Buy Used and Save: Buy a Used "Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Fo..." and save 34% off the $199.95 list price. Buy with confidence as the condition of this item and its timely delivery are guaranteed under the "Amazon A-to-z Guarantee". See all Used offers.
Nikon AF-S DX NIKKOR 35mm f/1.8G Lens with Auto Focus for Nikon DSLR Cameras
- Enter your model number to make sure this fits.
- F Mount Lens/DX Format
- 52.5mm (35mm Equivalent)
- Aperture Range: f/1.8 to 22
- Silent Wave Motor AF System
- Rear Focusing; Manual Focus Override
- Lens not zoomable
Frequently bought together
Customers who bought this item also bought
Special offers and product promotions
Have a question?
Find answers in product info, Q&As, reviews
Please make sure that you are posting in the form of a question.
|Aperture Control Design||Aperture controlled by camera|
|Compatible Lens Hood Part Number||HB-46|
|Compatible Mountings||Nikon F (DX)|
|Focus Type||Ring-type ultrasonic|
|Item Dimensions||2.76 x 2.76 x 2.09 inches|
|Item Display Weight||200 grams|
|Item Weight||0.44 pounds|
|Macro Focus Range||0.30 m|
|Manufacturer Warranty Description|
|Material Type||Plastic barrel, Metal mount|
|Maximum Aperture Range||F1.8|
|Maximum Focal Length||35 mm|
|Maximum Format Size||APS-C / DX|
|Minimum Focal Length||35 mm|
|Minimum Focal Range||35 mm|
|Number of Diaphragm Blades||7|
|Number of Elements||8|
|Number of Groups||6|
|Photo Filter Thread Size||52 mm|
|Real Angle Of View||44 Degrees|
|Shipping Weight||1.01 pounds|
|Style Name||Lens Only|
Compare to similar items
|Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping||FREE Shipping|
|Compatible Camera Mount||Nikon F (DX)||Nikon F (DX)||Nikon F (FX)||Nikon F (DX)||Nikon F (FX)||Nikon F (FX)|
|Focus Type||Ring-type ultrasonic||Micro-type ultrasonic||Screw drive from camera||Ultrasonic||Ultrasonic||Ring-type ultrasonic|
|Item Dimensions||2.76 x 2.09 x 2.76 in||2.8 x 3.27 x 2.8 in||2.5 x 2.5 x 1.54 in||2.72 x 2.56 x 2.72 in||3.15 x 2.87 x 3.15 in||2.91 x 2.13 x 2.91 in|
|Item Weight||7.05 ounces||0.66 lb||5.47 ounces||0.52 lb||0.77 lb||0.64 lb|
|Lens Type||standard-prime||Zoom lens||Prime lens||Prime lens||Prime lens||Prime lens|
|Maximum Focal Length||35 millimeters||200 millimeters||50 millimeters||40 millimeters||85 millimeters||50 millimeters|
|Minimum Focal Length||35 millimeters||55 millimeters||50 millimeters||40 millimeters||85 millimeters||50 millimeters|
|Photo Filter Thread Size||52 millimeters||55 millimeters||52 millimeters||52 millimeters||67 millimeters||58 millimeters|
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.what's in the box: Nikon AF-S Nikkor 35mm f/1.8G DX Lens, HB-46 Bayonet Lens Hood for AF-S DX NIKKOR 35mm f/1.8G, 52mm Snap-On Lens Cap, LF-1 Rear Lens Cap for F Mount Lenses, CL-0913 Soft Lens Case and 5-Year Warranty (1-Year International + 4-Year USA Extension).
From the Manufacturer
With a compact, lightweight design, the AF-S DX NIKKOR 35mm f/1.8G provides the high reproduction capability and picture quality for which Nikkor lenses are renowned at an affordable price. The ring type SWM offers quiet AF operation. Although all lens groups shift during focusing, the front element and filter mount do not rotate and the barrel length does not change, which is useful when using filter mounted SB-R200 Wireless Remote Speedlight units.
The AF-S DX Nikkor 35mm f/1.8G optical design allows a different look and feel to images taken with zoom lenses, and its dimensions are ideal for discrete snapshots and landscape shooting with a picture angle that approximates that of the human eye. With its rounded seven-blade diaphragm opening, out-of-focus elements appear more natural. When mounted on a DX-format SLR, the picture angle is the 35mm equivalent focal length of 50mm.
The AF-S Nikkor 35mm f/1.8G has two focus modes, M/A (manual override autofocus) and M (manual focus). The M/A mode enables instant manual switching during AF operation. The lens also features a rubber seal to minimize moisture ingression around the mount and can focus down to 0.3 meters (0.98 ft).
