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Nikon D800 36.3 MP CMOS FX-Format Digital SLR Camera (Body Only) (OLD MODEL)
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|Auto Focus Technology|
|Compatible Mountings||Nikon F (FX)|
|Continuous Shooting Speed||6 fps|
|Display Fixture Type||Fixed|
|Display Resolution Maximum||921,000|
|Display Size||3.2 inches|
|Effective Still Resolution||36.3 MP|
|Expanded ISO Maximum||6,400|
|Expanded ISO Minimum||100|
|Exposure Control Type|
|External Memory Included||Yes|
|File Format||NEF (RAW): 12 or 14 bit, lossless compressed, compressed or uncompressed, TIFF (RGB), JPEG|
|Flash Memory Type||Compact Flash (Type I), SD/SDHC/SDXC UHS-I compliant|
|Flash Modes Description||Red-eye reduction,Slow synchronization|
|Flash Sync Speed||1/250_sec|
|Flash Type||Built-In Flash|
|Flash Type||Built-in Flash, Hot-shoe, Wireless plus sync connector|
|Focus Description||Multi-CAM3500 FX Phase detection with 3D tracking|
|Focus Type||Automatic with Manual|
|Form Factor||Mid-size SLR|
|HDMI Type||Mini Type C|
|ISO Range||100 - 6400 in 1, 1/2 or 1/3 EV steps (50 - 25600 with boost)|
|Image Aspect Ratio||5:4, 3:2|
|Item Dimensions||4.84 x 3.23 x 5.75 inches|
|Item Display Weight||1,000 grams|
|Item Weight||2.2 pounds|
|Lithium Battery Energy Content||14 Watt Hours|
|Lithium Battery Weight||1.14 grams|
|Material Type||Magnesium alloy|
|Maximum Focal Length||300 mm|
|Maximum Shutter Speed||1/8000 of a second|
|Maximum horizontal resolution||7,360|
|Maximum horizontal resolution||7,360 Pixels|
|Memory Slots Available||1|
|Metering||Multi, Center-weighted, Average, Spot|
|Minimum Focal Length||55 mm|
|Minimum Shutter Speed||30 seconds|
|Optical Sensor Resolution||36.3 MP|
|Optical Sensor Technology||CMOS|
|Photo Sensor Technology||CMOS|
|Processor Description||Expeed 3|
|Remote Control Description||Optional, wired or wireless|
|Sensor Cleaning Method||Yes|
|Shipping Weight||4.81 pounds|
|Supported Battery Types||EN-EL15|
|Total USB 3.0 Ports||1|
|Video Capture Format||mpeg-4;h.264|
|Video Capture Resolution||1080p_hd|
|Viewfinder Type||Optical (pentaprism)|
|Water Resistance Level||Not Water Resistant|
|Weather Resistance||Water and dust resistant|
Hold in your hands an HD-DSLR able to capture images rivaled only by that produced by a medium-format camera: extremely low noise, incredible dynamic range, the most faithful colors, the broadest tonal range. Meet the Nikon D800, a 36.3 megapixel FX-format D-SLR for professional photographers who require end results of the highest quality; who demand superior performance, speed, handling and a fully integrated imaging system. For multimedia professionals, 36.3MP means true 1080p HD cinematic quality video. The essential tool for today’s still and video professional, every photo will astound, every video will dazzle.What's in the box: Nikon D800 SLR Digital Camera (Body Only), EN-EL15 Lithium-Ion Battery (1900mAh) , MH-25 Quick Charger for EN-EL15 Battery 1 Year Warranty, DK-17 Finder Eyepiece (Replacement),UC-E14 USB Cable, USB Cable Clip, Camera Strap, BM-12 LCD Monitor Cover, BF-1B Body Cap, BS-1 Hot-Shoe Cover, ViewNX 2 CD-ROM and 1-Year Limited Warranty.
