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Up for sale is Nikon AF-S FX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens. Lens is in very good condition. Clean and scratch-free glasses. Normal wear and some very minor dings on the camera body. AF and MF work smoothly. Comes with lens, hood, front and rear lens caps.
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Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras

4.5 4.5 out of 5 stars 494 ratings

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Purchase options and add-ons

Brand Nikon
Focal Length Description 10-24 millimeters
Lens Type Wide Angle
Compatible Mountings Nikon F (DX)
Camera Lens Description 24 month

About this item

  • Ideal for landscapes, cityscapes, interiors, architecture and more.
  • Focal Length : 10- 24 mm, Close focusing to 0.8 feet
  • Renders a picture angle of 109 degrees through 61 degrees, equivalent to focal lengths of 15-36mm.
  • SWM enables fast, accurate and quiet autofocus operation., For superior sharpness and color correction by effectively minimizing chromatic aberration.
  • Aspherical lens elements virtually eliminate coma and other types of lens aberration, even when used at the widest aperture.Accepts Filter Type:Screw-on

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Nikon 10-24mm f/3.5-4.5 G DX AF-S ED Zoom-Nikkor Lens (Renewed) $370.00 & FREE Shipping
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Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras
Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras
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Price$896.95$356.95$1,146.95-10% $406.95
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From the manufacturer

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Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras

Description:

Explore the extremes of photography and HD video with the ultra-wide-angle coverage of this practical DX-format zoom lens. With the widest end of 10mm covering a 109° angle of view (nearly fisheye), the AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED delivers dramatic perspectives for a creative edge. Close-up shooting capability, minimal distortion and compact design make it a versatile photo and HD video partner, no matter where you choose to take it.

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See more of your world:

Compact, 2.4x ultra-wide-angle zoom

The AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED was built to capture the expansiveness and drama of the world around you. It’s ideal for shooting photos and HD video of landscapes, cityscapes, interiors, architecture and more. It’s also versatile enough to focus on subjects as close as 0.8-ft. And thanks to a host of Nikon technologies, you can be certain that your world will always be captured with remarkable clarity.

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Exceptional images:

Advanced Nikon lens technologies

The AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED is an advanced lens optimized for DX-format Nikon D-SLR cameras. From its ultra-fast, ultra-quiet Silent Wave Motor (SWM) autofocus motor to its ghosting and flare reducing Nikon Super Integrated Coating (SIC), the AF-S DX NIKKOR 10–24mm f/3.5-4.5G ED helps your D-SLR achieve peak performance in both still and HD video shooting.

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What's in the box

  • AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens for Nikon DSLR Cameras
  • HB-23 Bayonet Lens Hood
  • LC-77 Front Lens Cap
  • LF-4 Rear Lens Cap
  • CL-1118 Soft Lens Case
  • Product information

    Warranty & Support

    Product Warranty: For warranty information about this product, please click here

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    Nikon AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras


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    Product Description

    Offering a dramatic, ultra-wide 110-degree picture angle, the 2.4x AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED lens is ideal for landscapes, interiors, architecture and more. With two ED glass and three hybrid aspherical lens elements, Nikon Super Integrated Coating (SIC) and the exclusive Nikon Silent Wave Motor, the AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED lens delivers the exceptional image quality and fast handling that defines NIKKOR optics.

    Product guides and documents

    Customer reviews

    4.5 out of 5 stars
    494 global ratings

    Review this product

    Share your thoughts with other customers

    Customers say

    Customers appreciate the lens' optical quality, wide angle, and build quality. They find it easy to use and take fantastic pictures with its fine optics and motor/focusing. The lens is solid and well-built, producing clear images even at larger apertures. Many customers are satisfied with the wideness and sharpness of the lens. However, some disagree on the value for money and edge distortion.

    AI-generated from the text of customer reviews

    100 customers mention "Lens quality"100 positive0 negative

    Customers like the lens quality. They say it's easy to use, takes fantastic pictures, and the optics look fine. The motor/focusing looks good. They find it useful for portraits, landscapes, and close work with people and dogs. The depth of field is great, and it's useful for indoor shots as well.

