First off, let me just admit that I'm a Neil Gaiman fan boy. I love everything he's written. I live his style, his humor, his language.
The thing is...none of that's here. What we have is a more or less generic retelling of a few of the more famous Norse myths. If you're already familiar with them (which I am), then you'll find these retellings uninspired.
I'd recommend this book to anyone who hasn't read any Norse myths. Its an adequate introduction. Otherwise, there's no real point in bothering.
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NORSE MYTHOLOGY Paperback – January 26, 2017
by
GAIMAN NEIL
(Author)
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- LanguageEnglish
- PublisherBLOOMSBURY
- Publication dateJanuary 26, 2017
- Dimensions6.02 x 0.98 x 9.21 inches
- ISBN-101408886804
- ISBN-13978-1408886809
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Product details
- Publisher : BLOOMSBURY; First Edition (January 26, 2017)
- Language : English
- ISBN-10 : 1408886804
- ISBN-13 : 978-1408886809
- Item Weight : 14.8 ounces
- Dimensions : 6.02 x 0.98 x 9.21 inches
- Best Sellers Rank: #1,237,931 in Books (See Top 100 in Books)
- Customer Reviews:
Customer reviews
4.7 out of 5 stars
4.7 out of 5
13,887 global ratings
How are ratings calculated?
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzes reviews to verify trustworthiness.
5.0 out of 5 stars
Great Story Telling and Fabulous For Reading Out Loud!
Reviewed in the United States on July 23, 2017
This is genuine storytelling in the oral tradition. It is deliberately written as if you were listening to a grandmother telling the tale around the fire. Picture her waving her arms and leaning forward to emphasize a point, her voice going gutteral and silken interchangeably as she voices a giant or the Trickster Loki.A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that."It is a great story, with a perfect comedic last line.I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods.I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once."I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover.5 stars and a book to re-read with great pleasure!Happy Reader
Reviewed in the United States on July 23, 2017
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Reviewed in the United States on March 22, 2018
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Reviewed in the United States on July 22, 2017
A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that."
It is a great story, with a perfect comedic last line.
I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods.
I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once."
I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover.
5 stars and a book to re-read with great pleasure!
Happy Reader
Verified Purchase
This is genuine storytelling in the oral tradition. It is deliberately written as if you were listening to a grandmother telling the tale around the fire. Picture her waving her arms and leaning forward to emphasize a point, her voice going gutteral and silken interchangeably as she voices a giant or the Trickster Loki.
A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that."
It is a great story, with a perfect comedic last line.
I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods.
I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once."
I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover.
5 stars and a book to re-read with great pleasure!
Happy Reader
A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that."
It is a great story, with a perfect comedic last line.
I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods.
I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once."
I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover.
5 stars and a book to re-read with great pleasure!
Happy Reader
5.0 out of 5 stars
Great Story Telling and Fabulous For Reading Out Loud!
Reviewed in the United States on July 23, 2017
This is genuine storytelling in the oral tradition. It is deliberately written as if you were listening to a grandmother telling the tale around the fire. Picture her waving her arms and leaning forward to emphasize a point, her voice going gutteral and silken interchangeably as she voices a giant or the Trickster Loki.Reviewed in the United States on July 23, 2017
A prime example is the story of how poetry was born. "It is a long story, and it does no credit to anyone: there is murder in it, and trickery, lies and foolishness, seduction and pursuit. Listen.
It began not long after the dawn of time, in a war between the gods: the Aesir fought the Vanir. The Aesir were warlike gods of battle and conquest; the Vanir were softer, brother and sister gods and goddesses who made the soils fertile and the plants grow, but none the less powerful for that."
It is a great story, with a perfect comedic last line.
I had this idea that Norse mythology was dire and bleak. A mythology that ends with Ragnorök, the death of the gods and the end of the world doesn't sound entertaining. I couldn't be more wrong. For one thing, Ragnorök is the end of one cycle of the world. Like Wagner's Ring, the world will start over again, just as it once did to usher in the time of the gods.
I have read other books by Neil Gaiman, and so far, this is my favorite. I thought the writing exceptionally evocative. Obviously, Gaiman had some amazing original material to work with, but this was great fun to read. It brings fabulous images to mind, such as this from "Hymir and Thor's Fishing Expedition": "The grandmother with nine hundred heads killed each ox, skinned it, and tossed it into her enormous cooking pot. The pot boiled and bubbled over a fire which hissed and spat, and she stirred it with a spoon as big as an oak tree. She sang quietly to herself as she cooked, in a voice like a thousand old women all singing at the tops of their voices at once."