From the Manufacturer
The Nikon D800E
The Ultimate Attention to Detail
The D800E is a specialized camera that differs from the D800 in just one way yet requires some extra care to get optimal results. Use the information below to determine if the D800 or D800E is right for you.
D800 and D800E
Which is right for you?
Every Nikon DSLR camera uses an optical low pass filter (OLPF) in front of its sensor to slightly blur the image at a pixel level in order to reduce the occurrence of false colors and moiré that can appear when shooting repetitive and/or fine patterns. For the vast majority of photographers, the D800 provides an ideal balance between sharpness and effectively prevented moiré and false color, ideal for shooting using all file formats. D800E is a specialized camera that removes the "effect" of the OLPF, which results in a slight gain in sharpness and resolution and is recommended for studio and still life professionals but carries an increased possibility that moiré and false color will appear.
|Strikes an ideal balance between sharpness and preventing the occurrence of false color and moiré for consistent performance||Slight increase in sharpness and resolution with increased occurrence of false color and moiré|
|Ideal for: ||Ideal for: |
What else is different?
Other than the very slight image quality differences described above, the D800 and D800E perform exactly the same. Focus speed, exposure metering, shooting speed, movie recording, accessory compatibility, control location and function, and all other aspects are identical.
Reveal every nuance, every detail
The 36.3 megapixel FX-format advantage
Wedding, commercial or landscape, the D800E is the ultimate 36.3 MP FX-format camera for creative genius. Witness tonal range and precision rendered to supreme clarity, depth and texture. Make poster sized prints without sacrificing detail. Explore creative opportunities with ISO 100 to 6,400 (expanded up to 25,600)—shoot from dawn to dusk. Experience Nikon's new Advanced Scene Recognition System featuring a 91,000-pixel RGB light meter capable of rendering unprecedented levels of accuracy to AF, AE, i-TTL flash control, face recognition and auto white balance. Nikon's new EXPEED 3 image processing reduces color phase shifts seen with lesser systems, producing more faithful colors and tones while managing massive amounts of data at breakthrough speed. With the D800E in your hands, achieve what was once unreachable.
Broadcast quality video
A full cinematic experience
Filmmakers, multimedia professionals and event photographers—record Full HD 1080p at 30/25/24p or 720p at 60/50p in AVC-HD format. Produce to your exacting vision when working in manual mode, controlling aperture, ISO, AF and shutter speed. Record uncompressed files via HDMI to an external recording device via HDMI. Widen production perspective using either Nikon FX or DX lens formats at Full HD 1080p and 16:9 aspect ratio. Attach headphones and check audio levels or monitor input via peak audio meters as displayed on the camera's LCD monitor. Microphone sensitivity can be adjusted in up to 20 steps. Remotely start and stop video. Simultaneously Live View footage on the camera's LCD monitor and external monitor during recording are possible.
Render every megapixel with precision
Fast, precise 51-point wide area coverage
Precise AF detection is critical to sharply render every pixel of the D800E's massive resolution count. An improved 51- point AF system with 15 Cross Type AF sensors, versatile AF area modes and superb AF detection in even the dimmest lighting deliver immediate, pinpoint focus. Fast shot-to-shot time, full resolution frame rate up to 4 fps, 6 fps in DX crop mode using MB-D12 Multi-Power Battery Pack and ultra fast CF and SD card write times. For more productive workflow, high-speed data transfer using USB 3.0 is realized. For demanding professionals, the D800E responds immediately and precisely.
Versatile shooting, fluid operation
Streamlined ergonomic design puts critical tasks a touch away
Intuitive design makes D800E operation a thing of beauty. A streamlined ergonomic body allows critical photography and video tasks, including Movie Record, Live View, White Balance and Picture Control to be performed at the touch of a button. Confirm image capture and view menu options, histograms, video settings and more using the D800E's super sharp 3.2-inch 921,000-dot LCD screen with 100% coverage. Anti-glare coating and auto brightness control ease of viewing, no matter the environment. Enlarge images up to 46x for on-the-spot focus confirmation. Magnesium alloy construction and environmental sealing make the D800E as comfortable in the field as in the studio.
