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Nothing is True but Everything is Possible Paperback – November 10, 2015
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Professional killers with the souls of artists, would-be theater directors turned Kremlin puppet-masters, suicidal supermodels, Hell's Angels who hallucinate themselves as holy warriors, and oligarch revolutionaries: welcome to the wild and bizarre heart of twenty-first-century Russia. It is a world erupting with new money and new power, changing so fast it breaks all sense of reality, home to a form of dictatorship-far subtler than twentieth-century strains-that is rapidly rising to challenge the West.
When British producer Peter Pomerantsev plunges into the booming Russian TV industry, he gains access to every nook and corrupt cranny of the country. He is brought to smoky rooms for meetings with propaganda gurus running the nerve-center of the Russian media machine, and visits Siberian mafia-towns and the salons of the international super-rich in London and the US. As the Putin regime becomes more aggressive, Pomerantsev finds himself drawn further into the system.
Dazzling yet piercingly insightful, Nothing Is True and Everything Is Possible is an unforgettable voyage into a country spinning from decadence into madness.
- Print length256 pages
- LanguageEnglish
- Publication dateNovember 10, 2015
- Dimensions5.5 x 0.64 x 8.25 inches
- ISBN-101610396006
- ISBN-13978-1610396004
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Editorial Reviews
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Longlisted for the 2015 Samuel Johnson Prize
An Amazon.com Best Book of the Month, November 2014
"Captivating...keen observations."―New York Times Book Review
"Sparkling collection of essays."
―Wall Street Journal
"This is a gripping and unsettling account of life in grim post-Soviet Russia."―Washington Post
"A scintillating take on a twisted reality."―Prospect Magazine
"A patchwork tapestry that leaves you shaking your head in disbelief."―The Guardian
"Everything you know about Russia is wrong, according to this eye-opening, mind-bending memoir of a TV producer caught between two cultures... the stylish rendering of the Russian culture, which both attracts and appalls the author, will keep the reader captivated."―Kirkus, Starred Review
"Sometimes horrifying but always compelling, this book exposes the bizarre reality hiding beneath the facade of a 'youthful, bouncy, glossy country.'"―Publishers Weekly
"It is hard to think of another work that better describes today's Russia; Nothing Is True and Everything Is Possible may very well be the defining book about the Putin era. This might seem like excessive praise for a relatively short, non-academic memoir by a reality-TV producer now living in London, but it is justified by the author's gimlet eye and reportorial skill."―Commentary Magazine
"A brilliant, entertaining, and ultimately tragic book about not only Russia, but the West."―Tablet Magazine
"Enthralling... his exquisite rendering of mind-control techniques is chilling."―Times Literary Supplement
"Brilliant collection of sketches...powerful, moving and sometimes hilarious."―Washington Times
"Hauntingly perceptive and beautifully written."―New Statesman [UK]
"[A] tale of descending into and eventually emerging from Moscow's hallucinogenic reality."―Foreign Affairs
"[A] riveting, urgent book ... Pomerantsev is one of the most perceptive, imaginative and entertaining commentators writing on Russia today and, much like the country itself, his first book is seductive and terrifying in equal measure."―The Times (UK)
"This is the strangest book of note I have ever read... a dark and grotesque comedy of manners... His reporter's straightforward and unlimited curiosity, his willingness to plow and harrow the widest fields for facts, and his exacting descriptive details give him credibility. Plus, what he tells us is so incredible."
―P.J. O'Rourke, World Affairs Magazine
"A riveting portrait of the new Russia with all its corruption, willful power and spasms of unforgettable, poetic glamor. I couldn't put it down."―Tina Brown
"Peter Pomeranzev, one of the most brilliant observers of Putin's Russia, describes a country obsessed with illusion and glamor, but with a dangerous, amoral core beneath the surface. Nothing is True and Everything is Possible is an electrifying, terrifying book."―Anne Applebaum, author of Gulag and Iron Curtain, winner of the Pulitzer Prize for Nonfiction
About the Author
Product details
- Publisher : PublicAffairs; Reprint edition (November 10, 2015)
- Language : English
- Paperback : 256 pages
- ISBN-10 : 1610396006
- ISBN-13 : 978-1610396004
- Item Weight : 8 ounces
- Dimensions : 5.5 x 0.64 x 8.25 inches
- Best Sellers Rank: #158,148 in Books (See Top 100 in Books)
- #46 in Russian & Soviet Politics
- #144 in Human Geography (Books)
- #265 in Russian History (Books)
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Peter Pomerantsev was a producer for a Russian television station which gave him an inside pass to virtually anyplace he wanted to go in Russian culture, with the exception possibly of Putin's office (but Pomerantsev gets pretty close to there also). For those who have never seen Moscow, the author has the ability to make you feel you are in all parts of Moscow, usually its most expensive highrise center closest to the Kremlin, then past the endless concentric circular freeways around the center but further and further away from it, where you at last end up way out in the suburds in the muddy polluted yard of a complex of iconic Soviet block slum apartments and charmless cheaply made office buildings.
