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No Second Chance: A Suspense Thriller Kindle Edition
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When the first bullet hit my chest, I thought of my daughter...
Shot twice by an unseen assailant, Dr. Marc Seidman lies in a hospital bed. His wife has been killed. His six-month-old daughter has vanished. But just when his world seems forever shattered, the ransom note arrives: We are watching. If you contact the authorities, you will never see your daughter again. There will be no second chance. With no one to trust, and mired in a deepening quicksand of deception and deadly secrets, Marc clings to one unwavering vow: bring home his daughter, at any cost.
- LanguageEnglish
- PublisherDutton
- Publication dateApril 27, 2004
- Reading age18 years and up
- File size2390 KB
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Editorial Reviews
Review
“Nimble and ingenious.”—The New York Times
“The author doesn’t build suspense. He opens fire.”—New York Daily News
“At times the suspense in No Second Chance is almost painful.”—Chicago Sun-Times
“A wild ride made even more wrenching because the terrain is home, family, love, and loss.”—Houston Chronicle
“This crackling spellbinder will...keep you mesmerized from beginning...to head-spinning, unexpected end.”—Forbes
“Coben again keeps the reader off-balance with innovative story lines and diabolical bad guys.”—People
“Thrillers as satisfying as No Second Chance clearly have the Coben stamp.”—Fort Lauderdale Sun-Sentinel
“The emotional onslaught of Marc's gut-wrenching, self-questioning, relentless narration...will carry readers like a tidal wave through the novel's twists and turns.”—Publishers Weekly
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Chapter 2
"We're doing all we can," Regan said in a voice that sounded too rehearsed, as if he'd been standing over my bed while I was unconscious, working on his delivery. "As I told you, we were not sure we had a missing child at first. We lost valuable time there, but we've recovered now. Tara's photo has been sent out to every police station, airport, tollbooth plaza, bus and train station-anything like that within a hundred-mile radius. We've run background profiles on similar abduction cases, see if we can find a pattern or a suspect."
"Twelve days," I repeated.
"We have a trace on your various phones-home, business, cell-"
"Why?"
"In case someone calls in a ransom demand," he said.
"Have there been any calls?"
"Not yet, no." My head dropped back to the pillow. Twelve days. I'd been lying in this bed for twelve days while my baby girl was ... I pushed the thought away.
Regan scratched at his beard. "Do you remember what Tara was wearing that morning?"
I did. I had developed something of a morning routine-wake up early, tiptoe toward Tara's crib, stare down. A baby is not all joy. I know that. I know that there are moments of mind-numbing boredom. I know that there are nights when her screams work on my nerve endings like a cheese grater. I don't want to glorify life with an infant. But I liked my new morning routine. Looking down at Tara's tiny form fortified me somehow. More than that, this act was, I guess, a form of rapture. Some people find rapture in a house of worship. Me-and yeah, I know how corny this sounds-I found rapture in that crib.
"A pink one-piece with black penguins," I said. "Monica got it at Baby Gap."
He jotted it down. "And Monica?"
"What about her?"
His face was back in the pad. "What was she wearing?"
"Jeans," I said, remembering the way they slid over Monica's hips, "and a red blouse."
Regan jotted some more.
I said, "Are there-I mean, do you have any leads?"
"We're still investigating all avenues."
"That's not what I asked."
Regan just looked at me. There was too much weight in that stare.
My daughter. Out there. Alone. For twelve days. I thought of her eyes, the warm light only a parent sees, and I said something stupid. "She's alive." Regan tilted his head like a puppy hearing a new sound.
"Don't give up," I said.
"We won't." He continued with the curious look.
"It's just that ... are you a parent, Detective Regan?"
"Two girls," he said.
"It's stupid, but I'd know." The same way I knew the world would never be the same when Tara was born. "I'd know," I said again.