    "This is an amazing lens! If you read my other reviews, you'll know that I am and have been a huge fan of Nikon for many years...." Read more

    "...It's impressive that something of this optical quality is offered at this price; but, clearly Nikon is 'on the ball' about using all of the modern..." Read more

    "...good depth of field even when hardly stopped down and 2)..." Read more

    "...WOW. I am so glad that I did! It is a fantastic lens that allows you to be more creative and really make stunning images...." Read more

    35 customers mention "Wide angle"35 positive0 negative

    Customers appreciate the wide angle of this camera lens. They find it useful for taking shots from various angles, including close-ups. The lens offers a nice range for wide-angle use, with less geometric distortion at 10mm zoom than the 10.5 zoom.

    "...The depth of field (focus) is insane at the max f-stops. This is a true wide angle zoom and the quality is worth every penny!" Read more

    "...good depth of field even when hardly stopped down and 2)..." Read more

    "...Sharp. Crisp. Remarkably low edge distortion. Great depth of field. Exactly what I wanted. Test pics at: [...]" Read more

    "...This is an extreme wide-angle with some softness at the edges...." Read more

    32 customers mention "Build quality"29 positive3 negative

    Customers appreciate the lens' build quality. They say it's solid, well-built, and sharp. The lens is clear and without distortion.

    "...This is a true wide angle zoom and the quality is worth every penny!" Read more

    "...and here it seems to provide the lightness and apparently noticable structural integrity that lends to a surprisingly solid feel in one's hands...." Read more

    "...It is a solidly built lens, despite what other reviewers have said. Sure it's not pro standard, but who needs that anyway?..." Read more

    "...design, innovative manufacturing of aspheric elements, good enough construction, and breakthrough capability affordable for the amateur photog." Read more

    24 customers mention "Image quality"17 positive7 negative

    Customers are satisfied with the camera's image quality. They appreciate its sharp images even at larger apertures, and the outstanding resolution for close-ups. The lens captures beautiful landscapes and narrow rock details well, with an excellent field of view and clear focus.

    "...The focus is fast, even in darker settings, and the image quality seems to be quite good...." Read more

    "...Note that this lens really shines at f/8 to f/11. The larger apertures still yield sharp images, but f/11 almost looks like medium format shot with..." Read more

    "...I am very pleased with the sharpnees. There is some chromatic abberation as one might expect with this type of lens...." Read more

    "...Picture quality is excellent. I'm giving the lens four stars at this point." Read more

    20 customers mention "Wideness"20 positive0 negative

    Customers appreciate the wide angle of the camera lens. It captures everything they want in a frame, is lightweight and smaller than longer focal length lenses, and is a perfect match for their 18-300mm DX zoom that uses 77mm filters.

    "...Extra wide certainly comes in very handy, and i found myself using the 10mm end quite a bit...." Read more

    "...It's a perfect match for my 18-300mm DX zoom which also uses 77mm filters. The auto focus is both fast and quiet...." Read more

    "...equal, short focal length lenses are lighter and smaller than longer focal length lenses...." Read more

    "...the ability to take dramatic, unusual, never-before-available, super-wide pix...." Read more

    17 customers mention "Sharpness"17 positive0 negative

    Customers appreciate the camera lens' sharpness. They find it good to excellent at F/5.6 and mention it works well for interior photographs. The AF locks on dead-on every time, and the lens is compact and works well for interior shots.

    "...really caught up in technical details... this is a great lens that makes sharp and colorful images...." Read more

    "...The good: excellent sharpness at 10-16mm especially when focused close, and, it will focus down to inches...." Read more

    "...And - Oh! - am I glad I did. Sharp. Crisp. Remarkably low edge distortion. Great depth of field. Exactly what I wanted...." Read more

    "...Second, the lens is very sharp throughout the range with some expected wide angle distortion at the very wide end, but not fisheyed...." Read more

    35 customers mention "Value for money"20 positive15 negative

    Customers have different views on the value for money of the camera lens. Some find it worth the price, useful for experienced photographers, and affordable for amateur photographers. Others consider it a bit expensive but fun to use.