I usually buy paperbacks, but I got "Norse Mythology" in hardback, because the cover of the hardback is beautiful. The details of Thor's hammer, Mjölnir, are raised and the hammer glimmers. The story of why Thor's hammer is short-handled is included in this collection. Most of the depictions of the hammer in Viking jewelry and carvings show the handle even shorter than on the book cover.
5 stars and a book to re-read with great pleasure!
Happy Reader
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Reviewed in the United States on April 27, 2021
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If you know anything, just a little about Norse myths, you are way ahead of gaiman. He says he studied this and that read this and that. Obviously not to hard or he has trouble understanding what he read. Example when sits hair was removed by loki, the hair she got back was black. Thor is the son Odin had with his first wife. At least he got it right about loki being Odin step brother, first time I've ever heard blood brother though. I'm sure no one will ever see this review but even though I bought it, I wouldn't pick it up off the ground for free. Hey just my opinion. I've been reading and researching the norse at least for 40yrs.
36 people found this helpful
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Reviewed in the United States on December 27, 2018
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Havent started to read it yet, but am disappoint with the quality of the pages. The cover it beautiful and great quality but the pages look like a 5 year old took scissors to them. They are beyond cut uneven.
Havent started to read it yet, but am disappoint with the quality of the pages. The cover it beautiful and great quality but the pages look like a 5 year old took scissors to them. They are beyond cut uneven.
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45 people found this helpful
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Reviewed in the United States on March 10, 2017
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In "Norse Mythology", Neil Gaiman retells the Norse stories about the forming of the world, the creation of Yggdrasil and the Nine Worlds, how Odin lost his eye, how the gods got their treasures, Loki's children, Thor's journey to the land of the giants, the death of Balder, Ragnarok, and more. Gaiman previously adapted the Norse stories in some of his other works, like "American Gods" and "The Sandman" comics, but here he tells the stories in their own setting. Like any storyteller, he's updated the language a bit, except where older vernacular adds weight, and focuses on certain elements over others, but the major points of the stories hold true. Gaiman's update demonstrates why these stories remain relevant and continue to enthrall us. Fans of Thor, Odin, and Loki will find plenty to enjoy and younger readers wanting to know more about the characters they read about in comics or see in movies, much like Gaiman first learned of Thor from Jack Kirby and Stan Lee's stories, will learn to love the original tales from this retelling. Based on his previous work, Gaiman appears to have been working toward this for awhile and he doesn't disappoint.
250 people found this helpful
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Reviewed in the United States on March 18, 2017
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I wanted to have a fun read of Norse Mythology. Neil Gaiman provides that. He starts where he should, which means you have to start like you are a 5 year old first listening to a fable by the fire light. You have to meet these characters somewhere. Just a little later you will get the fun stories and the logic, or lack thereof, of these characters and worlds will play into the structure provided in the first pages.
There are no illustrations, leaving illustrated editions for some future artist. I appreciate this. I get to use my own imagination guided only by Gaiman's clear prose.
The stories are clear and concise. There is very little plodding, even when plodding is the activity in the story.
The book is properly designed. Great typeface, excellent page layout, nice weight to the paper. Unlike many current books your eyes don't trip on a minefield of typographical errors.
This book is what it is, and that is a lot. It isn't Stardust, Coraline, or American Gods, and you should not expect it to be.
There are no illustrations, leaving illustrated editions for some future artist. I appreciate this. I get to use my own imagination guided only by Gaiman's clear prose.
The stories are clear and concise. There is very little plodding, even when plodding is the activity in the story.
The book is properly designed. Great typeface, excellent page layout, nice weight to the paper. Unlike many current books your eyes don't trip on a minefield of typographical errors.
This book is what it is, and that is a lot. It isn't Stardust, Coraline, or American Gods, and you should not expect it to be.
