Buy Used and Save: Buy a Used "Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED Vibration..." and save 20% off the $1,396.95 list price. Buy with confidence as the condition of this item and its timely delivery are guaranteed under the "Amazon A-to-z Guarantee". See all Used offers.
Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED Vibration Reduction Zoom Lens with Auto Focus for Nikon DSLR Cameras
- Enter your model number to make sure this fits.
- Compact super telephoto zoom lens for birding, wildlife, motorsports, events and more
- 500mm of zoom power on FX-format DSLRs; 750mm equivalent on DX-format DSLRS, Minimum Focus Distance: 7.2 ft.( 2.2 m), Focal Length Range:200 -500 mm
- Fast f/5.6 constant aperture for beautiful out-of-focus backgrounds and low-light performance
- 4.5 stops of Vibration Reduction with Sports mode
- AF compatible with optional TC-14E series teleconverters and DSLRs that offer f/8 support
Frequently bought together
Customers who bought this item also bought
Special offers and product promotions
Have a question?
Find answers in product info, Q&As, reviews
Please make sure that you are posting in the form of a question.
|Item Dimensions||17.2 x 7.48 x 7.48 inches|
|Item Display Weight||1,674 grams|
|Item Weight||5.07 pounds|
|Manufacturer Warranty Description|
|Maximum Aperture Range||F5.6|
|Maximum Focal Length||500 mm|
|Minimum Focal Length||200 mm|
|Shipping Weight||6.2 pounds|
|Style Name||Lens Only|
Compact super telephoto zoom lens for birding, wildlife, motorsports, events and more 500mm of zoom power on FX-format DSLRs; 750mm equivalent on DX-format DSLRS Fast f/5.6 constant aperture for beautiful out-of-focus backgrounds and low-light performance 4 stops of Vibration Reduction with specialized Tripod and Sports modes AF compatible with optional TC-14E series teleconverters and DSLRs that offer f/8 support
From the Manufacturer
Astounding views, comfortably in reach.
Wherever your passion lies, this outstanding super telephoto zoom lens can bring it into focus. Capture and share stunning views of birds, wildlife, motorsports, athletes, performers, landmarks and other faraway subjects. A fast f/5.6 constant aperture gives your shots beautifully out-of-focus backgrounds across the entire zoom range. Turn fast-moving action into dazzling photo sequences-- the electromagnetic diaphragm operates in sync for the fastest subjects and shutter speeds while Vibration Reduction image stabilization keeps your shots sharp and steady. And in the rare cases when additional reach is needed, you can increase the AF-S NIKKOR 200-500mm f/5.6E ED VR's zoom power with an optional Nikon 1.4x, 1.7x or 2x teleconverter*.
*Compatible with TC-14E series teleconverters (AF is only available when used with DSLR cameras that offer f/8 support. These include: D4, D4S, Df, D600, D610, D750, D800, D800E, D810, D7100, D7200). Compatible with TC-17E and TC-20E series teleconverters (AF not possible).
Lightweight, compact super telephoto zoom
Whether your subject is far in the distance or close, fast or slow, you can land the shot. On FX-format cameras, 500mm brings distant birds, wildlife, athletes, performers, landmarks and more into tight focus. DX-format cameras add an additional 1.5x zoom effect for an angle of view equivalent to a whopping 750mm! And despite that extreme power, you can also focus on subjects as close as 7.2 feet away for detail rich close-ups.
Sharpen your vision
~4.5 stops of Vibration Reduction
At super telephoto distances, the smallest camera movements can cause image blur. Vibration Reduction image stabilization counteracts camera shake up to ~4.5 stops** for sharp photos and steady videos. You also can shoot at slower shutter speeds in low light--great for those magic moments at dawn and dusk. Sports Mode is optimized for camera pans and other movements common when shooting fast action.
**Based on CIPA Standard. This value is achieved when: FX-format compatible lenses are attached to an FX-format digital SLR camera and zoom lenses are set at the maximum telephoto position.