EXPEED 3 image processing
Nikon's EXPEED 3 technology extends and assures breathtakingly rich image fidelity and reduces noise, even at high ISO's. EXPEED 3 is so powerful that it handles data-intensive tasks such as Full-HD video recording at 30p with ease.
Rich image previewing
The D800E's 3.2-inch super-sharp 921,000-dot LCD monitor automatically adjusts LCD brightness and visibility according to your environment for bright, crisp image playback, menu adjustment and Live View shooting. Enlarge images up to 46x to make on the spot focus confirmation—crucial for high resolution shooting.
Expand dynamic range with built-in HDR
Create a single image revealing an extremely wide dynamic range, but with less noise and rich color gradation than ever before. Combine two exposures at up to 3EV.
Dedicated picture control button
The convenient Picture control button provides six preset options: Vivid, Monochrome, Neutral, Standard, Landscape and Portrait for stills and video while 9 customizable settings provide advanced, personalized color control.
Top customer reviews
The D700 was and still is an outstanding DSLR. The D800 is of course better, but in a very perceptible way, which was quite a surprise to me.
I have done over 5000 shots since my purchase on 24 March. So far, no issues to report: no green cast from the LCD and no problems with the CLS system.
Nikon has really outperformed with this new DSLR and the clear improvements are:
- Much improved Dynamic Range, which was my main problem since my first DSLR
- Better colors straight off the camera: deeper and richer
- Better AF in low light ***UPDATE*** After comparing with older Nikon DSLRs, this improvement is minor and only perceptible on cross-type AF points.
- Highly detailed photographs at full res, 100% magnification and also when down-scaling the photos.
Let's not forget a proper and useable HD video feature at broadcasting quality. ***UPDATE*** Perhaps not broadcasting quality, but close enough.
On the negative side (there has to be some):
- The zoom in and zoom out buttons are reversed from the old models, which is now more logical, but I am used to the old wrong way! it's a minor problem of course.
- D4 has backlit buttons, why not on the D800? This can't be that expensive to include.
- Very expensive Battery pack, this is a major drawback for me. But yes, the D800 is well priced at $3000. I just hate ridiculously priced accessories.
- still wonder the point of having 1 CF slot and 1 SD slot. 2 CF slots would have been superb. But I guess if you come from a SD card DSLR, that would be practical for you.
- Left AF points can suffer from front/back focusing issues on wide angle lenses, but this can be fixed at a Nikon repair center under warranty ***UPDATE***
One crucial point that has to be considered when acquiring a 36MP DSLR: storage will be an issue. I just purchased a 4TB ext hard drive. A 14-bit RAW file (uncompressed) coming from the D800 will average 75MB.
I just shot a wedding, and I consider the D800 to be an excellent choice for the job. All the complains about shots being more blurry at 100% magnification are irrelevant. One has to be precise with his/her settings, at the right exposure and optimal shutter speed, results can be absolutely mind-blowing. And since most won't need 36MP for wedding photographs, down-scaling images will certainly eliminate slight camera-shake or noise.
One particular aspect that I appreciate is that my Nikkor 85mm f/1.4G is now tack-sharp at f/1.4. I had a front focusing issue with my old D700 even with the fine-tune option set to max. Since I'm no techie geek, I still don't understand why the D700 gave me problems with the 85mm.
Anyway, I used to be one of those people saying that digital photography will never replace film photography. The D800 has changed all that.
A) The cropping ability. You can take a photo of a persons face, crop the photo to just the eye, and still have a lot of resolution left over for a good print.
B) Shadow recovery. If you take a photo, and under expose too much, you can get an enormous amount of detail back, in post work, on the RAW file, in order to make the photo look like it was taken with the right exposure.
These two features beat any problems this camera may, perceivably, have I highly recommend buying this camera.