He did not reply. I realized that what I was saying-especially coming from a man who scoffs at notions of ESP or the supernatural-was ridiculous. I knew that this "sense" merely came from want. You want to believe so badly that your brain rearranges what it sees. But I clung to it anyway. Right or wrong, it felt like a lifeline.
"We'll need some more information from you," Regan said. "About you, your wife, friends, finances-"
"Later." It was Dr. Heller again. She moved forward as if to block me from his gaze. Her voice was firm. "He needs to rest."
"No, now," I said to her, upping the firm-o-meter a notch past hers. "We need to find my daughter."
Monica had been buried at the Portman family plot on her father's estate. I missed her funeral, of course. I don't know how I felt about that, but then again, my feelings for my wife, in those stark moments when I was honest with myself, have always been muddled.
Monica had that beauty of privilege, what with the too-fine cheekbones, straight silk-black hair, and that country-club lockjaw that both annoyed and aroused. Our marriage was an old-fashioned one-shotgun. Okay, that's an exaggeration. Monica was pregnant. I was fence-sitting. The upcoming arrival tilted me into the matrimonial pasture.
I heard the funeral details from Carson Portman, Monica's uncle and the only member of her family who kept in touch with us. Monica had loved him dearly. Carson sat at my hospital bedside with his hands folded in his lap. He looked very much like your favorite college professor-the thick-lensed spectacles, the nearly shedding tweed coat, and the overgrown shock of Albert Einstein-meets-Don King hair. But his brown eyes glistened as he told me in his sad baritone that Edgar, Monica's father, had made sure that my wife's funeral was a "small, tasteful affair."
Of that, I had no doubt. The small part, at least.
Over the next few days I had my share of visitors at the hospital. My mother-everyone called her Honey-exploded into my room every morning as if fuel propelled. She wore Reebok sneakers of pure white. Her sweatsuit was blue with gold trim, as if she coached the St. Louis Rams. Her hair, though neatly coifed, had the brittle of too many colorings, and there was the whiff of a last cigarette about her. Mom's makeup did little to disguise the anguish of losing her only grandchild. She had amazing energy, staying by my bedside day after day and managing to exude a steady stream of hysteria. This was good. It was as though she was, in part, being hysterical for me, and thus, in a strange way, her eruptions kept me calm.
Despite the room's nearly supernova heat-and my constant protestations-Mom would put an extra blanket over me when I was asleep. I woke up one time-my body drenched in sweat, naturally-to hear my mother telling the black nurse with the formal hat about my previous stay at St. Elizabeth's when I was only seven.
"He had salmonella," Honey stated in a conspiratorial whisper that was only slightly louder than a bullhorn. "You never smelled diarrhea like that. It was just pouring out of him. His stench practically seeped into the wallpaper."
"He ain't all roses now either," the nurse replied.
The two women shared a laugh.
On Day Two of my recovery, Mom was standing over my bed when I awoke.
"Remember this?" she said.
She was holding a stuffed Oscar the Grouch someone had given me during that salmonella stay. The green had faded to a light mint. She looked at the nurse. "This is Marc's Oscar," she explained.
"Mom," I said.
She turned her attention back to me. The mascara was a little too heavy today, crinkling into the wrinkle lines. "Oscar kept you company back then, remember? He helped you get better."
I rolled and then closed my eyes. A memory came to me. I had gotten the salmonella from raw eggs. My father used to add them into milkshakes for the protein. I remember the way pure terror had gripped me when I'd first learned that I would have to stay in the hospital overnight. My father, who had recently ruptured his Achilles tendon playing tennis, was in a cast and constant pain. But he saw my fear and as always, he made the sacrifice. He worked all that day at the plant and spent all night in a chair by my hospital bed. I stayed at
St. Elizabeth's for ten days. My father slept in that chair every night of them. Mom suddenly turned away, and I could see she was remembering the same thing. The nurse quickly excused herself. I put a hand on my mother's back. She didn't move, but I could feel her shudder. She stared down at the faded Oscar in her hands. I slowly took it from her.