But the essence of the book is not the author's expert setting of the scene, its the inside look at how the society functions: the opposition political parties paid for and directed by the Kremlin; the male dominated world of the oligarchs living grandly off the graft, corruption and theft of the national assets, with how much any particular oligarch gets determined by how close he or she is to the Kremlin. Then, right when you believe you know how it all works, you meet a millionaire who earned his money honestly in the confusion of the conversion to "capitalism" (in quotes because Russia really only barely looks now like a capitalist state on the surface), who became legitimately terrified of being killed by customers on his accounts revievable list.
Then there are the women. The wives of the oligarchs seldom spend time in Moscow. They are living an exquisite jet set existence with a primary base in London, while the husbands toil away stealing in Moscow living in penthouses of new luxury highrises with littered halls. The wealthy wives have reason to worry about what their husbands are doing alone in Moscow, as the husbands are not alone. There is a whole cottage industry of mistresses who trot from oligarch to oligarch as their sugar daddies tire of them, and learn their skills at places such as "Golddiggers' Academy." One step down from the mistresses are the bar prostitutes who do the best when they don't look like prostitutes.
Pomerantsev shows us the active self help industry such as the US had in the late Seventies and Eighties (remember "EST"?), and how it caused the death of two supermodels. He also surprisingly shows Russia's domination of the international modeling industry.
What is certainly a wake up call is Pomerantsev's descrption of traditional "Russian values" in a very new state. He explains first off, that Russia has no positive role models to use as national historic heroes. After all, even Peter the Great was a tyrant who killed thousands building St. Petersburg. Now, the Putin supported values are racism directed towards anyone not pure Slav white, dangerous homophobia accompanied by torture, and supposedly Russian Orthodoxy though hardly anyone goes to church (with the exception of the biker gang Putin belongs to - the "Night Wolves."
The author also describes the latest hassle for the wealthy. When you are an oligarch in Russia, you really never own anything inside Russia, because the prevailing winds of favoritism in the government change constantly. Also, Russian oligarchs have learned their lesson from the aristocrats who brought back all their foreign invested money to Russian before WWI and the Revolution, and ended up penniless. Thus, there is a mad rush by oligarchs to invest as absolutely much as possible out of the country. Now, however, with the economy spinning out of control and sanctions with asset freezes, Putin has made it illegal to transfer any money out of Russia. Not only was a similar strategy used on a volunteer basis right before WWI, but this was also the rule of law in apartheid South Africa, and was a huge disinventive for whites to emigrate.
Pomerantsev is scared that Russia is a vision of the future and appears to see it growing in power. I disagree. The impression I got of the Russia Pomerantsev shows was of a skyscraper standing on an extremely shaky foundation.
This book has a haunting quality to it, like a glimpse into a disturbed and fragmented mind. The cast of characters is esoteric and the feelings they produce in the reader oscillates between revulsion and sorrow, laughter and sorrow, hope and. . . you get the idea.
The first person we are introduced to is Oliana, AKA the gold digger. There are clubs where the girls go to try and meet a man, preferably a wealthy and well connected man who will set them up in a secret apartment where they will get to live in luxury under lock and key. You want to scream at them, “where’s your pride?” Then you hear how all of them are fatherless: the ballet dancers, the gold diggers, the prostitutes, and supermodels. And then you hear her describe three days of rape in this disconnected and unemotional way.
We all compartmentalize.
Pomerantsev’s book is about so much more than that though. It’s all about the manipulation of image, news, thoughts. . . In his view, whatever the country thinks it needs, Vladimir Putin wants to be the answer. He wants to be the father-figure. He wants to be the gangster president. You want an opposition party? The Kremlin has one, but it will eventually proven weaker than the President.
Westerners go to Russia and try to remake it in the image of the West. But that can’t be done. “This isn’t a country in transition but some sort of postmodern dictatorship that uses the language and institutions of capitalism for authoritarian ends.”
You can go to prison just for owning a company. Bribes are an accepted part of the business and legal world and you can steal all you want as long as you don’t challenge the President.
Developers send out arsonists to burn people out of their homes.
Military service is mandatory and people will sell their souls to avoid it.
Models with their whole lives in front of them swan dive to their deaths.
A former oligarch hangs himself in his London bathroom.
Everyone who makes money in Russia moves it to London or Switzerland.
And what’s the point of all this? “Look underneath the Kremlin’s whirligig, and don’t you see the most precise, hard calculations? For if one part of the system is all about wild performance, another is all about slow, patient co-optation.” Russia, as a country, seems to love the game of chess. But I don’t see any advantage to supporting a system that sucks all of the resources out of the land. Is it a feint? A pin? A king’s gambit? Or is it a skewer?
And perhaps the worst thing about this book is all the parallels that I see happening throughout the rest of the world, including the United States.
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Eu havia acabado de ler os Romanov, então a leitura deste livro foi muito proveitoso.