Advanced Nikon lens technology
Extra-low Dispersion (ED) glass cuts through the glare of bright sunlight. Silent Wave Motor (SWM) powers ultra-fast, near-silent autofocusing with seamless manual override. The Electromagnetic diaphragm (E) operates in sync with the fastest shutter speeds and frame rates, even when using an optional teleconverter. Always bring home views that amaze.
- AF-S NIKKOR 200-500mm f/5.6E ED VR
- LC-95 95mm Snap-On Front Lens Cap
- HB-71 Bayonet Hood
- LF-4 Rear Lens Cap
- CL-1434 Semi-Soft Case
- Warranty Card
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Observations on my sample:
* No focusing issues: fast and sharp at all f-stops and lengths. I tracked a squirrel darting along a fence ridge and it stayed tack sharp. Panning race cars in Sport lens mode worked notably better (sharper and/or allowed lower shutter speeds) than panning without. Cars moving towards and away from camera stayed sharp with lens wide open (granted this is a function of both camera and lens.)
* Minimal vignetting: some seen wide open above 400mm, adequately corrected at F8, completely gone beyond F8
* Good sharpness: seems equally sharp across the field at all apertures and lengths; diffraction softness visible at f16 and above (no surprise). NOTE: It's been observed that some of Nikon's long tele's go soft at infinite focus and seem optimized for closer in. My testing was all within 100 yards, so I can't comment on far-focus sharpness... I'll be curious what others find.
* Low distortion: nothing I could see, but I didn't find a great target for this
* Low chromatic aberration: When viewing images at >2x full size in Lightroom I could find discolored edges a few pixels wide at high-contrast edges at all apertures and lengths. In all cases checking the "Remove Chromatic Aberration" box fixed the problem.
* Very low flare: Very bright automobile chrome hotspots caused *zero* flare; direct sun filtered thru tree branches/leaves caused minor flare
* Stabilization: the VR worked as expected; Sport mode worked great for panning. Doesn't have a tripod mode
* Size and weight: I don't find the weight to be an issue when shooting handheld, but the larger diameter makes it a challenge to fit in my photo backpack since the barrel size is much larger than "normal" 77mm Nikon lenses. It's only an inch longer than the 300mm F4 I had in the pack, so the length isn't really the issue. It's a little less than twice the weight of that 300mm with a 1.4TC, a combo I consider fairly light. Upodate 9/4/16: After shooting several hours at the race track I didn't have any fatigue problem hand-holding the lens.
* Tripod bracket: well located balance point with camera mounted; makes a handy handle for this large diameter lens esp with camera body attached; can be removed
* Bokeh: out-of-focus circles are soft, but I'm no expert on how to assess this
* Good build quality: this isn't a cheap plastic lens, appears to be mostly metal; feels solid
* Accessories: came with hood ( 4 in long) and soft fabric storage bag. I haven't had a problem with hood coming off as some have reported, it seems tight.
* Tele-converters and focus (update 9/4/16): Finally took several hundred pictures at a vintage auto racing event under sun and clouds and found the Continuous auto-focus to be fast and accurate for all directions of motion. No fuzzy shots, all very sharp. I noticed several focus squares would lite up. However when adding a Nikon TC-14E-II 1.4 Teleconverter (taking the lens to F8, maximum for camera for autofocus) to get more reach, the number of focus squares would drop to one and I would often get hunting (lens focus running in and out) and/or an out-of-focus image. This was true for cloudy and full sun. Didn't happen all the time, but I did lose shots due to focus failure and waiting for the lens to stop hunting... a definite risk. Photo metadata indicate pictures shot at between 280-700mm. I'm sure there is some image softening and loss of contrast from this TC but it is slight. Lens works with all the Nikon TCs but anything longer than the 1.4 (i.e., 1.7, 2.0) must be manually focused and sharpness/contrast go down. With some lenses I found the loss of sharpness when using the 2.0 teleconverter was worse than just enlarging the raw lens image (don't have one anymore to do this test here) so would urge testing before committing to that TC with this lens.