63 people found this helpful
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Amazon Customer
2.0 out of 5 stars
Disappointing
Reviewed in the United Kingdom on August 2, 2018Verified Purchase
I really like Neil Gaiman's work but this was such a disappointment. I loved myths and legends as a child, especially the Norse ones, and hadn't read a collection of Norse stories for many years. So I was really looking forward to one of my favourite set of myths being retold by one of my favourite authors. Gaiman mentions that many of the Norse myths have been lost over time - we know of certain characters but we don't know what they did in their stories as they were not preserved. ,Unfortunately Gaiman seems to think this is a licence for telling these stories in a clipped and disjointed way. There's no emotion in the tales, and they lack cohesion, seemingly lurching from one scene to the next in abrupt transitions. A real pity
68 people found this helpful
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Barry Mulvany
3.0 out of 5 stars
I always loved reading about these myths when I was a kid
Reviewed in the United Kingdom on May 15, 2018Verified Purchase
This is a new retelling of Scandinavian Mythology. It follows the familiar pattern from origin myths to Ragnarok. Most of the stories follow Odin, Thor and Loki as there is the most material on them according to the author. I always loved reading about these myths when I was a kid, more so than the Greek or Roman ones, so I had high hopes for this, particularly as it's written by Neil Gaiman. And it was perfectly fine. Nothing especially wrong with it but nothing that stood out either. I was expecting more, what that more is I don't know but I wanted it nevertheless. It's also a very short read. The book is circa 260 pages but with normal formatting it could have been 100.
67 people found this helpful
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KB
2.0 out of 5 stars
Total lack of creativity
Reviewed in the United Kingdom on August 13, 2018Verified Purchase
Entirely possible I missed something here. I was excited when I saw this in the airport on the best seller list. At the end of the book I am unsatisfied - I expected more, I am lost. I mean, the stories are told - standard. The stories in and of themselves are wonderful, magical, but where is the creative input by this author? I struggled to find it.
Feels like a low effort money maker.
Buy 'D'Aulaires' Book of Norse Myths' instead, it has pictures.
Feels like a low effort money maker.
Buy 'D'Aulaires' Book of Norse Myths' instead, it has pictures.
47 people found this helpful
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David Brookes
5.0 out of 5 stars
THOR't it would be worse
Reviewed in the United Kingdom on December 27, 2018Verified Purchase
I thought Gaiman would make these stories to flimsy and whimsical to enjoy, but he does a great job. It THUNDERS along at LIGHTNING pace. Covers all the main stories in an engaging way, and Gaiman didn't stomp all over them to make them his own. I wouldn't say he fully steps aside, but that's the charm of the collection.
There are probably more stories that could have been included, but he cherry picked the important ones so that's fine.
Naturally the hardback was in enormous print with nice thick pages, to make us think it was a more substantial book, but I got it half price so who cares. You'll probably finish it in 3 sittings and really enjoy yourself. Feel free to add better puns when you comment on this glib review.
8/10
David Brookes
Author of 'Cycles of Udaipur'
There are probably more stories that could have been included, but he cherry picked the important ones so that's fine.
Naturally the hardback was in enormous print with nice thick pages, to make us think it was a more substantial book, but I got it half price so who cares. You'll probably finish it in 3 sittings and really enjoy yourself. Feel free to add better puns when you comment on this glib review.
8/10
David Brookes
Author of 'Cycles of Udaipur'
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Shelly Bajwa
5.0 out of 5 stars
In love with Gaiman's storytelling!
Reviewed in India on April 6, 2018Verified Purchase
I bought this book last year when it was still hot off the press simply because it contained the words Norse and Mythology in one title. I’m a huge, HUGE mythology fan and Norse Mythology is on of those lesser known gems that have not yet been completely discovered and talked about as much as Greek or Egyptian Myths. To me, the fact that this was one concise guide to another beautiful, obscure culture and it’s roots was more than enough an incentive to buy it.
Norse Mythology is a collection of stories that explain in detail important concepts and foundations of the North Germanic people. Although with the uprising of Christianity, most of the literature and scriptures have been lost but a few passed on works have still survived through the concealment of the Gods as kings and princes so as to appease the Christian rule. Neil Gaiman has taken the stories from the poem called Edda and put through the situations through a little fictional magic of his own.
He goes on to explain the conception of the world according to Norsemen and how the use of pagan symbols and worship slowly formed a full fledged religion. The importance of the world tree Yggdrasil is understood as it marks the centre of the Norse Universe, stemming 9 realms from it. The Gods are born of a giant called Ymir and it’s his sons, Odin, Vili and Vè who later on slay him to create the remainder of all in existence, including Asgard and Midgard. The beginning also marks the existence of the end, Ragnarok. The Norse Universe exist on this very phenomenon that one day, the fire demon Surtr will bring the Norse Universe to an end with his flaming sword as it will slash through gods and mortals alike to lay it all to ruin.
The myths of Thor, Loki, Balder, Heimdall and other gods are presented through stories and narratives also highlighting all the important incidents such as Odin becoming an All-Father, how Mjollnir became Thor’s weapon, the creation of beasts and Hell and Valhalla, etc.
