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Nikon AF-S FX NIKKOR 14-24mm f/2.8G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras

4.8 out of 5 stars 223 customer reviews
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  • Focal Length Range : 14 -24 mm
  • Minimum Focus Distance : 0.9 ft.( 0.28 m)
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Important Warranty Information: All Nikkor autofocus lenses from Nikon Inc. USA include four years of Nikon Extended Service Coverage at no charge. Be sure to look for the Nikon ESC certificate with every Nikkor lens purchase you make.
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This item: Nikon AF-S FX NIKKOR 14-24mm f/2.8G ED Zoom Lens with Auto Focus for Nikon DSLR Cameras
Customer Rating 5 out of 5 stars (223) 5 out of 5 stars (2428) 4 out of 5 stars (143) 5 out of 5 stars (438)
Price $1,896.95 $196.95 $1,096.95 $1,796.95
Shipping FREE Shipping FREE Shipping FREE Shipping FREE Shipping
Sold By Amazon.com Amazon.com Amazon.com Amazon.com
Compatible Mountings Nikon F (FX) Nikon F (DX) Nikon F (FX) Nikon F (FX)
Dimensions 3.86 inches x 5.2 inches x 3.86 inches 2.76 inches x 2.09 inches x 2.76 inches 3.27 inches x 4.92 inches x 3.27 inches 3.27 inches x 5.24 inches x 3.27 inches
Item Weight 2.14 pounds 0.44 pounds 1.5 pounds 1.98 pounds
Lens Zoom lens standard-prime Zoom lens Zoom lens
Maximum Aperture 2.8 1.8 4 2.8
Max Focal Length 24 mm 35 mm 35 mm 70 mm
Min Aperture 22 22 22 22
Min Focal Length 14 mm 35 mm 16 mm 24 mm
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Product Description

Product Packaging: Standard Packaging

Product Description

L1)NIKON 14-24MM F2.8G ED (2163)

From the Manufacturer

  • Fast aperture, high-performance, ultra-wide-angle zoom optimized for FX- and DX-format sensors featuring Nikon’s exclusive ED Glass and Nano Crystal Coat
  • Fast, ultra wide-angle AF-S zoom lens optimized for edge-to-edge sharpness on both the Nikon FX- (23.9 x 36mm) and DX-format image sensors
  • Two Extra-low Dispersion (ED) elements and PGM aspherical lenses control chromatic aberrations while enhancing sharpness and contrast even at the widest aperture settings
  • Nikon's Silent Wave Motor (SWM) enables ultra-high-speed autofocusing with exceptional accuracy and powerful, super-quiet operation
  • Focus as close as 10.8 inches at the 24mm setting
  • M/A focus mode switch enables quick response to changing situations between auto and manual focus operation
  • Enhanced optical formulas engineered to produce exceptional sharpness, contrast and color, rendering outstanding image integrity
  • Exclusive Nano Crystal Coat further reduces ghosting and flare for even greater image clarity
  • Internal Focus (IF) provides fast and quiet autofocusing without changing the length of the lens, retaining subject-working distance through the focus range
  • Rugged construction with professional-grade dust and moisture resistance
10-24mm MTF Chart - Wide10-24mm MTF Chart - Telephoto

Product Information

Product Packaging:Standard Packaging
Product Dimensions 5.2 x 3.9 x 3.9 inches
Item Weight 2.1 pounds
Shipping Weight 3.4 pounds (View shipping rates and policies)
ASIN B000VDCTCI
Item model number 2163
National Stock Number 6760-01-559-3000
Customer Reviews
4.8 out of 5 stars 223 customer reviews

4.8 out of 5 stars
Best Sellers Rank #159 in Camera & Photo > Lenses > Camera Lenses > Digital Camera Lenses
Date first available at Amazon.com November 24, 2003

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Customer Reviews

Top Customer Reviews

Package Type: Standard Packaging
Nikon's new 14-24 lens is just phenomenal. The clarity is that of a prime lens. In fact, this super-wide angle zoom lens effectively replaces the equivalent prime lenses within most of its focal length (except perhaps the 24mm range); it's like owning a bag full of prime lenses that have been combined to make one superlative zoom lens.