    "...However, when it is appropriate I find it terrific for the price...." Read more

    "...Yes, the lens is expensive and it requires 77mm filters. It's a perfect match for my 18-300mm DX zoom which also uses 77mm filters...." Read more

    "...elements, good enough construction, and breakthrough capability affordable for the amateur photog." Read more

    "...a great lens achieving sensible performance compromises at a good price considering the technical issues inherent in such a design." Read more

    25 customers mention "Edge distortion"14 positive11 negative

    Customers have different views on distortion. Some find very little distortion, with less geometric distortion at 10mm zoom than the 10.5mm fixed lens. They say it's not distracting and needed for great interior shots without distortion. Others report serious distortion at the widest lengths which can have strange effects on photos.

    "...The 10-24mm has very minimal barrel distortion which is easily removed. The depth of field (focus) is insane at the max f-stops...." Read more

    "...The 'fish-eye' distortion at the wide end is certainly present, but i found it to be manageable, maybe even 'manipulatable' is a better term...." Read more

    "...The distortion near the edges is not bad at all and completely correctable with software...." Read more

    "...Barrel distortion was acceptable and easily corrected even at 10mm, flare was ok and AF was sure and reasonably fast...." Read more

    Useful when it's useful! (With 2014 update)
    5 out of 5 stars
    Useful when it's useful! (With 2014 update)
    I use this wide angle lens first on a Nikon D90 and now on a D7100. I have lenses that cover the range from 10mm to 300mm in 3 steps: 10-24mm, 24-70mm, and 70-300mm. I also own the fairly new Nikon 85mm micro with VR. I am willing to change lenses as needed - no single solution for all day such as the 18-200mm for me. This background is leading up to the statement that I don't use this lens very much. However, when it is appropriate I find it terrific for the price. The angle of view at 10mm is a little more than 90 degrees diagonal; this means you can skrunch in a corner and see both walls with a little camera tilt or yaw. This capability is rather neat when shooting certain types of architecture and landscape scenes.When the angle of a wide lens such as this is proper for the job, several benefits are there because of the lens physics: 1) good depth of field even when hardly stopped down and 2) ability to shoot at relatively low shutter speeds even without VR. The second benefit follows partly because, other things being equal, short focal length lenses are lighter and smaller than longer focal length lenses. I uploaded (to Amazon) a picture made with this lens at Carlsbad Caverns that was shot at f4.2 and 0.4 seconds. Hand held! Of course I had to brace my body as best I could and was far enough from the subject that a flash would have been silly. I used this lens exclusively in the Caverns because I needed to shot low-light hand-held as well as liking the angle of view. I was not impressed until I got home and started looking at the pictures in Photo Shop. I had already announced that these were practice shots so I'd know what equipment (tripod, etc.) to bring next time. At least a third of the shots in these rotten conditions were useful and some were really great. I can't think of another lens in my bag that would work as well (not even the 24-70mm f2.8 because it's too heavy for this kind of long exposure work).I have owned the 10-24mm for 4+ years. As said above, I only use it once in a while. But it is always in my bag when I go on a shoot. If I need a wide field of view, I know this lens will do the job and I'm willing to take the time to switch. If I wasn't, I would not be using an SLR in the first place.
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    Top reviews from the United States

    • Reviewed in the United States on July 9, 2010
      I purchased the Nikon 10-24mm about 2 months ago and have had a chance to use it at several different events. I shoot using a somewhat photojournalistic approach, 2 bodies with a wide and a tele. The 10-24mm on a D70 body and an 18-200mm on a D200. With this setup, i found myself using both cameras about equally. The focus is fast, even in darker settings, and the image quality seems to be quite good. The 'fish-eye' distortion at the wide end is certainly present, but i found it to be manageable, maybe even 'manipulatable' is a better term. Its there when you want it, but it can be easily controlled/minimized when you don't need it to be so pronounced. Overall, the lens feels (to me) more like a 'normal' or 'prime' in close quarters. Extra wide certainly comes in very handy, and i found myself using the 10mm end quite a bit.