My main fascination was with the differences between the actual myths and the ones portrayed by pop culture. The following are the major points of differences:
In the Marvel universe, Loki is referred to as the adopted brother of Thor but in reality, he is the blood brother of Odin instead.
Hela is shown as a beautiful creature that rules the darkness and is the firstborn of Odin but infact, Hel is one of the offspings of Loki with the giantess Angrboda and is half corpse and half alive. It is Odin who sends her to rule the land of the underworld where she takes care of all the souls who didn’t die in battle and greatness and go on to Valhalla, the Norse Heaven.
Thor is handsome and built and strong, is good at heart even if impulsive. However, unlike the suave Chris Hemsworth, he is also, to put it politely, dimwitted.
Fenris the wolf is not a pet adopted by Hela/Hel but is one of the 3 monster children of Loki and Angrboda.
The fact that you get to meet another set of Gods according to a culture that basically thrived and flourished on battles and plundering, it is not astonishing to see that they are not perfect. The stories often drip of betrayal, jealousy, hatred and cunning which were obviously very essential qualities for a culture such as that. The Gods aren’t picture perfect and show through their own human traits which is what makes it as engaging and realistic as it is.
This was my first ever Neil Gaiman book and Needless to say, I am spellbound. The manner in which the stories are narrated actually feels like an age old storyteller, sitting in the woods in front of a bonfire to speak of the Gods and their long forgotten tales of valour, humour and cunning.
Often when a culture and it’s myths are retold, there remains the risk of either overdoing the creativity or understating the actual facts. This book was the perfect example of what literary and creative restraint look like. Gaiman made sure you got all the facts, a laugh and then some but without disturbing the credibility of the actual mythology. He has tried every possible way to maintain the sanctity of the culture without making it too factual and boring.
If you aren’t a non fiction lover and would not want all the extra information but would like to skip over to the stories, you can simply skip over the first 20 or so pages but don’t. YOU NEED ALL THE INFORMATION FOR IT ALL TO MAKE SENSE!!!
A 5 star read that actually made me smile and laugh after so long. Definitely a read worthy of all the hype.
Norse Mythology is a collection of stories that explain in detail important concepts and foundations of the North Germanic people. Although with the uprising of Christianity, most of the literature and scriptures have been lost but a few passed on works have still survived through the concealment of the Gods as kings and princes so as to appease the Christian rule. Neil Gaiman has taken the stories from the poem called Edda and put through the situations through a little fictional magic of his own.
He goes on to explain the conception of the world according to Norsemen and how the use of pagan symbols and worship slowly formed a full fledged religion. The importance of the world tree Yggdrasil is understood as it marks the centre of the Norse Universe, stemming 9 realms from it. The Gods are born of a giant called Ymir and it’s his sons, Odin, Vili and Vè who later on slay him to create the remainder of all in existence, including Asgard and Midgard. The beginning also marks the existence of the end, Ragnarok. The Norse Universe exist on this very phenomenon that one day, the fire demon Surtr will bring the Norse Universe to an end with his flaming sword as it will slash through gods and mortals alike to lay it all to ruin.
The myths of Thor, Loki, Balder, Heimdall and other gods are presented through stories and narratives also highlighting all the important incidents such as Odin becoming an All-Father, how Mjollnir became Thor’s weapon, the creation of beasts and Hell and Valhalla, etc.
My main fascination was with the differences between the actual myths and the ones portrayed by pop culture. The following are the major points of differences:
In the Marvel universe, Loki is referred to as the adopted brother of Thor but in reality, he is the blood brother of Odin instead.
Hela is shown as a beautiful creature that rules the darkness and is the firstborn of Odin but infact, Hel is one of the offspings of Loki with the giantess Angrboda and is half corpse and half alive. It is Odin who sends her to rule the land of the underworld where she takes care of all the souls who didn’t die in battle and greatness and go on to Valhalla, the Norse Heaven.
Thor is handsome and built and strong, is good at heart even if impulsive. However, unlike the suave Chris Hemsworth, he is also, to put it politely, dimwitted.
Fenris the wolf is not a pet adopted by Hela/Hel but is one of the 3 monster children of Loki and Angrboda.
The fact that you get to meet another set of Gods according to a culture that basically thrived and flourished on battles and plundering, it is not astonishing to see that they are not perfect. The stories often drip of betrayal, jealousy, hatred and cunning which were obviously very essential qualities for a culture such as that. The Gods aren’t picture perfect and show through their own human traits which is what makes it as engaging and realistic as it is.