"Thank you," I said. Mom wiped her eyes. Dad, I knew, would not come to the hospital this time, and while I am sure my mother had told him what had happened, there was no way to know if he even understood. My father had had his first stroke when he was forty-one years old-one year after staying those nights with me at the hospital. I was eight at the time.
I also have a younger sister, Stacy, who is either a "substance abuser" (for the more politically correct) or "crack-head" (for the more accurate). I sometimes look at old pictures from before my dad's stroke, the ones with the young, confident family of four and the shaggy dog and the well-groomed lawn and the basketball hoop and the coal-overloaded, lighter fluid-saturated barbecue. I look for hints of the future in my sister's front-teeth-missing smile, her shadow self perhaps, a sense of foreboding. But I see none. We still have the house, but it's like a sagging movie prop. Dad is still alive, but when he fell, everything shattered Humpty-Dumpty style. Especially Stacy.
Stacy had not visited or even called, but nothing she does surprises me anymore.
My mother finally turned to face me. I gripped the faded Oscar a little tighter as a thought struck me anew: It was just us again. Dad was pretty much a vegetable. Stacy was hollowed out, gone. I reached out and took Mom's hand, feeling both the warmth and the more recent thickening of her skin. We stayed like that until the door opened. The same nurse leaned into the room.
Mom straightened up and said, "Marc also played with dolls,"
"Action figures," I said, quick on the correction. "They were action figures, not dolls."
My best friend, Lenny, and his wife, Cheryl, also stopped by the hospital every day. Lenny Marcus is a big-time trial lawyer, though he also handles my small-time stuff like the time I fought a speeding ticket and the closing on our house. When he graduated and began working for the county prosecutor, friends and opponents quickly dubbed Lenny "the Bulldog" because of his aggressive courtroom behavior. Somewhere along the line, it was decided that the name was too mild for Lenny, so now they called him "Cujo." I've known Lenny since elementary school.
I'm the godfather of his son Kevin. And Lenny is Tara's godfather.
I haven't slept much. I lie at night and stare at the ceiling and count the beeps and listen to the hospital night sounds and try very much not to let my mind wander to my little daughter and the endless array of possibilities. I am not always successful. The mind, I have learned, is indeed a dark, snake-infested pit.
Detective Regan visited later with a possible lead.
"Tell me about your sister," he began.
"Why?" I said too quickly. Before he could elaborate, I held up my hand to stop him. I understood. My sister was an addict. Where drugs roamed, so too did a certain criminal element. "Were we robbed?" I asked.
"We don't think so. Nothing seems to be missing, but the place was tossed."
"Tossed?"
"Someone made a mess. Any thoughts on why?"
"No."
"So tell me about your sister."
"You have Stacy's record?" I asked.
"We do."
"I'm not sure what I can add."
"You two are estranged, correct?"
Estranged. Did that apply to Stacy and me? "I love her," I said slowly.
"And when was the last time you saw her?"
"Six months ago."
"When Tara was born?"
"Yes."
"Where?"
"Where did I see her?"
"Yes."
"Stacy came to the hospital," I said.
"To see her niece?"
"Yes."
"What happened during that visit?"
"Stacy was high. She wanted to hold the baby."
"You refused?"
"That's right."
"Did she get angry?"
"She barely reacted. My sister is pretty flat when she's stoned."
"But you threw her out?"
"I told her she couldn't be a part of Tara's life until she was clean."
"I see," he said. "You were hoping that would force her back into rehab?"
I might have chuckled. "No, not really." "I'm not sure I understand."
I wondered how to put this. I thought of the smile in the family photo, the one without the front teeth. "We've threatened Stacy with worse," I said. "The truth is that my sister won't quit. The drugs are part of her."
"So you hold out no hope for recovery?"
There was no way I was about to voice that. "I didn't trust her with my daughter," I said. "Let's leave it at that."
Regan headed over to the window and looked out. "When did you move into your current residence?"
"Monica and I bought the house four months ago."
"Not far from where you both grew up, no?"
