About the Author
Michael Cunningham was raised in Los Angeles and lives in New York City. He is the author of the novels The Hours, A Home at the End of the World, Specimen Days, and Flesh and Blood. His work has appeared in The New Yorker and Best American Short Stories, and he is the recipient of a Whiting Writer's Award. He received the Pulitzer Prize for Fiction and the PEN/Faulkner Award for The Hours, which was a New York Times bestseller, and was chosen as a Best Book of 1998 by The New York Times, Los Angeles Times, and Publishers Weekly. He is a Professor at Brooklyn College for the M.F.A program.
*Starred Review* Peter Harris, a dispirited Soho gallery owner in his midforties, arrives home to find his wife in the shower and marvels at how lithe she looks through the steam, then realizes that he’s admiring her much younger brother. Called the Mistake, or Mizzy, he’s a lost soul, a junkie and moocher as sexy as he is manipulative. Mizzy appears just as Peter, brooding, romantic, and self-deprecating, is grappling with his failings as a father and an art dealer. Ceaselessly observant, Peter senses, or hopes for, “some terrible, blinding beauty” that will topple his carefully calibrated life, and why shouldn’t it be his alluring, feckless brother-in-law? Even if this mad infatuation stems from Peter’s deep grief for his brilliant and fearless gay brother, who died of AIDS. In his most concentrated novel, a bittersweet paean to human creativity and its particularly showy flourishing in hothouse Manhattan, virtuoso and Pulitzer winner Cunningham entwines eroticism with aesthetics to orchestrate a resonant crisis of the soul, drawing inspiration from Henry James and Thomas Mann as well as meditative painter Agnes Martin and provocateur artist Damien Hirst. The result is an exquisite, slyly witty, warmly philosophical, and urbanely eviscerating tale of the mysteries of beauty and desire, art and delusion, age and love. --Donna Seaman