This was my first ever Neil Gaiman book and Needless to say, I am spellbound. The manner in which the stories are narrated actually feels like an age old storyteller, sitting in the woods in front of a bonfire to speak of the Gods and their long forgotten tales of valour, humour and cunning.
Often when a culture and it’s myths are retold, there remains the risk of either overdoing the creativity or understating the actual facts. This book was the perfect example of what literary and creative restraint look like. Gaiman made sure you got all the facts, a laugh and then some but without disturbing the credibility of the actual mythology. He has tried every possible way to maintain the sanctity of the culture without making it too factual and boring.
If you aren’t a non fiction lover and would not want all the extra information but would like to skip over to the stories, you can simply skip over the first 20 or so pages but don’t. YOU NEED ALL THE INFORMATION FOR IT ALL TO MAKE SENSE!!!
A 5 star read that actually made me smile and laugh after so long. Definitely a read worthy of all the hype.
Shelly Bajwa
Reviewed in India on April 7, 2018
Norse Mythology is a collection of stories that explain in detail important concepts and foundations of the North Germanic people. Although with the uprising of Christianity, most of the literature and scriptures have been lost but a few passed on works have still survived through the concealment of the Gods as kings and princes so as to appease the Christian rule. Neil Gaiman has taken the stories from the poem called Edda and put through the situations through a little fictional magic of his own.
He goes on to explain the conception of the world according to Norsemen and how the use of pagan symbols and worship slowly formed a full fledged religion. The importance of the world tree Yggdrasil is understood as it marks the centre of the Norse Universe, stemming 9 realms from it. The Gods are born of a giant called Ymir and it’s his sons, Odin, Vili and Vè who later on slay him to create the remainder of all in existence, including Asgard and Midgard. The beginning also marks the existence of the end, Ragnarok. The Norse Universe exist on this very phenomenon that one day, the fire demon Surtr will bring the Norse Universe to an end with his flaming sword as it will slash through gods and mortals alike to lay it all to ruin.
The myths of Thor, Loki, Balder, Heimdall and other gods are presented through stories and narratives also highlighting all the important incidents such as Odin becoming an All-Father, how Mjollnir became Thor’s weapon, the creation of beasts and Hell and Valhalla, etc.
My main fascination was with the differences between the actual myths and the ones portrayed by pop culture. The following are the major points of differences:
In the Marvel universe, Loki is referred to as the adopted brother of Thor but in reality, he is the blood brother of Odin instead.
Hela is shown as a beautiful creature that rules the darkness and is the firstborn of Odin but infact, Hel is one of the offspings of Loki with the giantess Angrboda and is half corpse and half alive. It is Odin who sends her to rule the land of the underworld where she takes care of all the souls who didn’t die in battle and greatness and go on to Valhalla, the Norse Heaven.
Thor is handsome and built and strong, is good at heart even if impulsive. However, unlike the suave Chris Hemsworth, he is also, to put it politely, dimwitted.
Fenris the wolf is not a pet adopted by Hela/Hel but is one of the 3 monster children of Loki and Angrboda.
The fact that you get to meet another set of Gods according to a culture that basically thrived and flourished on battles and plundering, it is not astonishing to see that they are not perfect. The stories often drip of betrayal, jealousy, hatred and cunning which were obviously very essential qualities for a culture such as that. The Gods aren’t picture perfect and show through their own human traits which is what makes it as engaging and realistic as it is.
This was my first ever Neil Gaiman book and Needless to say, I am spellbound. The manner in which the stories are narrated actually feels like an age old storyteller, sitting in the woods in front of a bonfire to speak of the Gods and their long forgotten tales of valour, humour and cunning.
Often when a culture and it’s myths are retold, there remains the risk of either overdoing the creativity or understating the actual facts. This book was the perfect example of what literary and creative restraint look like. Gaiman made sure you got all the facts, a laugh and then some but without disturbing the credibility of the actual mythology. He has tried every possible way to maintain the sanctity of the culture without making it too factual and boring.
If you aren’t a non fiction lover and would not want all the extra information but would like to skip over to the stories, you can simply skip over the first 20 or so pages but don’t. YOU NEED ALL THE INFORMATION FOR IT ALL TO MAKE SENSE!!!
A 5 star read that actually made me smile and laugh after so long. Definitely a read worthy of all the hype.
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