      The control layout is Nikon intuitive. The Manual Focus override is very helpful. The zoom ring grip feels generous and purposeful, I have bigger hands and don't particularly like the smaller grip on the 18-200 nearly as well. The zoom action is nice and smooth and the big lens shade is especially nice for keeping incident light out. I have read some reviews which knock the build quality a little, because its not at the same 'professional' level as the older 12-24mm, but i think the quibble over that in this plastic age is somewhat useless. Yeah, the 12-24mm barrel is beefier, but the range on the 10-24mm trumps that. I do a lot of volunteer work and don't need a robust casing to brave the elements. If you're generally careful with your gear, like most enthusiasts, you shouldn't have any problems. Just the fact that the 10-24mm sports a metal mount says a lot. And, again, 2 more mm at the wide end makes it a far more useful lens for about $200 less. Just my opinion.
      12 people found this helpful
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    • Reviewed in the United States on February 3, 2013
      This is an amazing lens! If you read my other reviews, you'll know that I am and have been a huge fan of Nikon for many years. If you can't decide on going with the DX or FX format DSLR, consider this: Nikon has several DX format lenses that aren't offered by any other brand or in any other format. Period. The 10-24mm is the widest lens made for DX that isn't a fisheye! I shoot scenics - mostly panoramas or vistas using the QTVR tripod head - and this lens will handle anything I can come up with.
      If you are shooting with an FX fromat Nikon, the lens will work on it, but keep in mind that your FX format camera will automatically crop to the smaller DX frame size. As is so often the case with Nikkor lenses, the glass is superb and the color rendition is identical to my other DX lenses.

      Yes, the lens is expensive and it requires 77mm filters. It's a perfect match for my 18-300mm DX zoom which also uses 77mm filters. The auto focus is both fast and quiet. It's max angle of coverage at the 10mm setting is an astounding 110`. If you shoot panos or interiors this lens makes that possible with a minimum of distortion. If you are processing your RAW images using Photoshop, the RAW editor allows you to use a lens profile to correct any barrel distortion. The 10-24mm has very minimal barrel distortion which is easily removed. The depth of field (focus) is insane at the max f-stops. This is a true wide angle zoom and the quality is worth every penny!
      18 people found this helpful
      Report
    • Reviewed in the United States on May 12, 2013
      This lens is capable of generating super sharp images right to the edges. The distortion near the edges is not bad at all and completely correctable with software. The correction of optical aberrations is (OVERALL) more than adequate (world class really). The construction of the outer casing is plastic; probably a suitable variety that has durable properties for normal operation of this lens (if you want metal all over then pay 2-3 times more, and more than double the weight). Without reservations, during use, one should be careful to avoid impacts. Plastic is not necessarily dysfunctional (it's utilized in many high-performance and critical applications), and here it seems to provide the lightness and apparently noticable structural integrity that lends to a surprisingly solid feel in one's hands. The innerworkings that mount the lens elements are cased in metal. The glass is state-of-the-art (N-I-K-K-O-R). The electronics and focusing are 100% compatible with Nikon.

      If I want better I would buy the 14-24 Nikkor and mount it on a D600, D800 or D800E. Period.

      This lens is designed for conscientious photographers who (very) carefully study their scenes AND the lighting involved with the intention that their photos display exceptional quality with attention paid to details. This is not a snapshot lens per se (but, you could use this at a party, with the flash set to bounce and take a load of great snapshots).

      Note that this lens really shines at f/8 to f/11. The larger apertures still yield sharp images, but f/11 almost looks like medium format shot with film when enlarged to 8x10.