"That's right."
"Had you two known each other long?"
I was puzzled by the line of questioning. "No."
"Even though you grew up in the same town?"
"We traveled in different circles."
"I see," he said. "And just so I have it straight, you bought your house four months ago and you hadn't seen your sister in six months, correct?"
"Correct."
"So your sister has never visited you at your current residence?"
"That's right."
Regan turned to me. "We found a set of Stacy's fingerprints at your house."
I said nothing.
"You don't seem surprised, Marc."
"Stacy is an addict. I don't think she's capable of shooting me and kidnapping my daughter, but I've underestimated how low she could sink before. Did you check her apartment?"
"No one has seen her since you were shot," he said.
I closed my eyes.
"We don't think your sister could pull off something like this by herself," he went on. "She might have had an accomplice-a boyfriend, a dealer, someone who knew your wife was from a wealthy family. Do you have any thoughts?"
"No," I said. "So, what, you think this whole thing was a kidnapping plot?"
Regan started clawing at his soul patch again. Then he gave a small shrug.
"But they tried to kill us both," I went on. "How do you collect ransom from dead parents?"
"They could have been so doped up that they made a mistake," he said. "Or maybe they thought they could extort money from Tara's grandfather."
"So why haven't they yet?"
Regan did not reply. But I knew the answer. The heat, especially after the shooting, would be too much for crack-heads. Crack-heads don't handle conflict well. It is one of the reasons they snort or shoot themselves up in the first place-to escape, to fade away, to avoid, to dive down into the white. The media would be all over this case. The police would be making inquiries. Crack-heads would freak under that kind of pressure. They would flee, abandon everything.
And they would get rid of all the evidence.
--from No Second Chance by Harlan Coben, Copyright © 2003 by Harlan Coben, published by Dutton, a member of Penguin Group (USA) Inc., all rights reserved, reprinted with permission from the publisher.
--This text refers to an alternate kindle_edition edition.Review
From Publishers Weekly
Copyright 2003 Reed Business Information, Inc. --This text refers to the audio_download edition.
From Booklist
Copyright © American Library Association. All rights reserved --This text refers to the audio_download edition.
From AudioFile
Product details
- ASIN : B000OIZV6G
- Publisher : Dutton; Reprint edition (April 27, 2004)
- Publication date : April 27, 2004
- Language : English
- File size : 2390 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 362 pages
- Page numbers source ISBN : 0525947299
- Best Sellers Rank: #24,983 in Kindle Store (See Top 100 in Kindle Store)
- #315 in Kidnapping Thrillers
- #404 in Murder
- #693 in Psychological Thrillers (Kindle Store)
- Customer Reviews:
About the author

With over 70 million books in print worldwide, Harlan Coben is the #1 New York Times author of thirty one novels including RUN AWAY, FOOL ME ONCE, TELL NO ONE, NO SECOND CHANCE and the renowned Myron Bolitar series. His books are published in 43 languages around the globe.
Harlan is the creator and executive producer for the Netflix television dramas SAFE starring Michael C. Hall, Audrey Fleurot and Amanda Abbington, and THE FIVE starring Tom Cullen and OT Fagbenle. He is currently filming THE STRANGER, based on his novel, for Netflix starring Richard Armitage, Siobhan Finneran, Jennifer Saunders and Stephen Rea. Harlan was also showrunner and executive producer for two French TV mini-series, UNE CHANCE DE TROP (NO SECOND CHANCE) with Alexandra Lamy and JUST UN REGARD (JUST ONE LOOK) with Virginie Ledoyen. KEINE ZWEIT CHANCE, also based on Harlan’s novel, aired in Germany on Sat1.
Harlan’s novel TELL NO ONE (NE LE DIS A PERSONNE) was turned into the renowned French film, directed by Guillaume Canet and starring Francois Cluzet. The movie was the top box office foreign-language film of the year in USA, won the Lumiere (French Golden Globe) for best picture and was nominated for nine Cesars (French Oscar) and won four, including best actor, best director and best music. The movie with subtitles is now available on Netflix, Amazon Prime and DVD/Blu-Ray.
