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Norma Jeane Baker of Troy Paperback – February 25, 2020
| Anne Carson (Author) Find all the books, read about the author, and more. See search results for this author |
| Price | New from | Used from |
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Anne Carson’s new work that reconsiders the stories of two iconic women―Marilyn Monroe and Helen of Troy―from their point of view
Winner of the Governor General Award in Poetry
Norma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed’s Griffin Theater in New York, starring actor Ben Whishaw and soprano Renée Fleming and directed by Katie Mitchell.- Print length64 pages
- LanguageEnglish
- PublisherNew Directions
- Publication dateFebruary 25, 2020
- Dimensions4.5 x 0.3 x 7.3 inches
- ISBN-10081122936X
- ISBN-13978-0811229364
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Editorial Reviews
Review
― Barbara Engel, Booklist
"This book fuses poetry, fun Greek history lexicon lessons, Helen, and Marilyn. 'War creates two categories of persons: those who outlive it and those who don't.//Both carry wounds.' Delicious couplets. There are dancers who have internalized the music to such a high vibration that they no longer fit into a strict categorization for what they do. They weave with the music in an ancient alien way. Anne Carson brings intergalactic musical moves to the written page. 'Hermione it’s me, hello hello hello hello hello.' I dare you to get to that line and not ache. How does an artist write this way? Brilliance and cherries light her stage"
― Young Eun Yook, Literati Bookstore
""Carson at her best: arresting, exact, at once surprising and unsurprised. She depends on Euripides throughout, but pushes him further than he was prepared to go.""
― Jeff Dolven, Public Books
"There’s no other writer that can present such demands on a feather pillow for the reader, fuse erudition with insights so fluidly, and naturalize unorthodoxy in a manner preserving stylistic originality with timeless thought."
― Rain Taxi
"There is a stark awareness nowadays that we need new ways of thinking about female icons like Helen or Marilyn Monroe, new ways to revolve the traditional male version of such events 360 degrees and find different, deeper sorrows there."
― Anne Carson
"There’s a long tradition of using original epics as the departure point for new texts that foreground minor characters in their antecedents. Carson has been writing into the cracks of the classical corpus her whole career, but in this book she is partially following in the footsteps of HD’s Helen in Egypt, itself a modernist epic poem. Carson places Marilyn Monroe alongside Helen of Troy and investigates the incendiary, nation-shaking potential of sex appeal."
― Stephanie Sy-Quia, The Guardian
About the Author
Product details
- Publisher : New Directions; 1st edition (February 25, 2020)
- Language : English
- Paperback : 64 pages
- ISBN-10 : 081122936X
- ISBN-13 : 978-0811229364
- Item Weight : 2.4 ounces
- Dimensions : 4.5 x 0.3 x 7.3 inches
- Best Sellers Rank: #852,963 in Books (See Top 100 in Books)
- #130 in Canadian Poetry
- #333 in Ancient & Classical Dramas & Plays
- #545 in Ancient & Classical Poetry
- Customer Reviews:
About the author

Anne Carson was born in Canada and teaches ancient Greek for a living. Her awards and honors include the Lannan Award, the Pushcart Prize, the Griffin Trust Award for Excellence in Poetry, a Guggenheim fellowship, and the MacArthur “Genius” Award.
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ヘレンのトロイは「雲」だったの(単なるファンタジーってことですな)。マリリン・モンローも「雲」だったの(はいはい、そりゃ当然)。そいでマリリン・モンローについて色々と出てくんだけど、情報は故意に無茶苦茶になっている。フリッツ・ラングと結婚…してないし、娘が…いない筈だ。わざとやってんですね。この事績弄りにどんな詩的意味や効果があるのかは謎。ちなみに日本の「風の電話」ネタも出てくるんで驚いた。
女は男のファンタジーの対象になるばかりで、戦争では語られぬ犠牲者で…トロイのヘレンに至っては戦争責任まで…「神は所詮は少年なのよ」。
こういうのを読む真面目な読者が五つ星レビューを書くことになっているのが透けて見える。アテクシはアン・カーソンさんを自身をどうこう言う気はない。エウリピデスでお世話になったし、知らない人や。「そういう文化の中で高評価間違いなしの戯曲」や言うている。
ホメロスのイリアスが何度も想起されるが、アレを「カッコいいアクション物」と見るファンの一群が気に入らないらしく違うわ違うわ言うてる。そういう路線なら、意味不明のぶつぶつを重ねるアン・カーソンより遥かに偉大なシモーヌ・ヴェイユの「The Iliad or the Poem of Force」を探して読みましょう。アテクシの邪推だが、アン・カーソンはクリストファー・ローグいうエゲレスの有名詩人(故人)がやった『War Music』ってイリアスの自己流焼き直しが相当に嫌いだったんじゃないかと。同じ英語圏の「詩人」で、共に有名で、ギリシア古典に執着する同士ったら意識してなかった筈がない。クリストファー・ローグはアン先生と違って古典ギリシア語を知らなかったしー??「戦争ってそんなものじゃないわ、それはそれは悲惨なものなのよ」と。アン先生、そんなこた誰でも知っています。時に、アテクシは男のファンタジーも女のファンタジーも自分のファンタジーも相当に気色悪い思ってるけど、アン先生は「恥ずいファンタジー」をお持ちでない?
さて、アン先生は古典ギリシア語を教える「先生」でもあるが、この「教職」って立場がこの場合イヤミな方向に出ている。頻繁に登場する古典ギリシア語の語源解説なんて読み進むうちにイラッとしてくる。語源好きのアテクシには面白いっちゃ面白いが、途中から語学力のヒケラカシじみてくんのよね。上から目線ってのか。まあアテクシのように出来の悪い「生徒」にはそう思えるってこと。以上、一応は最後まで行ったんで、三つ星。