* Tele-converters & birds (update 4/22/17): Spent five days at Malheur Wildlife Refuge primarily photographing birds. Handheld the camera the whole time, possible because of the stabilizer and high camera ISO. When birds were on the ground I needed to reduce focus to a small circle to ensure critical focus on the head/eyes. When in the air I needed to enlarge the circle to make sure I was getting focus on the moving bird. After shooting at 500mm and wanting a little more reach I finally put the 1.4 TC on and was pleasantly surprised how well the focus worked for this. I've attached a 700mm shot of a Marsh Wren (small bird 10-15ft out) at 1/2000s, 1400 ISO, f8, and a Harrier hawk (large bird hundreds of feet out) at 1/1600s, 1250 ISO, f8 (1:1 image). It seemed I often got sharper images on closer birds than farther but I suspect I was suffering from heat shimmer on the far shots vs. lens itself. I will say there were a lot of "almost-sharp" shots at all ranges and I'm not sure the cause. Nikon reports my lens S/N as not needing the focus firmware update so I can't blame that issue. I don't have experience with other lenses this long to compare results with. I didn't get the high yield of dead-sharp images I do with the 70-200mm VR.
* Solar Eclipse (update 8/22/17): How better to test infinite focus or extreme contrast than shooting the moon or sun? Typical advice is that it's hard to get sharp images of the sun due to several factors, but I'll post these anyway. Sharpest focus was with notch mark right at center of the infinity symbol, using sun spots as a focus target. Both images needed chromatic aberration removed, which Lightroom had no issues fixing. Partial eclipse (moving towards 2nd Contact) was shot with solar filter (95mm Firecrest Neutral Density 5.4 Solar Eclipse Filter), and Diamond-Ring was shot without a filter. Both shot with Nikon 1.7 TC at 850mm, and everything manual, on a tripod with VR turned ON.
Note: High-end 95mm filters are stupid-expensive, even compared to 77mm which I consider high. Nikon's lens cap is also way up there.
Bottom line, if you want a reasonably priced good performing long tele I think purchase of this lens is low risk. If you don't like it you won't have a problem reselling it. For image quality and speed it certainly beats stacking TC's on the shorter teles. The relatively light weight and VR make hand-holding very practical. But the large diameter makes it a bit of a challenge to put in your bag. Image post-processing should probably always include removing chromatic aberration.
I am also posting some photos directly here. It has one of the best returns on investment in quality, built and ergonomics. Better in my opinion than 80-400mm G and cheaper by 100%. Not as solidly build as 70200 but in terms of IQ, almost there.
You can judge the image quality by the pictures you see. Focussing is fast, accurate and zooming is firm. All else 5 stars.
Conclusion: Highly Recommended. Buy Now.
I was a racing photographer before I opened two studios. I have assortment of telephotos but none this large. I shoot with a D7100 for action. I also love nature and tested this lens at Bolsa Chica wetlands. VERY impressive.Quality excellent. Both of lens and results. Hand held amazing.
I rated this lens 5 starts when I first used it and I only wish I could give it more after spending a full day shooting with it. It's amazing to be able to get an excellent quality Nikon super tele for my Nikon camera. This lens is well built and I definitely recommend it over the Sigma as the quality seems much better. Get one while you can and before Nikon decides it's too good to offer at this price...lol
For the quality builded i really think Nikon did a great job on this len so far I love it there is not any thing about this len that i don't like about.
Focusing fast and sharp at all f-stops and lengths The VR really does it thing don't not how many stops but i would say about 3 or 4 stops.
If you have any question feel free to post in the comment i will try my best to answer you.
My only complaint is the weight of the lens. This is a heavy lens and after holding the lens for 10 minutes trying to get pictures of birds, my arms and hands were definitely tired. May need to get a gimbal tripod for bird pictures.
Close up pictures of plants taken at 200mm and 6-8' away are crystal clear and have excellent contrast. The lens stabilization feature really does work and allows good pictures until about 400mm.
If you get this lens, be prepared to look like a nerd carrying a tripod everywhere so you can get the utmost resolution and clarity from this lens.
Most recent customer reviews
2. It is heavy.Read more
I give it 4 stars because the hood is very hard to attach to the...Read more