous supports. Each of their lives is devoid of loyalty, fidelity or truth. The kid runs on hormones and reflexes while Hackman is actuated by job, pride and ego. Both are pawns in the lives of others: the teen by her narcissistic, self-serving mom and Hackman by his spouse, friends and clients.

Once back in LA the teen is killed in a rather reckless auto mishap involving a stunt car. A shaken Hackman confronts the kid's mom, accusing her of abandonment and of using her daughter for personal gain. You always sympathize with nice-guy Hackman, the childless ex-jock getting blindsided by his spouse with a literally lame 'sideliner' yet able to empathize with, and willing to procure justice for, a deluded kid---and he has an admirable work ethic.

One key scene has Hackman telling his wife about the time he tracked down the father he never knew. He found his dad sitting on a bench one day but could not get himself to approach or confront him, deciding to just walk away. Interesting paradox of a detective, whose job is to find the truth about people, not able to face the truth about himself: not wanting to know how his father will react or why his spouse has sought fulfillment in another. It's that common fear that we all have: despite vocations, roles and accomplishments which we often subjectively feel have been successfully implemented, the latter may not be the case. We often fear objective truth as the pain it can cause could impair our ability to function.

Hackman, who has a liking for playing chess, finally gets his fill of all the nonsense and dead ends and deduces that all the weird characters around him [including spouse] are playing HIM---faking him out with lies, money, hospitality, pats on the back and even sex. The diversion is short-lived, however, as the savvy PI is finally able to abrogate the fun stuff and focus on facts, motives and behavior in his search for the truth.

You'll get a kick out of seeing a very young James Woods as the teen's freaky, on-and-off, boyfriend. I think this film will be interesting to fans of those sexually frank and offbeat, late 60's/early 70's, watershed detective flicks like TONY ROME [1967], THE DETECTIVE [1968] and THE DROWNING POOL [1975]---the very best of these being CHINATOWN [1974].

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Mel Odom

An Underdog of the 1970s PI Films

Reviewed in the United States on March 24, 2008

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I'm a big fan of private eye movies and television series. I'm glad THE ROCKFORD FILES has finally come out on DVD, but I'm still waiting for MARLOWE, starring James Garner and Bruce Lee.

However, I don't have an excuse for not having already seen Night Moves. It's been out for over thirty years, and I bought the DVD a year ago. I did finally get around to watching it, though, and it was as good as I'd hoped it would be.

The story is pure 1970s, as evidenced by the cars, clothing, and some of the language. But it also tells a timeless story of confusion and betrayal, and the layers of secrets that add to those.

Gene Hackman stars as Harry Moseby, an ex-football player rather than an ex-cop. Moseby has been broken down by family problems and the loss of his career, and seems to be barely hanging onto life by a thread. Only the occasional missing persons case appears to keep him financially afloat and emotionally anchored.

Hackman has always been a personal favorite of mine. He can pull off any kind of role and look good doing it, even if the film is total cheese. He's just a guy I look at and immediately respect. His everyman stance and his charm just oozes from every pore. As Moseby, he was a well-known football hero, and a lot of his friends still see him as a standup guy, but he doesn't let anyone in too close.

Unfortunately, that same inability for closeness is what ultimately undermines his relationship with his wife, Ellen (Susan Clark). When he first gets handed the case of the little runaway rich girl, Moseby isn't too interested. Then he catches his wife cheating on him and tries to lose himself in the investigation.

I liked the way the movie dovetailed back into the movie industry the way some of the old 1940s movies did. Some of the best cinematic detectives have their roots in the twisted and sordid tales that came out of Hollywood. This one has stuntmen and used up actors to season the tale, and it adds more credibility to it.

The Florida footage on the case was extremely well done as well. Director Arthur Penn (LITTLE BIG MAN, BONNIE AND CLYDE) manages the Hollywood and LA scenes well, then zips the viewer down for a peak at what was then Travis McGee's tramping grounds as John D. MacDonald wrote his adventures. I liked the rough and tumble atmosphere of the land, the characters, and the twists and turns the plot took while down there. Jennifer Warren plays femme fatale Paula in a haunting and sexy scene.

Some of the most fun was watching a very young James Woods and Melanie Griffith taking their places on the stage. Woods hasn't changed much, but his presence on the screen is intense these days. He's another one of my favorites. Melanie Griffith, young and hot and nude in several scenes, just burns up the celluloid.

I really enjoyed Hackman's work in this movie. As I said, I own it and intend to watch it again. I'd really advise picking up TWILIGHT, with Paul Newman, Susan Sarandon, James Garner, and Hackman to really round out a double feature private eye/noir night. Hollywood seldom makes films like these any more and it's a shame.

15 people found this helpful

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Teresa

La Notte e l'Acqua, gli elementi delle anime inquiete.

Reviewed in Italy on May 29, 2014

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Il titolo italiano "Bersaglio di notte" non rende piena giustizia a questo capolavoro misconosciuto, con un Hackman meravigliosamente sfumato in tutte le sue contraddizioni e una giovanissima Melanie Griffith agli esordi, questa sì la vera incarnazione della Lolita americana. Night Moves come movimenti notturni, come la luna che illumina e nasconde le verità, come i movimenti inquieti di anime in pena, ognuna a suo modo, dei protagonisti. Un detective alle prese con un caso dapprima semplice, con risvolti successivi pieni di sorprese e complicazioni, e ogni personaggio del film pienamente vissuto e definito in molteplici variegature, fanno di questa sceneggiatura un meraviglioso intreccio di storie e di vite complicate. Peccato che manchi il doppiaggio in italiano. Un film non datato, non scontato, che varrebbe la pena di riadattare in un remake, ma solo per togliere la patina anni settanta dai vestiti.

One person found this helpful

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zgy221

Intelligenter und spannender Krimi

Reviewed in Germany on April 21, 2022

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Es ist immer wieder erstaunlich, wie gut solche nun etwa 50 Jahre alte Filme sind. Die Qualität der CD ist auch gut, wenn auch nicht wie heute in HD. Wie bei einer guten Story üblich ist nichts und niemand so wie es zuerst scheint und niemand ist ganz unschuldig. Heilige gibt es nicht im richtigen Leben.

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Elleppi

Un film che non ho mai capito

Reviewed in Italy on July 26, 2015

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Un film che non ho mai capito, malgrado le grandi critiche e il fatto che sia diretto da un grandissimo come Arthur Penn, quello che ha fatto Bonnie Clyde. Il clima anni 70 notturno c'è, Gene Hackman è sempre lui, eppure il film sembra divagare in maniera un po' sterile, senza nemmeno il gusto di atmosfere particolari. Mah.....

One person found this helpful

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jimmyc

Toller Paranoia-Film

Reviewed in Germany on August 5, 2013

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Sehr spannender und intelligenter Film aus der Ära des New Hollywood.
Gene Hackman spielt sensationell und Melanie Griffith und James Woods in der Frühphase ihrer sind auch ganz ansehbar.
Ein Punkt Abzug für das nicht sehr erhellende Special über den Regisseur Arthur Penn.

Qualität der DVD ist nicht berauschend, aber okay.

5 people found this helpful

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AjaxLikesBooks

One of the most underrated movies of the 1970's

Reviewed in Canada on September 5, 2015

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This is just a bare bones DVD nothing special here except for the film itself. Video quality isn't the best compared to what's on the market these days with BluRay and Digital HD but none the less it doesn't deter from what an excellent film this is. A must see for film aficionados.

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