Yes, it's that good. If you check around the web, you will see the pros falling over themselves for this lens after they test it. It's built like a tank and is precise as a Swiss watch.
Highly recommended.
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Fantastic venerable ultra wide angle lens for low light photography, such as night sky, astrophotography, star trails, light painting, Milky Way, and more. The remarkable aspect of this lens is how sharp the image is in the corners even wide open at f/2.8, something that most other lens cannot achieve. This lens deserves all the accolades it gets, it is this good. Canon users frequently use an adapter to be able to use this lens, so it's not off-limits to our Canon photography brothers and sisters.

The obvious drawbacks are there - heavy, does not accept screw-in filters, and expensive. But it is a great lens and deserves five stars.

And for those who like to shoot photos when the sun is out, you too will not be disappointed. For landscapes, it still kinda rules, and as a bonus, builds muscle if you take it hiking.

Undoubtedly, you are agonizing between alternatives for less coin and this lens, as many might. Quality alternatives might include the new Tamron 15-30mm f/2.8 or the Nikkor 20mm f/1.8G ED, but I have no experience with these, but have seen good work done with these (and I see a lot of night sky photography, as I am an Admin for two long exposure photography groups on Facebook). I previously tried the considerably more inexpensive Tokina 16-28 f/2.8, which is a good, solid lens for about a third of the price, but cannot compare to this lens, as it is considerably softer in the corners until at least f/4. Regardless, the 14-24mm f/2.8 is the gold standard for any ultra wide angle lens for night sky photography.
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I have been fortunate to use Leica SLR cameras and lenses for many years. Thus, my yardstick for any other lens is very high. I also own and shoot a Nikon D-200 and D-300. In particular, lens resolution, light fall off at the edges, and color saturation are very important to me. This lens is superlative in all these important respects. It is heavy, bulbous and expensive. However, I believe that the pro-sumer market is moving towards full 35mm size sensors so this lens is an investment in the future although it works extremely well on DX sensor bodies > D-40. One negative, it cannot accomodate filters, in particular, the all important circular polarizer. In my opinion, software can do remarkable things for color etc. but glare is best removed with a polarizer. If you can live with this deficiency, as I must, the lens is highly recommended.
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If you want an amazing ultra wide angle lens for both FF and DX, this should be your choice hands-down. My old Sigma 12-24mm is a laugher by comparison. Talk about clarity and detail! Nothing out there comes close! Better than my old AF 20mm 2.8. The only down side is the inability to use filters, and the fixed hood is just a bit too wide for my Lee LF filter holder. But, in these Photoshop days, most filter effects can be post-processed as long as the image isn't overexposed. If it wasn't for this inconvenience, this would be a 5-star lens all the way.
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The 14-24 2.8 Zoom lens is (IMO) about as optically perfect as a lens can get.

What is this lens exactly? And why do I recommend it?

First off, this lens can be used by pros and amateur alike. The price is steep and this is considered a pro lens, but if you enjoy super wide angle zooms, do not hesitate.

There are 2 "pro" lenses that reach the 14mm mark. This lens and the 14mm 2.8 "prime" lens (fixed focal length - ie..not a zoom). This lens is considered by many professionals and critics alike as not only the better of the two, but one of the best lens Nikon has ever made. Some of the advantages this lens has -
- fast 2.8 f-stop
- sharpness through out the entire range
- great build quality
- little of the distortion found in cheap wide angle lenses.

There are some drawbacks to this lens. None are really enough to warrant either a drop in review stars or hesitation in buying it.
- It is heavy
- This lens CANNOT take a screw-in filter. It has a mounted hood that cannot be removed and a big bulb of curved glass
- It is expensive (get what you pay for)
- using this (or any ultra wide angle lens or zoom lens) takes practice. People in other forums write that they bought this lens but never use it. It just sits in their camera bag. That is actually sad to hear as this lens is perfection. If you are asking yourself if you want to buy this lens, think about all the possibilities for it. They really are endless, and to hear this gem of a lens sits in a bag is to hear about a photographer that really needs to look at the world in a new and exciting way.

I used the 10-24 mm DX lens prior to my buying this lens. I used that lens all the time for both professional and hobby photography. I know I will use this lens just as much. My first few photoshoots have produced amazing results (combined with a new D3s btw)
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