AF-S DX Nikkor 35mm f/1.8G Lens Highlights
- Fast, f/1.8 prime lens is perfect for low-light conditions, travel, environmental portrait and general photography
- Engineered for Nikon DX-format D-SLRS, the AF-S DX Nikkor 35mm f/1.8G lens renders a picture angle approximating the classic normal angle of view of a 50mm lens on a Nikon FXformat digital SLR or 35mm film camera
- Aspherical lens element minimizes coma and other types of lens aberrations, further improving image integrity
- Nikon Super Integrated Coating (SIC) enhances light transmission efficiency and offers color consistency and reduced flare
- Exclusive Nikon Silent Wave Motor (SWM) enables fast, accurate and quiet autofocus
- Close focusing to 1 foot for creative perspectives and versatility
- Rounded 7-blade diaphragm opening makes out-of-focus elements appear more natural
- Accepts 52mm filter attachments
See all Product description
Top customer reviews
There was a problem filtering reviews right now. Please try again later.
Update: I added a picture that I took on my second day of using the lens. Before I got this lens I had essentially stopped using my DSLR because the lens kit was so slow that I was always miss his smile.
Also, a professional photographer friend of mine was using a 50mm on her Canon 5D Mark III and after looking at the pictures I wondered how she was able to fit so much into the frame while not having to back away dramatically. This was before I knew anything about crop sensor cameras, crop factors, full frame cameras, etc. The fact is that a 50mm lens on a full frame camera and the same lens on a crop sensor camera do not shoot the same way.
After some reading and investigating, I decided to pull the trigger and purchase this 35mm 1.8G lens. I got it, popped on the bayonet style lens good and started shooting. On a cropped sensor camera like the D90 (as well as the newer D7200, D7000, D3300, D3200, D5500, etc.) this lens shoots (with the 1.5x crop factor multiplier) works close to a 53mm equivalent. The results were immediate, I shoot in close quarters with kids, pets, bands and the ability to fit more in the frame was - liberating. I did not feel hampered by what I could or could not fit into the frame.
- Feels well built
- Comes packaged with carrying case, good cap, bayonet style lens hood
- Can fit more in the frame
- Captures crisp images with lots of detail
- Great in low light, maybe even better than the now older 50mm 1.8D (which by the way does not autofocus unless you have a camera with a focus motor built in)
- If I had a camera that did not have a focus motor built in, no problem, this lens has a focus motor built into it
- Focusing is SILENT - unlike the 50mm 1.8D, which hunts for focus and is noisy as hell
- Manual focus override: a switch on the side of the lens allows you to either manually focus the lens, or to allow for M/A, manual and autofocus. This comes in handy if you want to fine tune your focusing or when shooting video and do not want to rely on the focus motors to handle how and what you focus on as you pan through a scene
- The bokeh on the 35mm does not really compare to what I've been used to from the 50mm 1.8D. The Bokeh (quality of blurriness in the background when shooting wide open) simply does not look as good, but this is a relatively minor issue. That said, I may use this lens more as a street photo / on the go / all around lens and keep the 50mm 1.8D for portrait work or product shots exclusively
- There is some barrel distortion with this lens (which is when there is slight curve to the image from the center point to all edges) the effect is very slight and can very easily be corrected in photo editing software
Overall, I am very pleased with my purchase. The lens came packaged very well, arrived exactly on time and in perfect condition. The images I have attached compare the older 50mm 1.8D alongside this lens, as well as the test shots. The shots are to show how much can fit in the frame using the 50mm lens (on a cropped sensor camera) in comparison to this 35mm 1.8G. I love the 50mm lens, I really do, but I needed more versatility and this 35mm lens gives me just that, the freedom to have a quasi-portrait lens as well as a great, fast, and sharp all around shooter. I look forward to what I will be able to do with this lens as I continue to hone my skills as a photographer.
Comparison images: If the object looks closer I took it with the 50mm lens. Same conditions used for every photo.
came brand spanking new great condition, box was safe and secure. And the photos it produces are beautiful with amazing depth of field!!
Many of us, including those who already own the 50mm prime, have been waiting for this lens (prime lens that has wider angle than the 50mm) for a long time, especially for non full frame DSLR owners that usually have about 1.5x magnification due to the smaller sensor size. Those 50mm lens on a non full frame DSLR is equivalent to 75mm which is often too much zoom for many situation. For example in a room where you can't keep backing up to compose your photos, or when taking picture of a group of people where you will need to move back a lot with the 50mm lens. This 35mm lens will solve that problem to some extent as this is a lot wider lens than the 50mm prime lenses. Having said that the 50mm prime lens is still a great lens. If you don't own any of the earlier version of the 50mm lens and wondering if you should get this 35mm or the 50mm, then I would recommend you to get this lens over 50mm, unless you know for sure that you need more zoom than the 35mm for your purpose, then you can go and buy the 50mm or 85mm (both available on f/1.4 or f/1.8).