Winner of the Edgar Award, Shamus Award and Anthony Award – the first author to win all three – international bestselling author Harlan Coben’s critically-acclaimed novels have been called “ingenious” (New York Times), “poignant and insightful” (Los Angeles Times), “consistently entertaining” (Houston Chronicle), “superb” (Chicago Tribune) and “must reading” (Philadelphia Inquirer).
In his first books, Coben immersed himself in the exploits of sports agent Myron Bolitar. Critics loved the series, saying, “You race to turn pages…both suspenseful and often surprisingly funny” (People). After seven books Coben wanted to try something different. “I came up with a great idea that simply would not work for Myron,” says Coben. The result was the critically acclaimed New York Times bestseller TELL NO ONE, which became the most decorated thriller of the year. Two books later, Bookspan, recognizing Coben’s broad international appeal, named NO SECOND CHANCE its first ever International Book of the Month in 2003 – the Main Selection in 15 different countries.
Harlan was the first writer in more than a decade to be invited to write fiction for the NEW YORK TIMES op-ed page. His Father’s Day short story, THE KEY TO MY FATHER, appeared June 15, 2003. His essays and columns have appeared in many top publications including the New York Times, Parade Magazine and Bloomberg Views.
Harlan has received an eclectic variety of honors from all over the world. In Paris, he was awarded the prestigious Vermeil Medal of Honor for contributions to culture and society by the Mayor of Paris. He was won the El Premio del Novela Negra RBA in Spain, the Grand Prix de Lectrices in France, and the CWA/ITV3 Bestseller Dagger for favorite crime novelist in England. On the other end of the spectrum, Little League Baseball inducted Harlan into their Hall of Excellence in 2013, and Harlan is also a member of the New England Basketball Hall of Fame from his playing days at Amherst College.
Harlan was born in Newark, New Jersey. He still lives in New Jersey with his wife, Anne Armstrong-Coben MD, a pediatrician, and their four children.
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Marc is admirable in his desperate determination to get his child back. He also has an admirable profession — surgery to repair deformities and damage to the faces of children all over the world. He hasn’t always handled his relationships well though.
The plot is extremely intricate and rich in misdirection. There are some wonderful characters — like the gun nut with the Internet bride who volunteers to help Marc find his daughter — and the former child TV star turned killer. The love between her and her murderous boyfriend is both monstrous and touching. Love and greed fight for the spotlight in this book.
There’s millions of dollars of ransom money involved, which makes the cops suspect Marc of being the mastermind behind the criminal activity. Quite a number of people die violently on the twisty way to the surprise ending. No lack of action in No Second Chance!
I read this book compulsively. It’s one of Harlan Coben’s best.
Top reviews from other countries
The formula of a normal everyday person getting involved in life changing circumstances beyond his initial control and then having to take the initiative to sort out things in a way that his normal everyday life means is alien to him is nothing new. It is staple fare for both novels and indeed cinematic thrillers. But before that puts you off, remember that it is something that has been done before, by Coben and indeed other authors because it works. It delivers scenarios where the normal everyday reader can empathise with the protagonist and thus delivers the escapism we all look for in novels such as this.
So add to this successful formula Coben's skill at drawing characters and the ease of writing (which translates into ease of reading) and his storytelling skills and hey presto, you have a great selling book. Easy to explain, not as easy to do, although Coben makes it look so.
Frankly, if you like a good thriller, then here's a good thriller. It works, it's good and you will have enjoyment and value for money. So read it with confidence.
So many ups and downs, yet the story flows perfectly. And the culprit or the people who commit the crime are all intertwined in a dizzying frenzy. There may be some slight bewilderment, but you’ve got to finish the story to see how brilliant it is plotted. The ending is appalling.
Great read. This is going to be one of my go-to author for intriguing thriller.