      This lens more than fills the bill for a superwide. It costs significantly more than the aftermarket lenses, but after all, by budgeting resouces to buy the Nikkor, one doesn't have to make excuses now, or five years from now when one buys another Nikon. It's impressive that something of this optical quality is offered at this price; but, clearly Nikon is 'on the ball' about using all of the modern advances in compound lens design and materials (ED and aspherical glass), coupled with extensive manufacturing experience.
      16 people found this helpful
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    Top reviews from other countries

    Translate all reviews to English
    • Jose Gustavo Haro Vazquez
      5.0 out of 5 stars Un angular que no defrauda
      Reviewed in Mexico on June 25, 2018
      este lente gran angular da 109 grados de vision excelente para camaras DX que no son full frame. es un lente con un precio alto pero realmente lo vale la calidad de imagen y la gran apertura, sin aberraciones aparentes hasta el momento.
    • garkun
      5.0 out of 5 stars 初めて使う超広角
      Reviewed in Japan on April 12, 2023
      本体は、動き等よく、6畳の部屋ほぼ入ります。DXフォーマットで有るが使い勝手は、いいと思う。レンズの長さの変化は、少なく、見栄えも気に入りました。
    • Riccardo
      5.0 out of 5 stars Ottimo, perfetto, il migliore per DX.
      Reviewed in Italy on January 9, 2015
      L'ho acquistato ormai due anni fa e ancora oggi è l'obbiettivo che uso di più. Ho fatto foto spettacolari anche se utilizzo un corpo DX e quindi spesso magari taglio alcuni gradi della foto. La qualità dell'immagine è notevole, sicuramente il migliore nel settore. Fino ad ora la griglia gira perfettamente con ottimo attrito e ogni foto che faccio mi soddisfa grazie alla lunghezza focale disponibile. Di base è un obbiettivo tutto fare e spesso mi rendo conto che mi basta lui per fare la maggior parte delle foto che desidero. Spaziare tra 10 e 24 gradi non è da poco, considerate che a dieci gradi prendi veramente tanta porzione di immagine per essere su un corpo DX e molte volte a me è capitato di dover tagliare in post produzione la foto, ma è molto utile per avere un quadro complessivo della situazione da fotografare.
      La distorsione è evidente e per le foto migliori un lavoro di post produzione è necessario, ma per il resto funziona perfettamente!
      Note negative, obbiettivo grosso (non troppo pesante, rispetto al 12-24) con una lente molto grande che necessita spesso di pulizia per evitare di trovare macchioline sulla foto (che comunque si possono correggere in post produzione).
      Per il resto 5 stelle meritate, per me il prezzo è dovuto..lo consiglio!
    • Albert Callis
      5.0 out of 5 stars Gran objetivo
      Reviewed in Spain on February 3, 2014
      Gran angular perfecto para capturar grandes paisajes, fotos de familia, etc.
      Con él descubres un nuevo tipo de foto que hasta ese momento desconocías.
    • Amazon Customer
      5.0 out of 5 stars Nikon AF-S DX Nikkor 10-24mm 1:3,5-4,5G ED – Ein Super-Weitwinkel-Objektiv für DX-Kameras.
      Reviewed in Germany on June 27, 2013
      Viele (Hobby-)Fotografen werden ihr (D)SLR-Leben mit einer Festbrennweite (z. B. einem AF Nikkor 50mm 1:1,8D oder AF-S DX Nikkor 35mm 1:1,8G) oder einem Kit bestehend aus einem Body und z. B. einem AF-S DX 18-105 VR beginnen, wie es bei mir mit einer D7000 und vorbenannten Objektiv der Fall war.

      Bei dem einen oder anderen regt sich dann doch aber der Wunsch, entweder ein größeres Teleobjektiv (z. B. für die Tierfotografie) und/oder aber auch ein Ultraweitwinkelobjektiv (z. B. für die Landschafts- oder Architekturfotografie) sein eigen zu nennen.

      Ich habe mich im Fall des Ultraweitwinkelobjektivs nach langem Zögern und Studium der Rezensionen bei Amazon und entsprechenden Testberichten für das Nikon AF-S DX Nikkor 10-24mm 1:3,5-4,5G ED entschieden.