I upgraded from my d300 because I dropped it and the flash was no longer working. The transition has been relatively smooth although I do find that I have had to relearn and remap a few of the controls. The switching of the + and - zoom controls still gets me, and I do miss the old auto focus mode selector that used to be on the back of my d300. I like having the bracketing button in easy access have it set to easily shoot in camera HDRs. Overall I find the control layout an improvement from the d300 especially the one touch live view button, and simple toggle between AF and MF.
Using DX lenses:
I still use my 17-55 DX lens with the d800 and right now am very happy with the results. I have my custom button set to switch between FX, 1.2x, and DX crop modes which is a lifesaver when using my old 17-55. Past its widest settings I like to use this lens in the 1.2x crop mode to get nice detailed 25mp images without too much vignetting. I have a 27" imac an on this size screen I cannot tell the difference between a 15mp dx cropped image and a 36mp full frame image but for large prints it may make a difference. One thing I do love about shooting the full 36mp resolution however is penalty free cropping. I had to be careful on my 12mp d300 about not cropping to much and loosing image quality but now I will crop out half of a 36mp file still be floored by the amout of detail. Overall I see no problem with using my DX lenses with the new camera and actually enjoy the added flexibility and creative potential they provide. I sometimes enjoy the circular image the 17-55 creates at its widest setting at the FX crop.
Based solely on my observations I would say the d800 gains about 2 2/3 stops in ISO quality. Before, I would shoot my d300 up to ISO 400 and be completely satisfied with noise, dynamic range, and color quality. With the d800 I can now bump up to ISO 2500 and be completely satisfied with image quality. In low light situations I find bumping the d800 to ISO 5000 is about as high as I am willing to go before the image quality starts to degrade significantly. Auto ISO works much better and is easier to setup.
RAW vs JPEG:
I like to shoot RAW + JPEG and find that most of the time I am happy with the JPEG. Reading reviews I thought that RAW would provide a HUGE headroom in the shadows and while I find there is a good amount of data in the shadows I would say no more than a stop. Files are very detail but you can definitely see the effects of the anti aliasing filter and sometimes I wish I had sprung for the d800E. By default RAW images are not especially sharp and I almost always need to bump up the sharpness in software. On a positive note in the thousands of pictures I have shot I have yet to see moire.
I find that the metering is much better on the d800 than d300. I rarely switch away from multizone metering as it is just very good at figuring out the scene and I dont have to use a lot of exposure compensation either.
Live view is a VAST improvement from the d300 which was almost unusable. Having a button to quickly pull up live veiw is great! Although live view focusing still leaves quite a bit to be desired it will eventually find focus in most lighting situations.
About the same as the d300. Fast and dependable as long as you can find a point with good contrast to lock onto.
I am very happy with my d800 purchase. I recently purchased the 50mm 1.8 and have been using this for shallow depth of field and low light shots and think the color quality and sharpness of this combination is just outstanding. If I could think of a complaint I would say the Live View focusing could be better, and the battery life is not quite as good as my old d300 which was just insane. The build quality is also just a tiny notch below the d300 but overall feels very professional. The rear screen on the d800 is great and I have not had any color tint problems. The left focus problems that have plagued so many other users has not been an issue for me. I would say everything about the d800s image quality is a step better than the d300 and the main thing it has been doing for me is allowing me to shoot more freely. I shoot looser crops because I know I can always crop in without losing quality, and I rarely worry about how high I have take my ISO which used to be a constant worry with the d300. I debated for a long time which camera would suit be best as an upgrade for my d300. I went between waiting for a d300 successor, getting a used d700, slimming down with an OMD-E5, buying a d600 or going for the d800. A direct d300 successor would have been nice but the added depth of field with full frame was a big decider for me as I shoot a lot of portraits. The OMD would be great but I am already pretty heavily invested in Nikon glass and was not ready to compromise on low light image quality. For me the d600 was just to plasticy and I was not happy with the control setup.
In the end I am very happy with my decision although every once and a while when I am shooting landscapes I wish I had gone for the d800e.