This lens (DX lens) is not designed for a full frame camera (FX or Film). There will be light fall-off which is quite significant. If you have a full frame DSLR, you might want to get the 50mm f/1.4 AF-S, or the older 35mm f/2 AF-D lens instead.
Being a prime lens (this 35mm lens), you will need to move your feet a lot to compose your picture.
While this lens produces very sharp images at f/1.8, the corner show lower contrast. Sharpness and contrast increases further as you stop down to f/2, f/2.8 and f/4. Sharpness increases slowly after f/2.8 (i.e. at f/2.8 seems to be the optimal, without sacrificing too much speed)
The big plus with this lens over the older 35mm lens is the AF-S feature which is auto focus system that is internal to the lens, very fast and very silent. This lens will please a lot of people who currently own D40, D40x, D60, D3000, D3100, D3200, D5000, and D5100 as they now can benefit from the autofocus.
Another big win is the manual override on autofocus mode (M/A mode), which will allow us to change the focus without having to change the mode to manual mode (this is pretty standard to most Nikon newer lenses but it's quite new for Nikon prime lens series)
This lens doens't have image stabilization (VR), but that is kind of expected as Nikon also doesn't include VR on their new 50mm f/1.4 AF-S lens. It would be nice to have VR (for longer exposure handheld operation, and for people with less stable photography technique) but it will probably increase the size, weight and cost of this lens.
If you are wondering whether you should get a fast lens or a lens with VR (Vibration Reduction), here's my take: In overall, VR does help a lot (as it will reduce camera shake) and will produce better/sharper picture than equivalent lens without VR (especially if the object is static). If the object is moving fast (sports/action) then VR feature alone might not help (depending on how fast the object is moving and how much light is available), and a fast lens often end up being a far better solution, even without VR feature as it will allow much faster shutter speed to freeze motion. Using tripod (and a remote) will substitute for the need of VR feature. In general I would recommend getting a fast lens with VR feature (and usually it is expensive) such as the 70-200 f/2.8 VR, but if one can only get for one or the other, then find out what do you want to use the lens for and then use the guideline mentioned here.
If you are wondering whether you will get the benefit of buying f/1.4 lens over a f/1.8 lens, just remember that the f/1.4 lens is about 60% faster than f/1.8 at its widest aperture setting. With this information, you can decide if the additional speed will justify the additional cost. The bokeh is nicer as well in f/1.4 lens but I think speed is usually the main factor in deciding whether to get the more expensive f/1.4 lens.
Here are the summary of pros and cons for this Nikon 35mm f/1.8G AF-S lens:
1. AF-S AF-S AF-S (very fast focus, internal focus, and very silent)
2. M/A mode (manual focus override available on autofocus mode)
3. Very fast lens (f/1.8)
4. Very sharp pictures
5. Great for sport/action photography (though you might need more zoom)
6. Great for indoor and low light situation
7. Great for portrait
8. Bokeh is almost as good as many expensive Nikon tele-lens
9. Perfect for low light with no-flash event. However, also check out the following lens for low light photography: 17-35mm f/2.8, 24-70 f/2.8, 17-55mm f/2.8, 28-70mm f/2.8 or the the 50mm nikon prime lenses.
9. Great focal length (35mm). About 50mm equivalent which is a normal lens (If you need more zoom, you can get the Nikon 50mm or 85mm prime lens or 70-200mm f/2.8 VR lens).
10. Did I already mention very fast and very silent focus? :)
1. Being prime lens, you need to move your feet a lot to adjust/compose
2. Being a G lens (no aperture ring available), this lens will not work on manual focus camera where you need to set the aperture from the lens)
3. No VR. As VR will be useful for taking handheld shots on low light (especially if the object is somewhat static or if the photographer doesn't have steady hands when taking photograph)
4. Not designed for full frame cameras (FX or Film) where there will be siginificant light fall-off.
Bottom line: This lens is so versatile that I think everyone should own this lens in addition to all the lenses that they already have (even if they alredy have the 50mm prime lens). Being a very fast lens, it will allow people to take action shot in low light that otherwise wouldn't be able to be do. And now, with AF-S, there is nothing to dislike about this lens (though in my opinion, this lens might attract even more interest if it has a VR feature).