      Zwei Fakten im Voraus, der Preis dieses Objektives ist für ein DX-Objektiv wirklich kein „Schnäppchen“ (vielleicht einmal nach einem gebrauchtem Objektiv Ausschau halten) und die 10-24 mm entsprechen 15-36 mm bei Kleinbild bei der Verwendung einer Kamera mit DX-Format. Natürlich bringen 15mm Eingangsbrennweite aber immer noch ein fantastisches Weitwinkel-Bild.

      Das Objektiv selber macht einen sehr wertigen Eindruck (trotz des verwendeten Kunststoffs) und ist sehr kompakt gebaut. Zoom- und Fokusring laufen einwandfrei und lassen sich sehr angenehm bedienen. Das Objektiv ist nicht innenfokussiert, aber der Tubus fährt nur marginal aus, was also absolut zu vernachlässigen ist. Gewichtsmäßig würde ich nicht von einem „Leichtgewicht“ sprechen, aber die 458 Gramm machen in Verbindung mit einer D7000 und einem entsprechenden Batteriegriff eine sehr gute Figur und liegen optimal ausbalanciert in der Hand. Die Eingangslichtstärke von 3,5 ist sicherlich kein Spitzenwert, aber lichtstärkere Objektive schlagen gleich mit einem weit höheren Preis zu Buche.

      Zu den Bildern, die man mit diesem Objektiv machen kann lassen sich zwei grundlegende Dinge sagen. Zum einen ermöglichen die 15mm Eingangsbrennweite ganz neue fotografische Möglichkeiten z. B. in der Landschafts- oder Architekturfotografie. Aber auch bei z. B. Familienfesten hat man nun die Möglichkeit sehr interessante Fotos mit allen Beteiligten zu machen und dies aus sehr interessanten Perspektiven. Zum anderen sind über den gesamten Brennweitenbereich sehr scharfe Fotos möglich, auch schon bei sehr großen Blenden. Das bei einer Brennweite von 15mm entsprechende Vignettierungen an den Rändern auftreten, sollte jedem klar sein. Diese auftretenden Vignettierungen kann man aber auch aus gestalterischer Perspektive nutzen.

      Abschließend möchte ich aber noch zu einer Behauptung Stellung nehmen, die ich hier gelesen habe. „Das Nikon AF-S DX Nikkor 10-24mm 1:3,5-4,5G ED ist auch vollformattauglich.“ Definitiv nicht! Einmal ganz abgesehen davon, dass Nikon diesem Objektiv explizit den Namenszusatz „DX“ mitgegeben hat.

      Als ich diese These das erste Mal gelesen habe, dachte ich mir, wäre ja wirklich toll, wenn dieses Objektiv auch an einer Vollformatkamera betrieben werden könnte. Da ich inzwischen auch eine D800 besitze, die sowohl im DX- als auch FX-Format betrieben werden kann, habe ich folgenden Testaufbau durchgeführt. Kamera und Objektiv auf einem Stativ montiert, ein entsprechendes Motiv ausgewählt, Modus A (Aperture Priority - Zeitautomatik), Blende 8, ISO100, Selbstauslöser, Spiegelvorauslösung und einmal 10mm Brennweite im DX-Format und einmal 15mm Brennweite im FX-Format fotografiert. Dies habe ich für verschiedene Motive wiederholt. Das Ergebnis war wie nicht anders zu erwarten, 10mm Brennweite im DX-Format einwandfrei, 15mm Brennweite im FX-Format eine Katastrophe. Unglaubliche Randabschattung und dunkle Bilder. Natürlich kann man dieses Objektiv zur Not auch im Vollformatmodus ab 15mm Brennweite betreiben, aber dann sollte man doch lieber bei einer DX-Kamera bleiben oder aber solange sparen, bis ein Nikon AF-S Zoom-Nikkor 14-24mm 1:2,8G ED im Budget liegt.

      Dieses Objektiv an einer DX-Kamera betrieben, hat aus meiner Sicht aber auf jeden Fall fünf Sterne verdient.